• Audio* description: mediation by von Luschan (see correspondence). In the MV Ethnographica.

• Audio* description: Inscription: Wirz New Guinea, therefore partly confused with New Guinea I (1927). At EB Schneider: Wirz Südsee Brit. South N.G. and Holl. Süd N.G. The collection consists of two parts, 19 W. from the British North New Guinea, 17 W. from the Dutch South New Guinea. The original numbering begins in the south and follows as No. 18 - 36 the second part. In PHA, the numbering was reversed: W. 1 starts at the original No. 18 and ends at 34 at the original No. 15. The original rollers 16 and 17 were obviously not invenatrised. Short remarks are available.

• Audio* description: Inscription: Wirz New Guinea or Wirz New Guinea 1927 (in contrast to the second New Guinea collection of 1930). At EB Schneider: Wirz South Pacific New Guinea. Correspondence received.

• Audio* description: Remarks and texts of the recordings are partly available. Correspondence exists.

• Audio* description: According to Lt. Briefwechsel Verschueren had already used wax rollers for Jaap Kunst. In Lamsweerde (1994:273) you can find a list of these reels. Transcriptions in Art 1950. Transcriptions are also available from Marius Schneider, a planned publication together with Hans Nevermann obviously did not come about. Schneider prepared a publication of the sound recordings (title cited in Schneider 1939: 277), which however did not appear...

• Audio* description: There are detailed remarks to the recordings and texts. Extensive correspondence available. At Hornbostel's suggestion, Zahn changed his intention to record only Christian songs. See also Zahn 1920 (Mission and Music). The rollers were sent to Berlin in several shipments, there are several documentaries written by Zahn. The roll recordings of the Triton choir are not mentioned in the document, but cf. letter of 26.10.1928. W. 33 is published on the CD 100 Jahre (1/15).

• Audio* description: The collection consisted of 51 drum recordings, of which 50 are available. The original drum inscription is Thorbecke Kamerun II. Remarks on individual recordings are available, but no text transcriptions are available. The recordings were transcribed and edited by Wilhelm Heinitz (see also Correspondence). Transcriptions and analyses by W. Heinitz in Thorbecke (1919). An assignment of the transcriptions to the rollers is only possible after interception, since the collections Cameroon I and II are not differentiated.

• Audio* description: The collection consisted of 45 roll recordings, 37 of which are available. The original inscription of the rolls is THO KA, there was confusion with the Tessmann Collection (Sigel TE KA). The rollers were transcribed and edited by Wilhelm Heinitz for publication (see also Correspondence). Transcriptions and analyses by W. Heinitz in Thorbecke (1919). An assignment of the transcriptions to the rollers is only possible after interception, since the collections Cameroon I and II are not differentiated.

• Audio* description: There are no documents about this collection, the mediation of phonographic recordings was done by Westermann. FE 37: Reports, lectures and publications on Stoevesandt's journey are available at the Norddeutsche Missionsgesellschaft Bremen.

• Audio* description: Some transcriptions in Hornbostel (1907) and Hübner (1938), including illustrations of instruments. Documents available in the MV.

audio

• Audio* description: The identification of the rolls was done according to the inventory numbers (Inv.nr. 215 - 248). This collection is a continuation of the Smend I collection, which was numbered separately. The name of the collection does not differ from Smend I. The inscription of the rollers is different: Roman numerals (as opposed to Smend I), SM [W AFR] Roman numerals, Smend Eve Arabic numerals. Ingrid Bertleff wrote a detailed commentary on the roll stock in 1998. The rolls 4 and 15 were included in the Dem. coll. as no. 76 and 77. Detailed remarks and texts are available. Extensive correspondence with the PhA and MV available. Transcriptions are scattered throughout many publications.

• Audio* description: The identification of the rolls was done according to the inventory numbers (Inv.nr. 167 - 214). This collection is a separately numbered part of an extensive collection. The original name of the collection was: Smend West-Afrika (Togo). The marking of the rollers is very different: no marking, Roman numerals, Arabic numerals, SM Arabic numerals, Smend Togo Arabic numerals. Ingrid Bertleff wrote a detailed commentary on the roll stock in 1998. The rolls 14, 32, 30 were included in the Dem. coll. as No. 75, 78 and 79. Detailed remarks and texts are available. Extensive correspondence with the PhA and MV available. Transcriptions are scattered throughout many publications. W. rom. 5 is published on the CD 100 years (1/22).

• Audio description: Lettering of the rollers: Schlunk Togo. A short correspondence is available, after that only 37 rollers were sent to Berlin. Further documents on this collection have not yet been discovered.

• Audio* description: These are copies of recordings from the Vienna Phonogrammarchiv, the rollers are labeled with the numbers of the corresponding records. The collection represents a selection of all records recorded by Pöch between 1904 and 1906. Handwritten lists suggest that Hornbostel compiled this selection himself. Extensive commentaries, texts and transcriptions in Niles 2000. Transcriptions also in Graf 1950. All recordings are published on the CD Wien.

• Audio* description: The label of the collection is: P number. These rollers are original recordings with the Edison phonograph, which were intended as preliminary studies for recordings with the Wiener Archivphonograph. In Vienna there are recordings of the same content with the same warrantors that were made a few days later (cf. also Niles 2000: 24). Extensive commentaries, text translations, transcriptions in Niles 2000. Transcriptions also in Graf 1950. Extensive correspondence between Pöch and Hornbostel available. W. 11 is published on the CD 100 years (1/12), comment Don Niles.

• description: Inscription: Neuhauß New Guinea. For the technique of the photographs see Neuhauss 1911b:6 - 7. The rollers 2, 18, 75, 83 were taken over into the Dem.coll. as no. 42 - 45. Extensive correspondence is available. Detailed remarks to the recordings and many texts are available, partly published in Neuhauss 1911:498 ff. Some transcriptions in Christensen 1957 and 1970, Hornbostel 1920b, and Schneider 1934a, 1937a, 1938b, 1951a. Further documents (ethnographica, films, photos etc.) in the EM. W. 18 is published on the LP FE 4175.* Audio

• description: Inscription: MOSZK Holl.Neuguinea. The rollers were initially located in the Museum für Völkerkunde and were later handed over to the PHA. Correspondence available. Further documents (files, photos, ethnographica) in the EM. N.B: The reels 13 - 18 could not be played over anymore because of too strong mould infestation.* Audio

• description: Marking of the rollers: MA KA. Correspondence available. Transcriptions of three songs (Abraham

• Audio* description: Liver Samoa W. 20 has been listed as No. 57 in the Dem. Coll. You got it. Correspondence has been exchanged. Some transcriptions in Hornbostel 1920b, Kolinski 1930 and Schneider 1934a. W. 20 is published on LP FE 4175.

• Audio* description: Label: Landtman Kiwai. Rollers I and II, which were initially labeled as test shots, were inventoried as No. 45 and 46. W.18 was transferred to Dem. Coll as number 41. Detailed information and comments to the photographs were written by the collector himself. Correspondence available. Transcriptions in Schneider 1934a.

• Audio* description: The collection is registered as penultimate in the EB Schneider and was still completely galvanized, but the majority of the galvanos were lost in the war. See also Art 1967c:104-5. Correspondence available. Accordingly, Hero was recommended by Josselin de Jong (letter of 31.10.36). Detailed remarks on the recordings and complete lyrics are available (original Dutch, English translation by L. van Proosdij 1995).

• Audio* description: Göhring received the phonograph from Franz Thorbecke. The collection was not galvanized, because it is mainly about speech recordings and Christian songs. There's a letter. Further information on the

• Audio* description: The rollers have the following inscriptions: CH DR, Dubois-R., Dubois-Reymond. The rollers were sent to Berlin in various consignments, partly by post, partly by messenger. A detailed description and commentary of the photographs by the collector is available. Extensive correspondence is available. Transcriptions of some pieces in Fischer (1910), Lachmann (1929c) and Reinhard (1939, 1956c). A manuscript by Marie Dubois-Reymond "Diaries on Chinese Music", 1908 - 11, is said to exist (Walravens 2001:349).

• Audio* description: Some rolls recorded in 1906 were later added to the collection under a new number. The rollers 3 (Zeramo) and 28 (Hehe) were taken over as no. 109 and 110 in the Dem. Coll. There is a connection to the collection Dempwolff East Africa II. Extensive correspondence is available. Individual transcriptions can be found in Schneider 1934a and c. Some texts can be found in original language and German translation in Dempwolff 1914:127 ff.

• Audio* description: Marking of the rollers: Börnstein Bismar[c]k Arch. or Börnstein Südsee. In the original documentation only 108 rolls are mentioned. Another numbering counts until 190 (see postcard to Hornbostel from 1914: 6 Tins - 108 Walzen - 190 Phonogramme). There are many cross-references under the numbers. Correspondence available. Many of the rollers are transcribed by Hübner and Schneider. For collectors and collection see also Niles 2001. The open questions could not be clarified so far.