description: Contains:StartVNr: E 1761/1911; EndVNr: E 1596/1912; and others: Cooperation with the Meereskundemuseum, (1911), pp. 20, and the Naturkundemuseum, Berlin, (1912), pp. 107, 164, 316 - Exchange with the Kunstgewerbemuseum, Berlin, (1911, 1912), pp. 13, 253 - Cooperation with the Museum für Völkerkunde, Leipzig, (1911, 1912), pp. 26 f., 396 et seq., the Kaiser Friedrich Museum, Görlitz, (1912), p. 90 - Distribution or exchange of doublets with the Museums für Völkerkunde, Basel, p. 184, Hamburg, p. 179, 184 et seq, Lübeck, pp. 73 ff., Frankfurt a.M., pp. 183, 186 f., and Stuttgart, (1912), pp. 184, 189 - Cooperation with the Royal Library, Berlin, (1912), pp. 93 f.- Cooperation with the Governor of Togo, (1911), p. 19 - Cooperation with the Gesellschaft Süd-Kamerun, Hamburg, (1911), p. 59, and the Kriegsmarine-Ausstellung, Fulda, Magdeburg, (1911, 1913), p. 63 - Graetz: Report on the "German Motorboat Expedition through Africa", p. 113 ff.., "The Watua (Batua).", (1912), pp. 123 ff. - Staudinger: Skeletons, (1912), pp. 168 ff. - Ankermann: Visit of the Collection Kracke, p. 198, the Collection Konietzko, p. 400, and report on a business trip to Hamburg and Lübeck, (1912), p. 344 - van Gennep: Report on cultural circles, p. 229 ff., and on textiles from North Africa, (1912), p. 246 ff. Fischer: Report on Bushman art and a grave, (1912), pp. 321 ff. - Negotiations with the Reichskolonialamt, Berlin, and the Kolonialinstitut, Hamburg, on the exploration of the ruins in East Africa, (1912), pp. 332 ff. - Report on Nomoli (soapstone figures) from French Guinea, [1912], pp. 408 f. - Re-inventarization, (1959), pp. 346.

Table of Contents/Rubrum (pages 3-9). Correspondence with the main board of the Allgemeine Deutsche Kunstgenossenschaft Düsseldorf, A. Achenbach, H. Deiters, (pp. 19-22, 27-30, 240), inter alia on the appointment of the jury for the art exhibition: as representative of the Düsseldorfer Kunstakademie: Gregor v. Bochmann, Eugène Dücker, Ferdinand Fagerlin, Christian Kröner, Benjamin Vautier, Heinrich Lauenstein, Max Volkhart (pp. 240).<br />Format with the Munich Artists' Cooperative, E. Stieler (pp. 264f.). Participation of the Weimar artists, list of artists (pp. 273f.). Correspondence about the participation of foreign artists in the exhibition (pp. 181, 190-193), Scandinavian artists (pp. 263, 282-286), Italian artists (pp. 268f., 282f.), English artists (pp. 287, 309, 321, 347), Russian artists (pp. 346), Dutch artists (pp. 275-277, 295, 367), Belgian artists (pp. 361, 385f..), Belgian artists (pp. 385f.), and the participation of foreign artists in the exhibition (pp. 181, 190-193), Jean Portaels), Austrian artist (pp. 362f.); no participation of Japanese artists (pp. 258).<br />Managing director of the art exhibition by Fritz Gurlitt (pp. 23-25, 114-121, 128f., 133, 140, 154). Conversion of the hygiene exhibition building for the anniversary art exhibition 1886 (pp. 33-38). Financing of the exhibition both by budget funds of the Ministry of Culture and by additional funds from the Magistrate (pp. 39-48, 75, 77, 82-89, 93, 99f., 153, 157, 185-187, 194, 243, 260, 279, 344f., 371, 395, 401).<br />Appointment of the members of the Ministry of Culture to the Commission for the Jubilee Art Exhibition: Greiff, Spieker, Jordan (pp. 49). Honorary Presidium and Honorary Committee for the Exhibition: Suggestions, Appointments (pp. 80, 101-103, 105, 130-132, 143, 171-178, 195, 202f., 207f.), List of Members of the Honorary Committee (pp. 144f..), and the list of members of the Honorary Committee (pp. 144f.), 204-206, 236, 292).<br />Suggestions for the design of the exhibition: Gustav Eilers (pp. 63f.), Kyllmann and Heyden, including an introduction to ancient Pergamon and Olympia as well as a diorama of the German colonies in West Africa and New Guinea (pp. 65-73, 364). Participation of the commission of the Verein Berliner Künstler in the design of the anniversary art exhibition, secretary Konrad Dielitz (pp. 122-127, 136). Association of Berlin artists to support its needy members and their surviving dependants (pp. 278, 288). Structural measures for the exhibition (pp. 262, 339). Glass paintings for the exhibition building (Bl. 290f.). Construction of a church on the exhibition site as a hall for the works with religious themes (sheet 219). Proposals by the architect Orth (pp. 198f., 226), Johannes Otzen (pp. 210-212, 280f.). Postponement of the Vienna Art Exhibition in favor of the Berlin Jubilee Art Exhibition (pp. 90-92, 115f.).<br />Inquiries about the exhibition program, free tickets, etc. Verein für deutsches Kunstgewerbe zu Berlin (pp. 95-98), Verein der Steinbildhauer, Peter Steffens (pp. 310). Request by Fritz Hummel to send a portrait of Leopold Ranke to the exhibition (pp. 408).<br />Program of the exhibition (pp. 147, 152, print, 161), Invitation to send the exhibition (pp. 107f), Application form (pp. 167). Sale of tickets by Soenderop

Plans, cost estimates, considerations on new concept, 1960-1962; correspondence to the Museum Schönebecker Str., 1912; procurement and description of objects, 1912; brochure e. Völkerkundl. Exhibition i. d. Stadthalle, 1913; Inquiry e. Collectors about acquisition e. Neu-Guinea-Götzen, incl. 2 photos, 1952-1954; Inquiry d. Museums Recklinghausen, 1957