The Einsatzstab Reichsleiter Rosenberg (ERR) is one of the largest "robbery organisations" of the "Third Reich". Equipped with the authority to "secure" material in the occupied territories for the fight against the "ideological opponents" of National Socialism, he brought countless books, documents and other cultural assets from the possession of libraries, institutes, archives, private individuals, etc. into his hands in the occupied western and eastern territories; in addition, he was actively involved in art theft. The evaluation of the cultural property to be captured and secured by the ERR was to be carried out by the "Hohe Schule" or the "Institut zur Erforschung der Judenfrage" in Frankfurt, at least as far as research on the "Jewish question" could be useful, to which even "materials" of an incommensurable scope were then directed. The haste with which the "seizures" had to be made within a few years or months in areas often far from the borders of the German Reich, made final decisions about the whereabouts of the captured property, especially in the territory of the Soviet Union, at most theoretically visible; in its mass it remained in the territories cleared by German troops. In addition to the Institute for the Study of the Jewish Question, the East Library and the Central Library of Rosenberg in Berlin were the main places of reception, apparently for material on the "Study of Bolshevism". There were also numerous other recipients, such as the Wehrmacht (for entertainment literature, but also for "military files and archive material" from the occupied Eastern territories, which had to be handed over to the Danzig branch of the Army Archives). The following decrees are the basis for the establishment and mission of the task force: Führererlass of 29.1.1940 concerning the establishment of the "Hohe Schule": The Hohe Schule is to become the central site of National Socialist research, teaching and education. Their construction will take place after the war. However, in order to promote the preparations that have begun, I order Reichsleiter Alfred Rosenberg to continue this preparatory work - especially in the field of research and the establishment of the library. The services of the Party and the State shall give him every assistance in this work. Decree of the chief of the OKW of 4.7.1940 to the commander-in-chief of the army and the commander-in-chief of the Wehrmacht in the Netherlands: Reichsleiter Rosenberg has applied to the Führer: 1. to search the state libraries and archives for writings of value to Germany, 2. to search the chancelleries of the high church authorities and lodges for political actions directed against us, and to confiscate the material in question. The Führer has ordered that this proposal be complied with and that the Secret State Police - supported by archivists of the Reichsleiter Rosenberg - be entrusted with the investigation. The head of the security police, SS-Gruppenführer Heydrich, has been notified; he will contact the responsible military commanders for the purpose of executing the order. This measure will be implemented in all the territories we occupy in the Netherlands, Belgium, Luxembourg and France. It is requested to inform the subordinate services. Order of the chief of the OKW of 17.9.1940: To the commander-in-chief of the army for the military administration in occupied France In addition to the s.Zt. The Führer has decided, on the basis of the instructions given by the Führer to Reichsleiter Rosenberg to search lodges, libraries and archives in the occupied territories of the West for material of value to Germany and to secure it through the Gestapo: "The conditions before the war in France and before the declaration of war on 1.9.1939 are decisive for the possessions. After this deadline, transfers of ownership to the French Reichsleiter Rosenberg have been completed. State or the like are void and legally ineffective (e.g. Polish and Slovak library in Paris, holdings of the Palais Rothschild and other abandoned Jewish property). Reservations regarding search, seizure and removal to Germany on the basis of such objections shall not be accepted. Reichsleiter Rosenberg or his representative Reichshauptstellenleiter Ebert has clear instructions from the Führer personally regarding the right of access. He is authorised to transport the cultural goods that appear valuable to him to Germany and to secure them here. The Führer has reserved the right to decide on their use. It is requested that the relevant military commanders or services be instructed accordingly. Führer decree of 1.3.1942: Jews, Freemasons and the ideological opponents of National Socialism allied with them are the authors of the present war directed against the Reich. The systematic spiritual combat of these powers is a task necessary for war. I have therefore commissioned Reichsleiter Rosenberg to carry out this task in agreement with the head of the OKW. Its task force for the occupied territories has the right to investigate libraries, archives, lodges and other ideological and cultural institutions of all kinds for corresponding material and to seize it for the ideological tasks of the NSDAP and the later scientific research projects of the high school. The same regulation applies to cultural objects which are in the possession or property of Jews, of stray origin or of origin which cannot be clarified unobjectionably. The implementing regulations for cooperation with the Wehrmacht are issued by the head of the OKW in agreement with Reichsleiter Rosenberg. The necessary measures within the Eastern territories under German administration are taken by Reichsleiter Rosenberg in his capacity as Reich Minister for the Occupied Eastern Territories. For a short time the full name of the office was "Einsatzstab der Dienststellen des Reichsleiters Rosenberg für die besetzten westlichen Gebiete und die Niederlande", then "Einsatzstab Reichsleiter Rosenberg für die besetzten Gebiete". The addition "for the occupied territories" was omitted according to the order of the Joint Staff Committee of 17.11.1944. The headquarters of the Joint Staff Committee was initially Paris. The expansion of the tasks made it necessary to relocate her to Berlin, where she temporarily stayed in the office building at Margarethenstrasse 17. The later office in Berlin, Bismarckstraße 1, was destroyed by an air raid. Organisation and structure: The structure of the ERR consisted in its main features of staff management, main working groups and working groups (set up regionally), occasionally also special detachments, branch offices, etc. The ERR was structured in such a way that it was able to provide a clear overview of the various departments. In addition, there were special staffs which were mainly charged with the "recording of cultural assets", which took place in constant collision with the equal interests of other authorities, such as the Reich Minister for Popular Enlightenment and Propaganda (in France with regard to the recording of musical works, musical manuscripts and instruments by the Special Staff for Music) and the Reichsführer-SS (for example with regard to the recording of prehistory and early history). The organisation and distribution of responsibilities of the staff management were adapted to the respective tasks of the ERR institution, which were constantly expanding until 1943 and have been changing ever since. The constant change of tasks, organisation and personnel conditions became a principle for the large number of the departments themselves active in the "worked" areas, which were also completely dependent on the politico-military and administrative conditions in these areas, caused by the respective military, civil or national administrations, and not least by the perpetual conflicts of competence of the party and imperial authorities touching or fighting each other in their areas of interest and ambitions. The development of the ERR began in France with the institution "Einsatzstab Westen" under the leadership of Kurt von Behr. Soon the "Westen" task force was divided into three independent main working groups: France (Paris), Belgium and Northern France (Brussels), Netherlands (Amsterdam). At the same time, V. Behr was the head of the Western Office, which was responsible for securing furnishings for the occupied eastern territories, the so-called M Action. This office was in itself "detached" to the East Ministry; according to Rosenberg's order of 24.11.1944, it was "taken back" to the task force. In the first half of 1944, both the M campaign and the "art collection campaign" were extended to southern France. Probably related to this is the establishment of the South of France Working Group, which finally set up a branch office in Nice and an external command in Marseilles. From the very beginning of its activity in France, the ERR had not confined itself to securing only material from libraries, archives, etc. for the "ideological struggle". He also began to collect and secure art treasures and thus entered into a certain competition with the actions carried out on behalf of Hitler ("Linz" Führer order) and Göring as well as with the art protection carried out by the military commander. Institutionally, he created a special task force "Fine Arts" (SBK) for this task, to which the collection points for fine arts in the Louvre and Jeu de Paume belonged. The Special Staff was only responsible for securing and inventorying the objects of art; the right of disposal over the objects of art - including those seized by the Office of the West in the course of the M Action and handed over to the Special Staff - had been reserved to the "Führer", a demand that was later extended to all works of art "that were or will be confiscated by German authorities in the territories occupied by German troops". The SBK maintained its activity in France to a certain extent until its dissolution. The struggle for responsibility for seized works of art continued until the end of the war, up to and including issues of relocation to Germany (Führer construction and salvage sites such as Neuschwanstein and Herrenchiemsee, etc.) and ultimately works of art to be seized in Austrian mines (Alt-Aussee). The activities of the Italian working group are described in the report of its leader of 28.8.1944 as follows: "The procurement of material on the activities of ideological opponents will continue to be at the forefront of our work in Italy. In the form of translations, reports and evaluation work, this material is prepared by AG Italy and forwarded to the management. At the beginning of 1941, the ERR extended its activities to the Balkans and further to Greece. A Sonderkommando Greece was formed, which was dissolved in 1941. A Sonderkommando Saloniki is still provable until 1942. ERR services were also established in 1941 in Serbia - Special Staff of the Commanding General and Commander of Serbia, an Agram Liaison Office and a Belgrade Liaison Office for the Yugoslav Territories. Efforts to gain a foothold in Hungary failed apparently because of the resistance or influence of the envoy Dr. Veesenmayer. Later, a main working group for the southeast (Belgrade) can be proved, which was formed with effect from 15 February 1944 from the working group for the southeast, which in turn could have originated from the command "Southeast", proven for 1942, which was transferred from Belgrade to Thessaloniki on 10 July 1942. In Denmark, the ERR established a service in Copenhagen. Any approach to "profitable" activity was soon nullified by Dr. Best, representative of the German Reich in Denmark: "Confiscation in the style of the other occupied territories would never come into question". Immediately after his appointment as Reich Minister for the Occupied Eastern Territories (RMbO), Rosenberg began to direct the initiative of his task force to the eastern territories as well. On April 2, 1941, Rosenberg had already conceived a Führer's order to instruct him "to carry out the same tasks as in the occupied western territories in all the countries occupied or still occupied by the German Wehrmacht within the framework of this war". Until the Führer's order of 1 March 1942 was issued, Rosenberg referred to "the orders issued by the Führer for the West and the tasks carried out in the Western territories by the departments of Art, Archive and Library Protection within the framework of military administration". Rosenberg's guidelines on the protection of cultural assets for "research into the activities of opponents of National Socialism and for National Socialist research" were issued to the Reichskommissariate Ostland and Ukraine on 20.8.1941 and 3.10.1941 respectively. By decree of 27.4.In 1942 Rosenberg finally commissioned the RKO and RKU as the RMbO to once again expressly "commission the ERR for the occupied Eastern territories with the recording and uniform processing of cultural assets, research material and scientific institutions from libraries, museums, etc.", which are found in public, ecclesiastical or private spaces". With the same decree, a central office was founded for the collection and recovery of cultural assets in the occupied Eastern territories. A special department for the collection and recovery of cultural assets was set up at the Reichskommissariaten (Imperial Commissionariats), whose leadership was entrusted to the head of the responsible main working group. For the two Reichskommissariate the main working group Ostland (Riga) with the working groups existed at first: Estonia (Reval), Lithuania (Vilnius), Latvia (Riga), White Ruthenia (Minsk) and the main working group Ukraine (Kiev, later Bialystok). With effect from 1.5.1943 the AG Weißruthenien was elevated to the main working group Mitte. In all HAG areas, in addition to the working groups, mobile staffs, known as "Sonderkommandos" or "Außenstellen", whose activities extended as far as the Crimea and the Caucasus region, worked directly under their command or under the command of the staff. The special staffs included, among others "Sonderstab Bildende Kunst", "Sonderstab Vorgeschichte", "Sonderstab Archive", "Sonderstab Sippenkunde", "Sonderstab Wissenschaft", "Sonderstab Volkskunde", "Sonderstab Presse" (founded 1944), "Sonderstab Dr. Abb", "Sonderstab Musik", "Sonderstab Zentralbibliothek" of the "Hohen Schule" (ZBHS), "Sonderstab weltanschauliche Information in Berlin". Structure of the staff leadership 1942 Staff leader: Utikal deputy: Ebeling 1st Division Organisation: Langkopf Group Indoor Service Group Human Resources Group Procurement Group Readiness to drive 2nd Division West and Southeast: by Ingram Group Planning Group Report 3rd Division East: Dr. Will Group Planning Group Report 4th Division Evaluation: Dr. Brethauer; Deputy: Dr. Wunder; from 1.11.1942: Lommatzsch Group General Group Library Group Inventory Group Photograph 5 Dept. Special Tasks: Rehbock Structure of the staff leadership 1944 Staff leader: Utikal representative: The senior head of department department I (head of department I: SEF Rehbock; head of department z.b.V.: SEF Brethauer) group I/1 personal adviser of the chief of staff: Rehbock group I/2 mob- and locksmith matters: Rehbock Group I/3 Personal Representative of the Chief of Staff for the Art Recording Action and Head of the Louvre Working Group: Rehbock Group I/4 Defense Representative of the Operational Staff: HEF Braune Group I/5 Procurement, Courier Service, Supply: OEF Jach Group I/6 Publications: HEF Tenschert Group I/7 Special Reports: EF Tost Division II (Head of Division: OSEF Dr. Will; Deputy: SEF Dr. Zeiß) Division IIa: Western Division, covering France, Belgium, Holland, Italy and Southeast: SEF Dr. Zeiß Division IIb: Division East, covering the occupied territories of the Soviet Union: OSEF Dr. Will Division III (Head of Division: SEF Zölffel) Division IIIa: SEF Zölffel Group III/1 Legal Affairs, Orders and Communications: SEF Zölffel Gruppe III/2 Wehrmachttfragen, Marschpapiere, Veranstaltungen, Marketenderei: HEF Gummert Abteilung IIIb: HEF Webendoerfer Gruppe III/3 Personal: HEF Sklaschus Gruppe III/4 Business Distribution: HEF Webendoerfer Gruppe III/5 Registratur: OEF Hechler Hauptabteilung IV (Head of Department: OSEF Dr. Wunder; Deputy: SEF Lommatzsch) Translation Office: OEF Dr. Benrath Gruppe IV/1 Archiv: HEF Dr. Mücke Group IV/3 Material preparation: HEF Reichardt Group IV/4 Evaluation by scientists: HEF Rudolph Group IV/5 Book control centre: HEF Ruhbaum Group IV/6 East Library: HEF Dr. Müller Abbreviations DBFU The commander's representative for the supervision of the entire intellectual and ideological training and education of the NSDAP EF Einsatzführer ERR Einsatzstab Reichsleiter Rosenberg HAG Hauptarbeitsgruppe HEF Haupteinsatzführer IMT Internationales Militärtribunal MTS Maschinen-Traktoren-Station NKWD Volkskommissariat für Innere Angelegenheiten NSDAP National Socialist German Workers' Party NSPO National Socialist Party Organization OEF Upper Operations Leader OKH Army High Command OKW Wehrmacht High Command OSEF Wehrmacht Upper Staff Operations Leader RKO Reichskommissar für das Ostland RKU Reichskommissar für die Ukraine RMbO Reichsministerium für die besetzten Ostgebiete SEF Stabseinsatzführer WKP (b) Communistische Partei der Sovietunion ZbV zur besonderen Verwendung Inventory description: Inventory history In the 1960s, scattered files of the ERR were brought into the Federal Archives, with various returns of written material from the USA and predominantly in association with other provenances from the Rosenberg business area as well as with individual levies from the Rehse Collection, which were formed into an inventory there. Most of these files are written documents which were last found in the alternative office of the ERR in Ratibor. A part of the staff and the management of the Ostbücherei with large stocks of books were evacuated from Berlin to there. The remains of documents rescued by the members of the HAG Ostland, Ukraine and White Ruthenia were also recorded in Ratibor. The preserved files should come from holdings that were moved from Ratibor to the west. Subsequent additions to the holdings were mainly made by levies from the military archives, by re-enlargements of microfilms from the YIVO Institute, New York, by late recorded files from American repatriation, by three volumes from the dissolved holdings of the Rosenberg offices of the Central State Archives of the GDR (62 Tue 1) and by personal documents from the so-called "NS Archive of the Ministry for State Security of the GDR". The documents preserved at the end of the war and accessible to the Western Allies were used as evidence for the IMT process. The essential components were then left to the Centre de Documentation Juive Contemporaine (CDJC), Paris. ERR documents can also be found today in the National Archives and Records Administration (NARA), Washington, in the YIVO Institute for Jewish Reserch, Washington, and in the Nederlands Instituut voor Oorlogsdocumentatie (NIOD), Amsterdam. Documents from Rosenberg offices also reached archives of the former Soviet Union. An extensive collection (especially the provenance ERR) is kept in the Tsentral`nyi derzhavnyi arhiv vyshchykh orhaniv vlady ta upravlinnia Ukraïny (TsDAVO Ukraïny) in Kiev, further files in the Rossiiskii gosudarstvennyi voennyi arkhiv (RGVA) in Moscow and in the Lithuanian Central State Archives, Vilnius. The Federal Archives, Bildarchiv, holds an extensive collection of photographs from the ERR (holdings Fig. 131). Inventories, directories and transport lists by the ERR of "seized objects" are contained in the holdings of B 323 Treuhandverwaltung von Kulturgut. Archive processing The NS 30 collection is a conglomerate of scattered files and individual documents. In the interest of rapid utilisation, the documents were recorded provisionally without costly evaluation and administrative work. Mrs. Elisabeth Kinder produced the preliminary finding aid book in 1968, from which essential elements of this introduction are taken. The "new entries" were recorded by the undersigned in 2003/2004. Citation method BArch NS 30/ .... State of development: Findbuch (1968/2005), Online-Findbuch (2004). Citation style: BArch, NS 30/...

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

1. on the history of the map collection: the Hohenlohe Central Archives holds an important and extensive collection of printed maps from the 16th to 19th centuries, some of which date back to the 20th century. This quantity, which is unusual for a smaller archive, can be explained by the many and varied tasks of the highlohish administrations. But more than that, it is explained by the various functions and inclinations of members of the Princely House itself. Most of the cards were collected for military reasons. Several counts and princes were in high positions in foreign military services, e.g. Count Philipp von H.-Neuenstein (1550 - 1606) as general of Wilhelm v. Oraniens in Dutch services, Prince Heinrich August zu H.-Ingelfingen (1715 - 1796) as Reichsfeldmarschall and general field witness of the Franconian Imperial Circle or his son Friedrich Ludwig (1746 - 1818) as Prussian infantry general and governor of Breslau and Bay-reuth. However, maps were also produced or collected to secure and clarify sovereign rights (e.g. hunting and forestry) and territorial claims. Further reasons for the collecting activities were the geographical (travel maps: "foreign regions"), economic, scientific and educational (school maps) interests of the collectors. These varied interests also explain why the maps on hand are not limited to the area of Württemberg and Hohenlohe. Namely comparatively many maps to the German, European and international area are included. The extent of the collection could have benefited positively from the participation of the House of H.-Oehringen (old) in one of the renowned Nuremberg map publishers - the "Homännische Officin" or the "Homännische Erben". A good half of the cards come from this publisher. The temporal emphasis lies in the 18th and the beginning of the 19th century. From the middle of the 19th century onwards, the collection became considerably thinner, but with individual specimens it reached as far back as the 1960s. Either cards have been purchased less since the 1850s or are still in use by the respective princely administrations. War losses or wear and tear can also be expected. The political caesura of 1806 does not play a decisive role in connection with the collecting activity. The changed tasks of the princely houses from the middle of the 19th century onwards. All in all, the collection of maps documents the broad political and cultural interest and significance of the House of Hohenlohe during the period in which the collection was created. It is to be assumed that map collections were built up in various Hohenlohe houses and also kept in the castles concerned, mostly probably in the library. With the relocation of all Hohenlohe archives to Neuenstein, the printed maps from the various castles were transferred to the Hohenlohe Central Archives. Here they were combined to a stock of printed maps. The origin of the maps was not considered to be significant and as a rule was not documented in any way. This must have taken place immediately after the end of the war, since in 1951 a list-like inventory of the holdings was already available. In the course of the relocation of the various line archives to Neuenstein, over 3100 printed maps gradually came together. 2. on the history of the collection and its processing: during the first provisional processing, the compilation of a list under the Princely Archivist Karl Schumm in 1951, the majority of the maps already available at that time were combined to form a complete collection, as already mentioned, without regard to provenance and ownership. The machining was carried out according to the numerus currensprinciple. The order was based on an alpha-betic ranking by country, region and place names and the geographical classification was based on superficial aspects. Often, in the course of the order, map connections were torn apart and even maps from outside the stock - hand-drawn - were included in the list. The signatures were assigned according to the geo-graphical classification. The signature consisted of a capital letter (W for world maps, E for European maps and D for German maps) and a sequential number. For example, a European map has the signature "E 80" or a map of Germany "D 46". In the case of sequences, lower-case letters have been added after the number, for example in the case of a map of France: "E 206 a - cc". Some war cards were provided with Roman numerals, e.g. a card of Hungary with "K X/ 161". This type of signature assignment was not very useful for appropriate use. Cards were often difficult to find. A careful revision of the map collection was urgently needed, especially as several printed maps that had been added later were not taken into account. However, it was no longer possible to reconstruct original provenances, as there is no indication of their origin from the various archives. With the exception of one group (H.-Kirchberg: "Sch[rank], T[isch] or F[ach], Sch[ublade]"), the old signatures do not provide any reliable information about the provenance. The pre-signatures were probably already assigned at the time the maps were purchased. They are divided into groups according to simple number assignment ("131", "No. 131", "1311/2" or "Nro 131"), according to combinations with upper and lower case letters and numbers ("Dd x S.138"), according to combinations with Roman and Arabic numerals and letters ("II M. 10" or "605 R. I") or according to locature (H.-Kirchberg: "S. 642, T. 2, Sch. 3"). For many cards several signatures were assigned. They point to older resistance structures. A few maps and atlases, the origin of which could be clearly determined, were removed from the holdings for ownership reasons and returned to the relevant line archives. The main part of the maps is probably of h.-kirchberg origin, enriched with a considerable number of maps of the Dutch/Belgian area from probably Württemberg-neuenstädtisches Besitz (h.-kirchberg heritage). The remainder of the maps, which could not be defined more precisely, was distributed among the various other line archives. 22 drawers, 92 cartons/boxes with approx. 31/2 linear metres of shelving, 59 rolled maps, 38 volumes and booklets and 4 folders were first viewed prior to drawing. For technical reasons, the cards were first taken from the cupboard drawers, then the pieces stored in cartons or boxes, and finally the volumes on the shelves were recorded according to the numerus-current-principle. In the process, hand-drawn maps, pictures, construction plans and printed maps from the archives of Langenburg, Waldenburg and Öhringen were also noticed. They were separated and recorded for a later inventory or supplementation of the inventory of hand-drawn maps. Apart from a small group of atlases and military maps, the remaining printed maps still found in the Hohenlohe Central Archives are mainly field, forest and surveying maps from the archives of Langenburg, Waldenburg and Öhringen. They, too, were not included in the inventory of printed maps, but were prepared for their own holdings, and once all the maps had been indexed, a classification for the holdings had to be established. For practical reasons and in order to facilitate access for users, the breakdown was mainly geographical. An order by subject would have led to greater opacity due to the size and nature of the maps. The map collection is divided into thirteen categories. It is progressed from the large to the small space: World; continents without Europe, with subitems Africa, America, Asia and Australia/Oceania; Europe, with subdivision into individual, non-German countries; and the area Germany and former German Empire, with subdivision into individual territories and regions. Headings 7 to 13 include maps that cannot be clearly allocated geographically (transnational theatres of war), special areas (field maps, city maps, canals, natural phenomena) or the category "Other". Compromises had to be made with the classification in order to arrange the stock according to modern geographical criteria. With the exception of a Russian atlas with European and Chinese territories [No. 7], the classification into world and continental maps could be carried out without complications. It was more difficult to classify the continent of Europe and European countries. Two problem areas stood in the way of simple, uniform processing. On the one hand, the grouping of maps that span space and countries or of maps with two or more different representations on one sheet; on the other hand, the allocation of maps with changed historical spaces. The classification of map sheets with several representations was problem-free again. They were sorted by the larger geographical area. For example, a map showing Europe on the front and the German Empire on the back was assigned to the group Europe [No. 65]. The transnational maps were more problematic. Thus a subgroup "Alps" had to be formed immediately with the first division of the individual European countries. It comprises the maps of the French-Italian-Swiss and the German-Swiss-Austrian border regions, but without the group of maps of the narrower region of the Swiss-Austrian Alps, which were assigned to the categories "Switzerland" and "Austrian Hereditary Lands". The group "Belgium, the Netherlands and Luxembourg" did not simply fit into a given scheme in terms of both spatial and historical classification. The Belgian-Luxembourg region changed its political affiliation several times during the period under study, from about 1660 to 1840: the Spanish Netherlands until 1715, then the Austrian Netherlands, French during the revolutionary period, the Kingdom of the United Netherlands from 1815 to 1830, and only then the Kingdom of Belgium. With some justification, the maps could also have been assigned to a group 'Spain', the division 'Germany and Central Europe' with the subgroup 'Austrian Hereditary Lands' or 'France' if there were no overlaps with the area of the narrower Netherlands [Republic of the United Netherlands, Kingdom of the Netherlands]. Thus, the maps relating to the Belgian and Dutch regions could only be formed into a separate group according to modern geographical, historically inaccurate aspects. France, which had historically and geographically undergone relatively continuous development, could be divided into the sub-groups of France as a whole and individual regions, including areas whose political affiliation was not entirely clear and only later belonged definitively to France, such as Lorraine, Alsace, Corsica, Savoy and Nice. Note swert is with this group the first topographical atlas of France [No. 138] by Cassini, of which 108 of altogether 175 sheets are available in the copy kept here. The subgroup "Territories of France" was first created alphabetically and then chronologically. The situation was similar with the area of Italy, which was treated as a single area and could also be divided into the categories of Italy as a whole and individual territories according to modern political-geographical aspects, including the archipelago of Malta. More extensive measures had to be taken in the Western European areas. Great Britain and Ireland as well as Spain and Portugal with Gibraltar in their overall representation were mostly depicted on a map sheet. Therefore a division into the groups "Great Britain and Ireland" and "Iberian Peninsula" was appropriate. The area of Eastern and Southeastern Europe posed problems because the territorial affiliations and borders permanently changed during the period from about 1650 to 1880. From the temporary affiliation of the Duchies of Kurland and Livonia and the permanent affiliation of the Grand Duchy of Lithuania to the Kingdom of Poland, for example, the maps of this area were merged into the section "Poland and Baltic Countries". Because of the political changes, in particular the partition of Poland, compromises had to be made. Thus a general division "Kingdom of Poland and Grand Duchy of Lithuania" was formed, which covers the greater area as a whole. The great "Carte de la Pologne" [No. 230] from 1772 by Rizzi-Zannoni should be mentioned as a rarity. However, in order to do justice to the political vicissitudes in terms of the size of the cards, two further subgroups were formed. The "Baltic Duchies" section linked the above-mentioned duchies with the Duchy of Estonia, which was ethnically and geographically but not politically part of the Polish-Lithuanian area. The classification of the map group "Kingdom of Galicia" was more difficult. For historical reasons it could have been added to the 'Österreichische Erblande' division by accepting the fragmentation of the geographical context. In order to reach a reasonable compromise, however, it was assigned to the Polish area as a separate group. More difficult was the treatment of the cards of the Russian Empire. A structure that would have corresponded to the given order was only possible with restrictions. Russia, which stretches with large parts of its area over Asia, could just as well have been assigned to this division. However, since the country's focus was and is in Europe, the "Russia" group could be integrated into the group of European countries. The classification of the maps surrounding the Ottoman Empire [Turkey] and the neighbouring regions proved to be an almost insoluble task: in addition to maps of the Ottoman Empire, which was divided into a European and an Asian part, there are a number of map sets in this group representing the Russian-Turkish-Austrian theatres of war of the 18th and early 19th centuries on the Balkans and in the northern Black Sea regions. In addition there are maps with overlaps of the different southeast European territories from this time. Compromises had to be accepted in this area in order not to tear up map connections. Thus, in order to cover the whole area, a division "Southeast Europe, Black Sea and Asia Minor" was formed, divided into four sub-groups: the group "Balkans and Greece" is composed of the various South Slavic, Romanian and Greek territories and Danube maps, the second group comprises "Hungary (with Transylvania)"], the third group "Turkey (Ottoman Empire)" and the fourth group "Several Countries" [04.11.04.] as a collection basin of maps which cannot be clearly assigned, consisting of maps of the theatres of war in the Balkans and Black Sea region and of maps of the southern Russian-Ukrainian rivers. Maps of the Crimea/Tauria were, if they are not part of the war theatre maps, classified in the category Russia. The Nordic states with their provinces, on the other hand, could be uniformly included in the Greater Scandinavia area, especially as several of the countries were each depicted on one sheet. The same procedure was followed for the "Switzerland" group. The "Atlas Suisse" [No. 280], which was split up into individual maps and registered individually, could be merged, making it somewhat easier to classify the maps into "Germany and Central Europe" and "Territories and Parts of Germany". Here, too, compromises had to be made between political-geographical classification and historical affiliation. Should maps, which today represent non-German countries, be integrated into the group of European countries or into the German territories? And should maps, e.g. of the Reich circles, which covered several territories, be formed as a separate group or not? The classification was carried out primarily according to historical-geographical aspects, since a classification under modern political aspects would not have corresponded in any way to the map statements. The structure was based on a mixture of regional areas and Histo-rical territories, with the maps of the Imperial circles being classified according to the categories of the respective regions. The maps assigned to the category "Germany" essentially cover the territory of the old German Reich, partly in sections (atlas fragments), according to a relatively clear order pattern, while the category "Territories of Germany" again demanded greater concessions. The structure of the "Bayern" group was simple. It includes only the territory of the Duchy, the Electorate and the Kingdom of Bavaria. Here you can find the oldest maps in the collection, the "Bavarian Land Tables" by Phillipp Appian from the year 1568 [No. 379 and 380]. "Bohemia and Moravia" was designated as a separate map group due to the extent of the maps and the important role as territory of the German Empire [Kingdom, Electorate], with different atlases and map series of both areas. The groups of the "Franconian Territories" and of "Hesse" could be classified according to uniform principles. They contain interesting maps and map sets of the margraviate Ansbach [No. 423 - 428] and contemporary map sets of the theater of war Hessen during the Seven Years' War [No. 457 and 458] from 1761, the latter by Carlet de la Rozière, adjutant of the French commander-in-chief, Marshal Broglie. For the special documentation of the domestic area, a separate map group "Hohenlohe" was highlighted and separated from the group of Franconian and southwest German maps. Particularly noteworthy are the land tables of the regions around Langenburg and Kirchberg from the first half of the 17th century [no. 472 - 475] and the complete representations of Hohenlohe by Schapuzet and Hammer from the second half of the 18th and at the beginning of the 19th century [no. 477 - 482]. The section "Northern Germany" comprises all maps of the Lower Saxon-North-Elbian area with two atlases of Mecklenburg-Strelitz [No. 499] and Mecklenburg-Schwerin [No. 501] by Count v. Schmettau from the 1780s. With the group "Österreichische Erblande" it had to be decided whether one summarized all maps of the Austrian monarchy or, as here because of the extent and the kind of the maps, divided into the individual partial realms and/or Erblande. Only maps of the narrower area [Austrian Imperial Circle, territory of present-day Austria] were included in this category, with the exception of representations of the entire monarchy. It is worth mentioning the Atlas [Kartenwerk] Tirol by Peter Anich and Blasius Hueber from the year 1774 [No. 509]. The situation was similar with the maps of the Prussian monarchy. Here, too, the groups had to be divided in order to avoid spatial and cartographic separations. The section "Pomerania" also contains maps with representations of Swedish-Vorpommern, the group "Silesia" stretches from the Austrian epoch to the end of the German Reich, with an atlas of the Silesian part principalities from the 1730s to the 1750s [no. 648, 649 and 658], war maps of the Silesian wars and maps reaching into the 1940s. The main group of the "Prussian States" comprises all other maps, from representations of the entire monarchy to individual districts, with maps of East and West Prussia [No. 548 and 555] and a "Special Map" of South Prussia by the Prussian court architect David Gilly from the years 1802/1803 [No. 552 - 554]. The formation of the division "Rhine (with adjoining countries)" took place under the compromise to unite river maps of the Rhine, maps of the Rhine area [Upper, Lower and Kurrhein] and war maps, which carry the title Rhine, but extend over a far larger area, into a comprehensible group. During the processing, torn map sets could be assembled, such as the war theatre map 1794 by Dewarat [No. 605] or the current measurement maps of the Palatinate-Bavarian Upper Rhine Inspector Wiebeking at the end of the 18th century [No. 608 and 612]. The area "Saxony" was structured under clear aspects, including the maps of the Obersächsischen Reichskreis (with Prussian territories) for reasons of uniformity. To be mentioned here are the map sets of the Erzgebirgskreis of the Prussian major v. Petri [No. 630], the individual representations of the Obersächsischer Kreis in eight boxes by Peter Schenk [No. 623], the complete depiction of the Wettiner Lande of the Frankfurt cartographer Johann Wilhelm Abraham Jäger [No. 634] and of the war theatre map of the Seven Years' War of the Saxon captain Backenberg [No. 641]. In order to do justice to the caesura of the years 1803, 1806 and 1810 with their political and territorial changes, the maps of the Swabian-Alemannic and the today Baden-Wuerttemberg area were combined to a unified group "Southwest Germany". Worth mentioning are the "Charte von Schwaben/Württemberg" [No. 681 and 682] by Amann and the Tübingen mathematician and astronomer Bohnenberger as the first attempt of surveying the state, ca. 1796 to 1810, the "Topographische Atlas des Königreichs Würt-temberg" [No. 695 - 697] of the Landesaufnahme from 1821 to 1851 and the forerunner maps of the Historical Atlas of Baden-Württemberg, the "Generalkarte von Württemberg" by Bach [No. 707] and "Der deutsche Südwesten am Ende des alten Reiches" [No. 714] by Erwin Hölzle, 1938 "Thüringen" could be sorted uniformly according to territories, the last section of the "Territories of Germany", the group "Westfalen", was formed again according to compromise aspects, since the range of representation often went beyond the mentioned space of the title, as with the war maps of Dezauche, 1797 [No. 743] and of le Coq, 1804 [No. 744]. The rest of the maps are distributed among the categories 7 to 13. In the group of "transnational theatres of war" all the war maps were classified which cannot be assigned to a fixed geographical area, like the maps of the Seven Years' War, with all battlefields and theatres of war, of the Prussian Colonel Friedrich Wilhelm v. Baur [No. 747 - 749] and the Prime Lieutenant J. v. Saint Paul [No. 763] or the Atlas of Revolutionary Wars [No. 760] of the Swiss General in French and Russian service, Baron Henri v. Jomini. For reasons of determination and provenance, the corridor maps in the inventory were not assigned to the general corridor map collection, but form a separate group. "City maps", "canal constructions" such as the old Rhine-Main-Danube canal, "natural phenomena" such as the solar eclipse of 1706, "statistics" and "miscellaneous", with copper printing plates to the Hohenlohe land plates [no. 853: to no. 473 - 475] and the Hohenlohe map by C. F. Hammer [no. 860: to no. 481] formed the end of the collection.The final signatures have been assigned according to the following criteria: with single numbering, for sets of cards with continuation cards with oblique stroke after the signature, such as "208/1" or "229/1 - 4", and for double or multiple deliveries with indication of the copies, such as the Weikersheim card "476 (4 copies)". The type of storage depends on the conditions of the cartons. There are four types of bearing supports. They are recognizable by their signature: the usual plan storage in drawers is not particularly emphasized. Then there is rolled card ["(rolled)"] and shelf storage of volumes or books ["(tape)"] and cards in boxes ["(carton)"]. Combinations between storage type and card sequences in the signatures occur frequently, such as "296/1 (2 copies)" or "209/1 - 4 (carton)". The indexing was comparatively intensive according to the historical value of the maps. As a rule, the title recordings contain the following information: The title is usually taken over in the original wording, in abbreviated form in the case of excess length. In the absence of a title, a separate version was created describing the theme and area of the map. In the case of non-German, ancient titles or titles deviating from the representation, the German spelling or the spelling customary today is adopted in square brackets [ ]. The area of the map representation is described according to three patterns: Sections refer to the map margin (left-right, top-bottom), sections to prominent vertices and locations at the map margin, and areas to imaginary radii of prominent points or locations. For some cards, the type of card sequence they belong to is also included in the title. The cartographers were indicated, if noted on the map, with their professional title or function as author/cartographer, publisher, editor, draughtsman, engraver, copywriter, printer, etc. In the description of the map design, the edition, the copy number (for multiple copies), the type of map (print, lithography or [copper] engraving) and the type of colouring are given, if given, whereby the majority of the maps are only partially coloured. Boundary lines were dyed in various colors by hand until the beginning of the 19th century. The areas and territories indicated in the title are flat, places are usually colored red or orange, the border areas of the map remain predominantly uncolored. The scale of almost all maps - even without the original scale - was converted into the metric fracture system common today, with the exception of sonar maps and atlases with very different maps. Place and year of publication are generally recorded, in some cases with multiple citation; in case of uncertain assignment the place of origin is indicated in square brackets, in case of missing time indication the presumed period ([um...] or [after...]) is also indicated in square brackets. The old signatures, as far as verifiable, have all been included in the order in which they were listed, with the signatures that Karl Schumm included in his list being the last to be mentioned. The map dimensions (width x height) refer to the actual map display, the dimensions of the sheet cut (outer frame) are shown in brackets. The cartographic type is divided into three categories (thematic, topographic or physical map). Maps dating from before the beginning of the 19th century often cannot be clearly assigned and are given in mixed forms for better identification. This is followed by basic information on the map display, such as the transport network, topography, form of settlement, political division or war events on military maps. In the case of sets or works of cards, the main title is given, the sheet number, if any, and the function of the card (title or continuation sheet). Finally, the intended use of the map is indicated, e.g. as a political, military, school or traffic map. In the remarks, the original scale or scales, the division according to longitude and latitude, as far as they were available, or the meridian grid were mentioned, usually the meridian designated here as the "old Parisian meridian" (fixed in Paris in 1613, with zero meridian by the island Ferro = Hierro/Canaries). In case of deviation from the usual northing of the map, the corresponding orientation according to the direction of the compass was specifically mentioned. Other conspicuous elements of the map presentation, such as the artistic design of the title, scale or dedication templates in allegorical form, the details of troop positions or siege rings, of coat-of-arms representations, explanations, dedications, more precise details of the political division, handwritten notes and other special features, were included at the end of the list.The final indexing and creation of the present holdings by the undersigned was carried out within the framework of the project "Indexing of the printed maps of the Hohenlohe Central Archives" sponsored by the Kulturgutstiftung in the period from 1 January 1999 to 31 December 2000. 1382 title records for approx. 3060 maps in 33 drawers, 59 rolled maps, 92 maps in boxes/cartons and 38 volumes (approx. 4.5 linear metres of shelving) were included in the holdings, which received the designation "Hohenlohe Central Archives: Printed maps". A supplementary use of the map holdings of the line archives of the holdings of the hand-drawn maps of the Hohenlohe Central Archives may make sense under certain circumstances. 3. an explanation of the structure of the title recordings: All maps are described in the present finding aid book according to the following scheme in the indicated order:Order signature - Order numberTitle of the map (as quotation) or indication of the map contentKarthograph and other persons involved in the creation of the mapEngineering stage, edition, execution of the mapScaleEngineering place Further formal descriptionRemarksPre-signaturesEngineering time

History of the Inventory Designer: Alfred Rosenberg, who had been one of Adolf Hitler's close collaborators since the beginnings of the National Socialist movement, united - especially since 1929/30 - a wealth of political offices and functions in his hand. In order to be able to carry out all the tasks assigned to him, Rosenberg, since his appointment as head of the Foreign Policy Office of the NSDAP (APA) in April 1933, made use of a private secretariat headed by Thilo von Trotha (b. 12.04.1909, d. 24.02.1938), who was also responsible for the North Division of the APA. In April 1934, by order of the Reich Treasurer, von Trothas, initially only volunteered for Rosenberg, was converted into a full-time regular employment relationship with Rosenberg as Reichsleiter of the NSDAP. As private secretary, he was responsible for processing all correspondence that Rosenberg had to conduct personally as head of the APA, but also as Reichsführer of the Kampfbund für deutsche Kultur (KfdK) and as main editor of the "Völkischer Beobachters" (VB). In January 1934, Rosenberg was appointed the Führer's representative for monitoring the entire spiritual and ideological training and education of the NSDAP. Probably because of this new expansion of his duties, on 26 April 1934 Rosenberg ordered the conversion of his private secretariat into a "Rosenberg Chancellery". It continued to be under the direction of Thilo von Trothas, but was now assigned a clearly defined scope of duties: From now on, the Rosenberg Chancellery was responsible for all correspondence conducted by Rosenberg himself within the scope of duties of the APA, the KfdK and other ideological offices as well as for the "NS-Monatshefte", the appointment calendar and the visit regulations of the Reichsleiter. The firm had its own "archive" whose task it was to collect information material and newspaper clippings about Rosenberg. The DBFU was one of the administrators. On 15 August 1937, Rosenberg appointed SA-Sturmbannführer Dr. Werner Koeppen (born 26.09.1910) as his aide. After the death of Trothas in February 1938, Koeppen took over the management of the office and retained it - with temporary interruptions due to military service - until 1945. In August 1941 he was appointed by Rosenberg as his personal adviser and worked for a time as a liaison officer in the Führer's headquarters. During his absence Amandus Langer, whom Rosenberg had appointed as his adjutant in 1941, represented him in the management of the office. Life data of Alfred Rosenberg born 12.01.1893 in Reval Study of architecture in Reval, then in Moscow since 1918 in Germany, 1923 as German naturalized 1919 NSDAP member 1921 with Dietrich Eckart Editor of the "Völkischer Beobachters" February 1923 Main editor of the "Völkischer Beobachters", since 1938 also editor 09.11.1923 Participation in the march to the Feldherrnhalle; during Hitler's captivity with the leadership of the "movement" commissioned 1929 Founder of the Kampfbund für deutsche Kultur 1930 Member of the Reichstag and representative of the NSDAP at the Auswärtigen Ausschuss des Reichstages since 1930 Publisher of the "NS-Monatshefte" 01.04.01.1933 Head of the NSDAP Foreign Policy Office, appointed Reichsleiter of the NSDAP 24.01.1934 Representative of the leader for the supervision of the entire intellectual and ideological training and education of the NSDAP 29.01.1940 commissioned with the preparation of the "High School" of the NSDAP 05.07./17.09.1940 Head of the task force Reichsleiter Rosenberg for the occupied Eastern territories 20.04.1941 Commissioner for the Central Processing of Issues in Eastern Europe 17.07.1941 Reich Minister for the Occupied Eastern Territories 16.10.1946 executed in Nuremberg (IMT ruling) Abbreviations APA Foreign Office of the NSDAP DAF German Labour Front DBFU The Führer's representative for the supervision of the entire intellectual and ideological training and education of the NSDAP ERR Operations Staff Reichsleiter Rosenberg HJ Hitlerjugend IMT International Military Tribunal KfdK Combat Alliance for German Culture NS National Socialist NSDAP National Socialist German Workers Party NSKG NS-Kulturgemeinde OKW Oberkommando der Wehrmacht PPK Party Official Examination Commission for the Protection of NS Writing RMbO Reich Ministry for the Occupied Eastern Territories SA Storm Departments SD Security Service SPD Social Democratic Party of Germany VB Völkischer Beobachter Inventory Description: During the war, Rosenberg and almost all his offices remained in Berlin. Despite some losses during the heavy bombing raids in November 1943, most of the files of the Rosenberg office seem to have been preserved. The traditional Rosenberg documents (from the state and party areas) were brought to Nuremberg after the end of the war in order to be evaluated for the Allied trials against the war criminals. In the beginning, the documents that could be used as supporting documents were taken from the files, later they were left in them and were content with photocopies. The originals used are likely to be in Washington today, along with other trial documents. The documents collected in Nuremberg were evaluated by various foreign institutions for the creation of their own collections after the processes had been completed. The Centre de Documentation Juive Contemporaine (CDJC) in Paris is particularly worthy of mention here. Today, the "Collection Rosenberg" contains a collection of approximately 1,100 documents (mostly from the provenance office of Rosenberg, but also from other Rosenberg offices). Receipts for the individual documents taken from the CDJC are still in the files that have been transferred to the Federal Archives. Further records of Rosenberg's departments can be found at the Nederlands Instituut voor Oorlogsdokumentatie (NIOD), Amsterdam, and at the Yivo-Institute for Jewish Research in New York. Books and journals from Rosenberg's departments are listed in the Hoover Institute and Library and in the Library of Congress. Documents from Rosenberg offices also reached archives of the former Soviet Union. An extensive collection (above all of the provenance ERR) is today kept in the Tsentral`nyi derzhavnyi arhiv vyshchykh orhaniv vlady ta upravlinnia Ukraïny (TsDAVO Ukraïny) in Kiev, further files (above all of the provenance foreign policy office) in the Rossiiskii gosudarstvennyi voennyi arkhiv (RGVA) in Moscow. Most of the Rosenberg files collected in Nuremberg were brought to Alexandria/Va. and partly filmed there. In March 1963, this file complex, known as Record Group 1008/Reichsministerium für die besetzten Ostgebiete, was transferred from the USA to the Federal Archives in the course of the file repatriation, where it was divided into provenances in autumn 1963. The files from this return of files to the provenance of "Kanzlei Rosenberg" form the main part of the present collection. Some volumes were added which had been transferred to the Nuremberg State Archives and to the Federal Archives in 1955, as well as several volumes from various American file returns. Further additions were made by one volume each from the Central State Archive of the GDR (62 Ka 2/1) and from the so-called "NS Archive of the Ministry for State Security of the GDR" (ZA VI 6322). Archival processing The majority of the documents had been deposited in the Federal Archives in their original registry context. Individual documents, processes detached from their context as well as volumes in disorder had to be rearranged. The order and distortion corresponded to the original registry context. A complete reorganisation of the stock from a factual point of view would have facilitated its use, but did not appear to be justified from the point of view of labour economics. Only double copies were collected in the manuscript series. The preliminary finding aid for the stock was produced by Mrs. Köhne in 1966. Quotation NS 8/.............................................................. Characterisation of the contents: The collection of manuscripts and newspaper clippings provides a fairly comprehensive picture of Rosenberg's personality from about 1930 to 1945. Due to the fact that the Chancellery was responsible for almost all of Rosenberg's departments, the collection also contains essential supplementary material on the activities of the departments subordinated to Rosenberg; only the department of the Reich Ministry of the Occupied Eastern Territories, whose affairs Rosenberg had dealt with primarily by its ministerial office, is to be excluded. The filing of the documents took place largely in chronological series, at most separately into the areas VB, KfdK and APA, later also according to correspondence partners. A clear separation of the series from each other in terms of content and time is not discernible. State of development: Findbuch (1966/2005), Online-Findbuch (2004). Citation style: BArch, NS 8/...

Contains: Jubilee horticultural exhibition Leipzig, pension and pension institution of the German visual artists in Weimar, Protestant community of Bant near Wilhelmshaven, Monument to the Battle of the Nations near Leipzig, Committee for the Dissemination of the Papal Encyclical on the Workers' Question, Nobilitas Monastery in Potsdam, "Tell" shooting society in Kulmbach, German Protestant community in Pretoria, Men's club of the Red Cross in Strasbourg, seamen's houses of the imperial navy in Wilhelmshaven and Kiautschou, statue for Prince Friedrich Karl of Prussia in Metz, Catholic church in Wörth an der Sauer, soldiers' home in Jüterborg, Augusta club for daughters of deceased officers, school building in Windhoek, church building of the German Protestant community in Shanghai, German folk theatre in London, Buildings for Protestant unfunded in Karlsbad, Bismarck Monument on the Knivsberg, Archbishop's Boys' School in Bucharest, Hermann's bust for the Hall of Fame in Görlitz, Association for Medical Mission, Blücherstein in Treptow, German Fleet Association, Writers' Home in Jena, Volkstümlicher Hochschulkreis, Central Association for the Care of the School-leaved Youth, Central Association of German Veterans in Philadelphia, Evangelical German Church in Mexico, Evangelical Association for Internal Mission in Metz, German Evangelical School Association in Brno, Kaiser Friedrich Memorial in Metz, German Catholic Women's Mission in Paris, Hellmannstein Committee in Neisse, German School Association in London, Association for German Seafarers in Antwerp, Women's Aid for Abroad in Berlin, etc.a.

Contains among other things: 8th International Congress for the History of Medicine, Rome, Sept. 1930 2nd International Coal Congress, Pittsburgh, 19-24 Nov. 1928 9th Congress for Cultural Cooperation, Budapest, 4-6 Jan. 1934 5th International Congress for Administrative Sciences, Vienna, June 1933 Congress for Colonial History, Paris, 1931 3rd International Congress for Mechanics, Stockholm, 25-29 Aug. 1930