Note on list: Agu, Mission House

Note on list: Amedzofe, Mission House

Note on list: Amedzofe, Mission House

Note on list: Amedzofe, Mission House

Note on list: Amedzofe, Mission House

Note on list: Amedzofe, Mission House

Note on list: Amedzofe, way to school

Note on list: Amedzofe, view from old chapel

Note on list: Anyako, teacher's house, old seminar

Note on list: Keta, Kath. Mission, Strand - Picture content identical to 5063.

Note on list: Keta, Kath. Mission, Beach

Note on list: Keta, Catholic Mission, Beach - Picture content identical with 4540.

Note on list: Anyako, Chapel - Picture content identical with 5069.

Note on list: Amedzofe, School

Contains among other things: Letter from H. Richter to Kastl concerning the uprising of the natives and the construction of a school in Windhoek, 3.5.1921; list of the German private schools in South West Africa, March 1921; minutes of the extraordinary general meeting of the Landesverband der deutschen Schulvereine für Südwestafrika, 1920; overview of the financial situation of the Landesverband der Deutschen Schulvereine, 8.11.1920

Note on list: Keta, Afedomehouse, Andreas Aku

Inventory description: Dept. 227 Collection Ertel (Westhofen) Scope: 122 units (= 10 archive cartons = 1.5 m) Duration: 1716 - 1990 To be taken over On 5 February 2013 Mr. Georg-Jakob Ertel from Westhofen handed over two large cartons with documents on the history of the Catholic parish of Westhofen as a deposit to the municipal archive of Worms. With this material, the basis for the Ertel collection was laid in the city archives as an archive collection of Dept. 227, since further later levies are intended. According to Mr. Ertel himself, he had fished the documents out of a large quantity of papers, which - coming from the provenance of the parish of Westhofen - were intended for disposal a few years ago, in order to evaluate the contents of the documents for research purposes. Since an archival processing also seemed to make sense with regard to a further possible scientific use, an agreement was reached between him and the City Archives on the deposit. A handwritten parish chronicle, led by Pastor Geeb/Geb (1803) and continued by Pastor Schott (1857), Mr. Ertel wished to keep it for the time being for provisional processing, a later addition to the collection is intended. Mr. Ertel had already drawn up a list of 33 envelopes and two files in advance, in which almost all the pieces were listed. The numbering of this list was adopted as an old signature in the course of the redrawing. There were now 122 units of description, which comprise 1.5 linear metres in ten archive cartons. The duration ranges from 1716 to 1990; blocking periods had to be set for some files for data protection reasons. The material originates mainly from the 19th and the first half of the 20th century. The two former file folders, for which Mr Ertel had produced his own tables of contents, were dissolved and the documents were transferred to acid-free folders, which were to be preferred for conservation purposes. Several units of description were formed, which are linked by means of old signatures and attached copies of Ertel's folder lists. The classification was created after the indexing on the basis of the main content. In some fascicles, partially damaged file aprons [sheets used rather than aprons] contained references to a previous classification system based on simple numbering; the main subjects used there are essentially also to be found in the present classification. Content The archival documents concern the content of the Catholic parish of Westhofen with its branch parishes of Monzernheim and Blödesheim [today Hochborn]. The classification has created five thematic focal points, which are briefly outlined below. On the one hand, there are numerous ordinances, decrees, communications and circulars on parish administration, which were sent mainly by the higher spiritual authorities to deaneries and parishes, but also by civil authorities. On the other hand, correspondence and other documents are available which directly concern the parish of Westhofen, its administration and the work of the respective pastors and the church council, as well as various statistical information. Correspondence, circulars, etc. from the tenure of Pastor W. Oestreicher provide information about church life during the Nazi era. Church accounts are available on a larger scale, some of which even form a series (1797 - 1806, 1819 - 1825, 1869 - 1872 [without 1871]), and further documents on asset management. In addition there are foundations to the parish, here the Blanck'sche Stiftung is mentioned, to which also material can be found in the estate Kirschbaum (StadtA Wo Abt. 170/46), and above all extensive directories about Mess-Stiftungen in the Catholic church in Westhofen and in the Filialgemeinden. Fascicles that deal with the Haubische Gült and the Arnsteiner or the Duboische Gült in Osthofen in favour of the Westhofener church are to be emphasized (StadtA Wo Abt. 227 Nr. 47, Nr. 48 u. Nr. 119). A further content section deals with building issues of the church and other buildings belonging to the Catholic parish and their furnishings (including inventories). The establishment of the sisters' house in 1902 and the activities of the sisters (sewing school, infant school) are also reflected in the files. Information about the Catholic school can be obtained about the building, as well as about teaching (rather general), about the school assets and various statistical data, furthermore about the establishment of a simultaneous school in Westhofen against the protest of the Catholics. A legal dispute with Jacob Weisheimer, who lived in the immediate vicinity of the schoolyard, is documented in detail (StadtA Wo Abt. 227 Nr. 58; 1838 - 1848). Church life is reflected in various directories of sermons and catecheses held and in books of preaching. In addition, various documents are available on pilgrimages, processions, retreats, confirmation classes and the activities of ecclesiastical associations (e.g. Brotherhood to the Most Holy and Immaculate Heart of Mary [StadtA Wo Abt. 227 Nr. 65]). Important for individuals and individual families was the necessary granting of a dispensary for marriages and the religious upbringing of children from mixed-confessional marriages. Various publications and newspapers or newspaper cuttings were incorporated into the last classification group. Worms, March 2013 Margit Rinker-Olbrisch Supplementary archive holdings Stadtarchiv Worms: Dept. 170/46 Kirschbaum family estate (concerning Blanck'sche Foundation) Landesarchiv Speyer (currently): Gemeindearchiv Westhofen Hess. State Archives DA: Dept. G 15 here: No. 15/2 with inspection reports, statistical data (e.g. on the community of Westhofen, 1898) Literature EBERSMANN, Jakob: History of Westhofen, Monzernheim and Blödesheim, Worms, 1909 GRÜNEWALD, Julius/ STROH, Heinrich: Chronicle of the market town Westhofen: Contributions to the history of the community of Westhofen, Westhofen, 1974 GRÜNEWALD, Christoph Julius Johannes: Von Westhofener Häusern und Leuten, Westhofen, 1984

Note. List: Behind the mission house Ho: Eucalyptus tree (left: Edwin, Kofitse, Kwasi-Komla) - picture content identical with 2237_4 and 3055.

Inventory description: Abt. 186 Familienarchiv Leonhard von Heyl/Nonnenhof (Dep.) Scope: 307 archive boxes; one box with oversized formats; 2.5 linear metres with flat and rolled oversized formats (= 2165 units of registration = 33 linear metres, incl. film rolls, photo negatives, etc.) Duration: 1760 - 1985 Take-over and distortion According to a note from Dr. At the end of June 2002, Mathilde Grünewald (Museum der Stadt Worms) became known to the municipal archives that the owner of the Heylschen Gutes Nonnenhof (Bobenheim), Dr. Ludwig von Heyl, was interested in handing over the family archive of his uncle Leonhard von Heyl (1924-1983) to the municipal archives. Dr. Grünewald presented the archive with an overview of the material stored in the Forsthaus Nonnenhof, which she had prepared during a visit to the storage rooms. The archive then contacted Dr. von Heyl and agreed to conclude a deposit agreement with the usual provisions (retention of title, etc.). In the first half of August 2002, the City Archives, headed by Dr. Gerold Bönnen and Mrs. Margit Rinker-Olbrisch, Dipl.-Archivarin (FH), sifted through the documents stored in two rooms of the forester's lodge that was to be renovated, signed and recorded the first part directly on site (input as a Word list, title entry/term determination of approx. 800 units of registration) and prepared it for transport. All the materials, a large part of which were stored in files, the rest either loose (in boxes) or as folders, were taken to the city archives on August 9, 2002, the listed part was placed directly in the cellar of the Ernst-Ludwig-Schule, the unlisted documents were sent to the Raschi-Haus for further processing, including approx. 15 35mm film rolls, photographs (negatives and prints), maps and plans. Margit Rinker-Olbrisch recorded the remaining documents including a classification and an index (see below) in the period from August 2002 to April 2003. The total volume of the documents amounts to approx. 40 linear metres (1806 units of distortion). With a few exceptions (account statements, statements of account, printed circulars), no cassations were made. In spring/summer 2010, the existing documents, which had only been included in the Word list in August 2002 with a file title and running time (approx. 800 numbers), were subsequently indexed. They have now been recorded in greater depth, in order to be included in the work on Heyl's anthology "Die Wormser Industriellenfamilie von Heyl. Public and private activities between bourgeoisie and nobility" as sources for further evaluation. At the same time, the blocking periods were changed or lifted in accordance with the requirements of the State Archives Act for Rhineland-Palatinate, which was amended in September 2010. Classification Since the documents did not show any internal order when they were accepted, a classification was developed in the course of the processing of the material which endeavours to reflect the essential content focal points and different personal connections and provenances on the part of the family members involved. It was not always possible to separate family and private affairs from the closely interwoven business affairs of the company or companies and their financial implications. The boundaries in the classification are therefore often less sharp than the outline might suggest. In addition, some of the documents were recorded relatively quickly on site before the takeover at a lesser depth than others; in particular, the documents on Leonhard von Heyl and the history of the Nonnenhof were generally less intensively catalogued than the actual older records on the company and family. Contents, value and significance The 186 Department is divided into three main parts of approximately equal size: 1. the personal estate of Leonhard von Heyl (personal and study documents, correspondence, activities in associations and committees, including the Wormser Altertumsverein (chair 1966-1983), agricultural organisations and the Palatine Landeskirche). The period of this part of the documents lies between about 1940 and the death in 1983 with few pieces of the time shortly after. 2. documents on the development of the Nonnenhof near Bobenheim, which has been family-owned since the 19th century, and its management, with a focus on the period from around 1920 to 1960. 3. documents on the history of the von Heyl family, including Cornelius Wilhelm von Heyl (1843-1923), including part of his estate, which had previously been believed to be lost, with a high value for questions of politics, patronage, public activity and economic activity. Of particular value are various archival indexes of the time after the death of 1923 (no. 582, typewritten, approx. 80 p., apparently incompletely preserved), compiled after the successful indexing and arrangement of the files found in the private archives of Freiherr Dr. von Heyl zu Herrnsheim, November 1928, thus available in the archive 2827 folders in 14 groups; no. 820; no. 821; no. 1272 hs. lineup). Cornelius Wilhelm's wife Sophie née Stein (1847-1915) is the subject of numerous documents, including further archival records on the history of the Stein family of bankers in Cologne. Of particular value are documents on Cornelius Wilhelm's brother General Maximilian von Heyl (1844-1925) and his wife Doris (1848-1930), including numerous files on the Heylshof Darmstadt and their patronage activities in Worms and Darmstadt, as well as correspondence. For the aforementioned personalities, the collection contains extremely valuable archival material that places our knowledge of the history of the family and its manifold effects and activities in the fields of politics and art, public and economic life - especially in the field of art conservation - on a much broader footing. Extensive material provides information about the family's internal disputes and conflicts; a great deal of correspondence provides deep insights into the personal interdependencies and contacts of the widely ramified family. The distinctive self-stylisation and self-portrayal of the family and its relatives occupies a special position, for which the collection contains extensive material. The original photographs (mainly glass plates with private photos of the family of Ludwig Freiherrn von Heyl, 1886-1962) were partly taken over by the photo department and remain there (cf. Dept. 186 No. 1707). The 35mm films belonging to Heyl-Liebenau's 1944 film project are currently in the Federal Archive in Berlin, where they are to be digitized. The oldest documents in the collection date back to about 1720. The main focus of the tradition lies in the period from approx. 1880 to approx. 1930. Conservation status and usability To a small extent, the documents are affected by the effects of moisture; some are very fragile and endangered copy paper, some (K) of which has been replaced by legible photocopies (No. 53, 960, 962, 963, 967, 968, 979, 980, 984 -986, 993, 1027, 1060 (K), 1079 (K), 1080 (K), 1094 (K), 1102-1104 (K), 1115, 1198). For reasons of data protection, part of the documents relating to Leonhard Freiherr von Heyl (tax matters, personal documents) is blocked from use; the same applies to the private interests of some other family members. In case of doubt, the archive is obliged to contact the owner. Related and complementary archive departments in the City Archives First and foremost are to be mentioned here: - 170/26 Family von Heyl - 180/1 Heylsche Lederwerke Liebenau - 185 Family and Company Archives Ludwig Cornelius Freiherr von Heyl (Depositum) With the latter stock the Dept. 186 shows very close interdependencies; the extensive documents located here are pleasingly supplemented. (for further information see the stock overview of the city archives) Literature The Worms industrial family of Heyl. Public and private work between bourgeoisie and nobility, edited by Gerold BÖNNEN and Ferdinand WERNER, Worms 2010 (538 p., approx. 600 illustrations, basic anthology on various aspects, including contribution on the estates and their indexing by Margit Rinker-Olbrisch) BÖNNEN, Gerold (Bearb.), Das Stadtarchiv Worms und seine Bestände, Koblenz 1998 (Publications of the Landesarchivverwaltung Rheinland-Pfalz 79) (p. 39f) (p. 39f), pp. 173-178 with further lit.) KRIEGBAUM, Günther, Die parlamentarische Tätigkeit des Freiherrrn C. W. Heyl zu Herrnsheim, Meisenheim 1962 (Mainzer Abhandlungen zur mittlere und Neueren Geschichte 9) KÜHN, Hans, Politischer, wirtschaftlicher und sozialer Wandel in Worms 1798-1866 unter besonderer Berücksichtigung der Veränderungen in der Bestellung, den Funktionen und der Zusammensetzung der Gemeindevertretung, Worms 1975 (Der Wormsgau, supplement 26) Stiftung Kunsthaus Heylshof. Critical catalogue of the collection of paintings, edited by Wolfgang SCHENKLUHN, Worms 1992 (including: Klaus HANSEMANN, Der Heylshof: Unternehmerschloß und Privatmuseum, p. 1950; Judith BÜRGEL, "Da wir beide Liebhaberei an Antiquitäten besitzt". On the Collection of Paintings by Cornelius Wilhelm and Sophie von Heyl, pp. 51-71) Dr. Gerold Bönnen/Margit Rinker-Olbrisch Worms, June 2003 / October 2010 Supplement In February 2014, Dr. Ludwig v. Heyl (Nonnenhof) drew attention to newly found documents which were still stored in the so-called Försterbau from the property of his uncle Leonhard. The pieces were sighted on 27 February by Mrs. Margit Rinker-Olbrisch and archive director Dr. Gerold Bönnen and taken over for the most part to supplement the collection of Dept. 186. Mrs. Rinker-Olbrisch completed the indexing by the end of March. 129 new VE (of which 17 sub-numbers) were added to the inventory of Dept. 186. The material, partly large format, includes written material, numerous photographs (also albums) and graphics. Four pieces clearly belonging to Ludwig C. von Heyl or his son of the same name were incorporated into the collection of Dept. 185 (family and company archive Ludwig C. Freiherr von Heyl). However, individual archival records concerning Ludwig C. von Heyl, which Leonhard von Heyl had integrated into his holdings, were also left in this context and added to the classification group for Ludwig C. von Heyl and his wife Eva-Marie von Heyl née von der Marwitz in Dept. 186. Among the new additions were newspaper editions (several times) of the decease, the funeral ceremonies and the funeral of Cornelius Wilhelm Freiherr von Heyl zu Herrnsheim ( 1923) as well as a Bible and a hymnal from the possession of Alice von Heyl (1881-1969), the latter having a leather binding designed by Otto Hupp (Dept. 186 No. 1805). It is pleasing to note that with the takeover of the company and visiting books (beginning in 1894-1899, followed by Lücke until 1909, ending in 1914; Abt. 186 Nr. 1806-1809), information about the social life at Heylshof Worms, Schloss Herrnsheim and hunting societies could be added to the collection. Important for the reconstruction of the former archive of C. W. von Heyl is the extensive almost complete archive directory (Dept. 186 No. 1813), which together with the already existing few parts (Dept. 186 No. 582) is now complete. Furthermore an album is to be emphasized in the character of a family book, which Cornelius Wilhelm von Heyl had been given by his parents and contains entries of relatives, friends etc. in particular from the time of his stay in the Institut der Herrnhuter Brüdergemeine in Neuwied (Dept. 186 No. 1829; running time 1856-1859). Individual pieces of the archival documents taken over wear decorative leather covers, here two are to be emphasized. On the one hand there is a "Photographisches Album von Sehensüwrdigkeiten der Stadt Worms" (1881; Dept. 186 No. 1880), which was probably published in connection with the consecration of the museum in the Paulusstift at that time, and on the other hand a photo album "Zur Erinnerung an den Fackelzug 8. April 1886" on the occasion of the elevation to the nobility (Dept. 186 No. 1881) with numerous group photographs (different groups of persons from the leather factory), made by the Worms photographer Fritz Winguth. Besides there are photo albums of Sophie von Heyl (1918-1980) from her stay in the women's school Metgethen (near Königsberg) and in the deaconess institution in Halle, vacation among other things and albums of Leonhard von Heyl. He also took over series of correspondence with letters to his parents. They begin in his childhood (from 1932), cover his war and study years and end in 1959. Of the large-format pieces (photographs, graphics), a large-format photograph of the Heylshof in Darmstadt stands out, some of which is covered with a drawing for a planned, generous but not executed extension (Dept. 186 No. 1894). This sketch could have been made by the architect Gabriel von Seidl. C. Battenfeld drew in detail various sculptures and building elements which can presumably be assigned to the Heylshof Darmstadt (a large-format sheet, Dept. 186 No. 1894). Margit Rinker-Olbrisch Worms, April 2014

Note on list: Amedzofe, Chapel

Note on list: Ho, Mission House I

Note on list: Ho, Mission House II

Note on list: Ho, View from chapel

Note on list: Keta, Oloff factoriness

Note on list: Keta, Afedomehaus, Kirchsaal - Picture content identical with 5060.

Note on list: Little Popo, Lagoon

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

Note on list: Ho, House 1

Note on list: Ho, old mission house

Note. List: Mittelweg Ho with fountain. Taken from the upper floor of the chapel - content identical with 2230_3, 2443 and 3263.

Note on list: Bolu, homestead

Building was used by the Diakonissenanstalt as a mental hospital, formerly Töchterheim, s.a. RMG 1.259-1.262; correspondence on the reacquisition of the building, management, administration and occupancy; list of residents, 1951; profitability calculations; correspondence with residents; Renewed statutes of the RMG, 21 p., Dr., 1910; building plans for extension building, 1:100, 1956

Note on list: Anyako, school, early seminar

Note on list: Amedzofe, Church

Note on list: Ho, Lehrerhaus - Picture content identical with 0609 and 0619.

Note on list: Keta, Afedomehaus, veranda - picture content identical with 5036.

Note on list: Amedzofe, Seminar, Schröder - Picture content identical with 1483.

Note on list: Ho, old chapel

Note on list: Keta, The Old Mission House

Note on list: Keta, horse farm.