The painter Anton von Werner was born on 9 May 1843 in Frankfurt an der Oder. He belonged to the Düsseldorf School, his teachers were K. Lessing and A. Schrödter. He became famous after 1870 for his [...] paintings to glorify the Hohenzollern monarchy (e.g. Moltke in Versailles, Kaiserproklamation) [...]. In 1875 A. v. Werner became director of the Berlin Academy of Arts. His long-standing friendship with the poet J. V. v. Scheffel led him to produce illustrations for all of Scheffel's works. A. v. Werner died on 4 January 1915 in Berlin. Literature: Adolf Rosenberg: Anton von Werner in: Velhagen and Klasing's artist monographs. "Erlebnisse und Eindrücke 1870-1890" (Self Biography), Berlin 1913 The estate consists of written records and numerous drawings. For the latter a special list was made in 1951 by Mrs. L. Enders. The materials were found after the war when the archives of the former Prussian Secret State Archive and the former Reichsarchiv were transferred to the former "State Archive" in Merseburg. The documents are partly very damaged; correspondence and manuscripts are incomplete. Nothing can be determined about the origin of the stock. The annual reports of the former Prussian Secret State Archives (Rep. 178) do not mention it. A note "Lilli von Werner 1941" merely proves that he could not have reached an archive before 1941. Presumably it was outsourced during the war with the holdings of the GStA or the Reichsarchiv, without any written information having been preserved about it. Scope: 3 running meters (plus drawings) period ca. 1867-1915 Merseburg, 26 April 1960 Herricht short preliminary remark to the drawings: In April 2002, for the sake of simplicity, the drawings were re-signed according to serial numbers (starting with the fictitious number 5000) with the candidates Mrs. Gesell, Mrs. Neumann and Mr. Breitfeld. A corresponding concordance can be found at the end of this finding aid book. At the beginning of 2012, the drawings from the former number 9 (50 individual sheets) were recorded in detail and separated into separate units of description (No. 5740-5787). Among these drawings was also the missing second half of No. 5385, which were now brought together. The present overview represents a preliminary state of affairs until the pending corresponding processing of the remaining drawings has been completed. Berlin, 2.7.2013 Chief Archive Inspector Sylvia Rose Description of the holdings: Lebensdaten: 1843 - 1914 Findmittel: Datenbank; Findbuch, 2 Bde

Inventory Description: The Naval Airship Department was established by Allerhöchste Kabinettsordre on 3 May 1913 from the "Aviation Personnel of the Imperial Navy" next to the Naval Airship Department as an independent department with the temporary location Johannisthal. (1) The commanders of the departments were given "judicial, disciplinary and leave powers". In all training and technical matters, both departments were under the control of the State Secretary of the Reichsmarineamt, in all others of the inspection of coastal artillery and mines, as well as the head of the "North Sea Naval Station". (1) The State Secretary of the Reich Naval Office, Grand Admiral Alfred von Tirpitz, established 1 June as the day of formation by order of 8 May 1913. (2) As early as April 1912, members of the navy, including Corvette Captain Friedrich Metzing, were commanded for training at Deutsche Luftschifffahrts-AG. The airship command was subordinated on 15 July 1912 under the designation "Luftschiff-Detachement" with the Johannisthal site near Berlin Metzing as commander. (3) After the death of the commander of the naval airship department Friedrich Metzing in the accident of "L 1" on 9 September 1913, Corvette Captain Peter Strasser became his successor. Responsibility for the airship sector in the navy lay with the BX "Luftschiff- und Fliegerwesen" department of the shipyard department of the Reichsmarineamt formed on 12 October 1912. On 1 April 1913 an organisational change followed: Department BX was restructured to become the "Aviation Section" (Section BX with Divisions BXa and BXb). (4) At the beginning of the First World War, the command structure of the Naval Airship Division changed. By the Most High Cabinet Order of 29 August 1914, the office "Commander of the Aviation Departments" was created as the highest central command post of the entire naval aviation. (5) The Naval Airship Department and the Naval Aircraft Department were subordinated to this. The cabinet order assigned the following tasks to the new commander: Provision and training of personnel, management of schooling outside departments, test drives and maintenance of aircraft operational capability. The Most High Cabinet Order of May 1, 1916 assigned the naval airship division Cuxhaven (Nordholz) as a new location and divided the division into airship troops. (6) On November 23, 1916, the Naval Aviation Departments were divided into the Airship and Aircraft divisions by the Most High Cabinet Order. (7) The post of Commander of the Naval Aviation Divisions was transformed into Commander of the Naval Aviation Division and the Commander of the Naval Airship Division was elevated to "Chief of Naval Airships". The newly appointed Naval Airship Leader was in charge of the Naval Airship Division and the Naval Airships. The newly created position was subordinate to the command of the high seas armed forces in "matters of use and training of the North Sea front airships, to the State Secretary of the R e i c h s m a r i n e a m t , in technical and experimental matters and in matters of the school and experimental airships, and in all other matters to the naval station command of the North Sea". (7) For the airships deployed in the Baltic Sea, a new "Airship Ladder East" was formed as division commander. (7) The latter acted independently or according to the orders of the Commander-in-Chief of the Baltic Sea, but remained subordinate to the Commander of the Naval Airships. (8) The post of Airship Manager East was vacated in November 1917 due to staff shortages and the cessation of airship operations in the Baltic Sea. (9) This structure remained in place until the end of the war. After Strasser's death in the "L 70" on 5 August 1918, the post of commander of the naval airships was not reoccupied. (10) Due to the conditions of the Treaty of Versailles to abandon military aviation in Germany, the Naval Airship Department was dissolved in Nordholz on 10 December 1920. (11) During the First World War, naval airships were used for reconnaissance in the North Sea and the Baltic Sea, securing and supporting mine search units, sighting and reporting of enemy naval forces and mine barriers, reports on merchant shipping and for offensive voyages, in particular on Great Britain. Commander of the Naval Aviation Departments 29 August 1914 - 23 November 1916 Rear Admiral Otto Philipp Leader of the Naval Airships 23 November 1916 - 5 August 1918 Frigate Captain Peter Strasser from 5 August 1918 August 1918 unmanned (representative: Hans-Paul Werther) Airship Leader East 23 November 1916 - November 1917 Corvette Captain Hans Wendt Naval Airship Troops Status: May 1916 (12) I. Nordholz II. Fuhlsbüttel III. Ahlhorn IV. Hage V. Tondern VI. Seerappen VII. Seddin VIII. Düren IX. Wainoden Status: November 1918 (13) I. Nordholz III. Ahlhorn IV. Wittmundhaven V. Tondern VI. Seerappen VII. Seddin-Jeseritz XI. Wainoden Characterisation of the contents: The collection covers the period 1914 to 1938, with a focus on the deployment of the naval airship department in the First World War from 1914 to 1918. The records also include other provenances based on circulars and forwarded communications from other or superior agencies such as the Navy Admiral Staff, the Commander of the Reconnaissance Ships of the Baltic Sea or the Commanding General of the Air Force, etc. The collection is also available in German. The operations of the naval airships are reflected in the tradition. The focus is on the operational and enterprise files for the reconnaissance voyages in the North Sea and Baltic Sea as well as the attack voyages, especially in Great Britain. War diaries and orders are available on a large scale for this purpose. The war diaries were created for individual airships or naval airship troops. Further few file complexes are found to the organization and to the personnel of the naval airship department. The structure of the documents mainly consists of war diaries, orders (daily and departmental orders) and so-called driving reports of the numerous reconnaissance and attack drives. The trip reports contain information on the trip task, names of crew members, weather conditions, technical data and square maps with the marked route. In addition, there are radio messages (some encrypted), spark telegraphy bearings, weather and barometer maps and telegrams. The collection also includes photographs, press articles, technical drawings, sketches and a large number of maps. The overdelivery is not complete. Only the war records have survived. Documents from the pre-war and post-war periods may have been destroyed in the air archives in 1945. State of development: Online-Findbuch Vorarchivische Ordnung: Bestandsgeschichte After the end of the First World War, the documents of the disbanded naval services, including the Naval Airship Department, were collected in the War History Department of the Admiral Staff of the Navy (established on 15 February 1916) for the purpose of setting up a new naval archive. From 1919 the name of the naval archive was changed to "Head of the Institute for Naval History and Chairman of the Naval Archive". A second renaming took place on 22 January 1936 in "Kriegswissenschaftliche Abteilung der Marine". However, this did not belong to the Reichsarchiv, but was subject until 31 March 1934 to the Inspectorate of Naval Education, then to the Chief of Naval Management, and later as a subordinate authority to the Commander-in-Chief of the Kriegsmarine. During the First World War some war diaries (RM 116/185-199) were already forwarded to the admiral's staff of the Navy for information and were thus integrated into his written material, but are handed down in this inventory. During the Second World War, naval records were moved to Tambach Castle near Coburg on 22 November 1943. (14 ) After the end of the war, the archives were confiscated by US troops and taken to London. There the files were filmed on a large scale, combined into bundles, provided with consecutive F-numbers ("Faszikel", "File" or "Fach") and partly with a seven-digit number with the prefixed letters "PG" ("pinched from the Germans"). The archives were then handed over to the British Admiralty. In the 1960s, the marine files were returned to the Federal Republic of Germany as part of the process of returning files and were transferred to the Document Centre of the Military History Research Office in Freiburg i.Br. With the transfer of the Document Centre in 1968, which is based on the 1968 interministerial agreement between the Federal Ministry of Defence and the Federal Ministry of the Interior, the documents were transferred to the Federal Archives and Military Archives moved from Koblenz to Freiburg. In 1977 an access with a photo album to the naval airships (access number 2005/77) took place, which was transferred under RM 116/200 into the inventory. An LL signature (LL 410) refers to a storage in the air archive. A note in English on the file cover indicates a seizure by British and/or US troops. During the file repatriations, the photo album was also handed over to the Document Centre at the Military History Research Office, where it received an I L signature (I L (B) 11). (15 ) The tradition is not complete. A large part of the documents may have been transferred to the Luftarchiv at that time and destroyed in 1945. In 1936, the Luftwaffe set up its own archive under the name "Kriegswissenschaftliche Abteilung der Luftwaffe" (War Science Department of the Air Force) and collected the entire archives of the Air Forces of the Army and the Navy Air Forces. (16) It may have included parts of the naval airship department files, which would justify the small size of the file delivery. Archivische Bearbeitung A rough list of files was available on the holdings, which contained only imprecise file titles and durations as well as old signatures. An evaluation of the documents was not carried out due to the loss of written records and the resulting gaps in the records before 1945. The existing rules of procedure were retained. The documents had already been formed; most of them were in Prussian thread stitching, a small part in archive folders. The file structure is uneven; thus, in part, uniformly formed and coherent files were found for a task or an assignment. On the other hand, there were also documents with heterogeneous contents, such as aerial reconnaissance and attack drives. The inventory of the stock was carried out with the archive management system of the Federal Archives BASYS-S-2. The files were recorded and classified on the basis of the specified overdelivery due to a lack of organisational documents. The old signatures F and PG numbers as well as the file numbers were recorded. The terms "Detachement" and "Trupp", for the units subordinated to the Naval Airship Department, were not used uniformly in the files despite the same meaning. The collection contains numerous photographs and maps, the content of which is linked to the files and have therefore been left in their context. Only the oversized maps which were not sewn in due to damaged files were removed for conservation reasons and are now stored together in a map folder in the inventory under RM 116/201. The files are in a poor state of conservation. The damage ranges from dissolved thread stitching, mechanical damage as a result of use, to paper decay and ink corrosion. The collection needs to be restored soon. The stock is not completely foliated. Scope, explanation: Holdings without increase 7.4 linear metres 198 AU Citation method: BArch, RM 116/...

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

1877-1910 in Keetmanshoop, s.a. RMG 1.420 for a life picture; letters, station reports, conference and travel reports, 1876-1910; life sketch d. Chief Fredrik Willem, Tseib/Keetmanshoop; The beginnings of the mission in Greater Namaqualand and the first martyrs in it, 12 p., hs, 1885; Versuch e. Hausordnung d. Evangelistenschule zu Keetmanshoop, 1888; draft e. Programme for admission to the Evangelist School, 1888; Festvereinicht über d. Kirchweihe zu Keetmanshoop, with 2 drawings, views of the New Church and the Mission House, 1895; Briefe d. Evangelists Paulus Platje: Request for Tobias Fenchel to return, 1896/1897; Letters of the Evangelists Paulus Platje: In the Name of the Suffering People of Velschoendrager, 1899; Letters of the Evangelist Paulus Platje: Report about the work in Khoes, 1899; Report about the e. school examination in Keetmanshoop, 1898; Letter of Captain Hans Henrick with the urgent request for e. missionary for the Velschoendrager in Khoes, 1899; Meta Holzapfel, née Brill to Mrs. Anna Fenchel, née. Bröder: Description of the murder of Ludwig Holzapfel, 1904; letter of appreciation from the governor for school in Keetmanshoop, 1905; Proclamation from General von Trotha to the rebellious Namas tribes, 1905; My thoughts concerning the establishment of industrial schools under the Hottentots after the war, 12 p..., hs., 1906; Major Maerker and Lieutenant Colonel von Estorff to Tobias Fenchel, 1907; obituaries for Tobias Fenchel, 1910/1911;

Paul Klunzinger was born on 26 May 1828 in Güglingen as the son of Karl Klunzinger (1799-1861) and Sophie Koch (1808-1847). After attending the Polytechnic School in Stuttgart (1842-1848/49), he emigrated via Italy to Austria, where from January 1850 he worked as an engineer for railway constructions in various projects. In the 1880s, Paul Klunzinger increasingly turned to hydraulic engineering and, in this context, participated in the preparation of expert reports and expert opinions. Among the projects in which he participated as an engineer or expert are the Klagenfurt - Villach railway line, the Raab - Budapest railway line and a project on the curvature of the Vienna River. The children Henriette (1854), Paul (Pál) ( 1858), Helene (1860), Richard (1865), Walther ( 1868) and Otto (1872) are descended from the marriage with Anna Mauch (wedding in the year 1854). Paul followed in his father's footsteps and became an architect; Richard became a doctor in Steyr. Her uncle, Paul's younger brother Karl Benjamin Klunzinger (1834-1914), made a name for himself as a doctor and zoologist. Before he became Professor of Zoology, Anthropology and Hygiene at the Polytechnic in Stuttgart in 1884, he had spent several years as a doctor in the Egyptian town of Al-Qusair (Koseir). Like his brother and his children, he always remained attached to his homeland. The family archive Klunzinger/Koch/Mauch was transferred by Dr. Anton Schimatzek from Vienna to the main state archive Stuttgart in 1988. Contents and evaluation Paul Klunzinger and his professional activity as a railway engineer and expert in questions of hydraulic engineering are at the centre of the tradition. In addition to private documents on him and his family, the collection also contains sketches and calculations from various construction projects, including the curvature of the Vienna River and the design of the Vienna Danube Canal. The private documents consist of letters, poems, drawings, family memories and genealogical documents such as family trees and "ancestor passports". They span several generations and provide insights into the family cohesion of a family originally from Swabia who succeeded in the Habsburg Monarchy in the 19th and 20th centuries, and they reflect the political, social and cultural moods of their time. Documents on the activities of Paul Klunzinger, who became a municipal architect in Budapest and was involved in the planning of the Erzsébet-kilátó (Elisabeth Lookout Tower), are kept in the Budapest Föváros Levéltára archive.

History of Tradition Dr. Ernst von Scheurlen, retired Ministerialrat, did not leave any testamentary disposition over the documents. Since 1945 at the latest, these had been in the house of his oldest daughter Katharina Schmidt, née Scheurlen, who, after her death on 3 January 1989, took over her son Karl Schmidt, a retired pastor. There - in the spirit of Ernst von Scheurlen - they were accessible to all relatives and were occasionally inspected by individuals. For the transfer to the Main State Archives in Stuttgart, the consideration that there would be no comparable place of secure storage in the relatives in the future was decisive. As a result, a deposit agreement was concluded between Mr Karl Schmidt and the Landesarchiv Baden-Württemberg on 1 December 2008. Content and Evaluation Karl Scheurlen ( 1824, 1872) Karl Scheurlen was born on 3 Sept. 1824 in Tübingen, where his father Karl Christian Friedrich Scheurlen was professor of law. He attended school there and in Stuttgart, where his father had been appointed to the Obertribunal in 1839. He studied law in Tübingen from 1841 to 1846 and then completed his legal clerkship. In 1847 he became court actuary at the Heilbronn Higher District Court. During the revolutionary events of 1848, Karl Scheurlen adopted an emphatically conservative attitude. In 1850 he was appointed public prosecutor in Esslingen. In 1851 he was appointed Assessor of Justice and Public Prosecutor in Ellwangen, where he married Katharina Pfreundt in 1852. From 1856 on Karl Scheurlen was chief magistrate in Mergentheim, from 1863 chief justice councillor in Esslingen and from 1865 lecturing councillor in the Ministry of Justice. Together with his friend, the then Obertribunalrat von Mittnacht, Karl Scheurlen was commissioned by the Minister of Justice of Neurath to work out the principles of a judicial reform which Mittnacht, since 1867 Minister of Justice, completed in 1868 and 1869. Karl Scheurlen's ascent had also continued in 1867 with his appointment to the Privy Council; however, his two attempts to acquire a Landtag mandate failed. By decree of 23 March 1870, Karl Scheurlen was appointed head of the Department of Home Affairs and Minister of the Interior on 17 July of the same year. This appointment took place at the time of a domestic political crisis: 45 members of the Württemberg state parliament had refused in the spring to approve the military budget, the rejection of which would have made Württemberg meet its obligations from the 1866 Protection and Defense Alliance with Prussia, which was widely unpopular. The fact that the broad resistance against the military budget unexpectedly subsided can be traced back to the French declaration of war of 15 July 1870. After the new elections of 1871, which were announced with reference to the political reorganization of Germany after the Franco-German War, Karl Scheurlen found himself faced with a well-meaning majority among the members of parliament. He himself was also elected as a deputy twice, in Gaildorf and Künzelsau; he accepted the election in Gaildorf. His death on April 1, 1872, caused by a heart condition, came as a surprise. Karl Scheurlen cultivated lively literary and artistic interests in addition to his work in justice and politics. He wrote numerous verses and poems. His talent for drawing is particularly remarkable; he used it, among other things, to make numerous sketches of accused persons and judicial officials during his time at court, or to illustrate the "Amtspflege", the organ of the Hauffei, his Tübingen student fraternity. Many of his drawings have a humorous character; self-portraits and depictions of family members and acquaintances are extremely frequent. Ernst von Scheurlen ( 1863, 1952) Ernst von Scheurlen was born in Mergentheim on Feb. 5, 1863, the youngest of six children of the later Minister of the Interior, Karl Scheurlen, and his wife Katharina Scheurlen. After school he studied medicine in Berlin, where he received his doctorate in 1885. After his state examination from 1887 to 1891, he worked there as an assistant doctor at the Charité and the Reich Health Office; bacteriology and hygiene were already the focal points of his scientific interest at this time. The marriage to Sophie von Möller (1889), who belonged to a family of German descent from the then Russian Narwa, also took place during this period. In 1893 Ernst von Scheurlen became a battalion doctor in Strasbourg. At the same time he taught hygiene and bacteriology at the Technical University in Stuttgart and at the University of Strasbourg in 1893-1894 and 1895-1897 respectively. He also headed the hygiene and bacteriology department of the large garrison hospital in Stuttgart. In 1897 he took up a position as a medical councillor at the Königlich Württembergischen Medizinalkollegium. His tasks included working for the State Insurance Institute, the Trade Supervisory Office, the Reich Health Council, in the management of the Medical State Investigation Office, etc. It is due to his activities that the city of Stuttgart received its central sewage treatment plant during the First World War. During the entire First World War, Ernst von Scheurlen was involved as a hygienist in disease control and water supply at various sections of the Western and Eastern fronts. After the First World War, he devoted himself in particular to water supply, crop control and blood group research. He has written down his research results in numerous publications. He retired in 1930, but this did not mean the end of his scientific career; his last publication dates from 1950, two years before his death on Oct. 8, 1952 at the age of 89. In addition to his scientific work, Ernst von Scheurlen documented the history of his family from about 1800 with great dedication. For this purpose he combined numerous pictures, sketches, poems and letters of his father, who died at an early age, with other collection material and supplemented, explained and commented this material by a written representation of the family history.

History of the tradition The documents of the Bihl architectural office