Contents: An overview of the contents can be found in the classification. History of origins: Prof. Dr. Dr. h.c. Theodor Christoph Heinrich Rehbock (*12.04.1864 in Amsterdam, 17.08.1950 in Baden-Baden) studied civil engineering in Munich and Berlin from 1884 to 1890. After the diploma examination and the government building leader examination he worked from 1890 to 1892 in Berlin at the Reichstag building administration, then from 1893 to 1894 in the Bremen building administration. After passing the government building master examination in 1894, he worked in Berlin as a consulting engineer for hydraulic engineering and undertook journeys through Europe, to Canada and the USA as well as to South America and 1896/97 to southern Africa. In 1899 he was appointed full professor at the Technical University of Karlsruhe, where he established the river engineering laboratory and served as rector in the academic years 1907/08, 1917/18 and 1925/26. In 1934 Rehbock was emeritus. Pre-archival inventory history: Foreword by Klaus-Peters Hoepke in the provisional find book: "The inventory changed location several times between its creation and its transfer to the university archive. In 1943 Rehbock obtained permission from the rector to bring his papers from the river engineering laboratory to his house in Baden-Baden to arrange them. When Baden-Baden became a military restricted area in the autumn of 1944, Rehbock moved it to his alternative quarters in Ried b. Benediktbeuren/Obb. At the end of the war he took her back to Baden-Baden. Since his house was confiscated by the French military administration, he had to move again - taking his papers with him. During Rehbock's lifetime, but at the latest after his death, individual pieces of furniture, parts of his library, these papers - probably supplemented by parts of the written private estate - reached the Technical University of Karlsruhe. In September 1992 Prof. Dr. techn. Peter Larsen and PD Dr.-Ing. Hans Helmut Bernhart of the Theodor Rebock Institute arranged for the fundus to be transferred to the university archive. Furthermore Dr.-Ing. Andreas Richter from the Institute of Hydromechanics handed over a bundle of Rehbock manuscripts of the lecture on weirs to the archive in January 1995; it was added to the collection under the serial number 63a. The inventory listed below is made up of parts of the service room estate and private papers. In view of the distances travelled, experience has shown that it is hardly probable that the fundus that existed around 1943 is still completely preserved. After the war, for example, there must have been two folders with the correspondence that Rehbock had kept with the nestor of German hydraulic engineering, Hubert Engels from Dresden, a colleague he held in high esteem. In any case, the effects of war had destroyed not only countless measurement records, plans, etc. but also the historically valuable and extensive collection of site plans of the Rhine models: According to Rehbock, the already print-ready collection documented "the best I could achieve in the experimental world". (So to Anton Grzywienski, 15.12.1946, no. 162) [...] In Baden-Baden Rehbock actually dealt with arranging his papers. He probably used the registration plan as a basis, according to which he had correspondence, sketches, plans, etc. filed during his active time in the river engineering laboratory. (This registry plan no longer exists, so that the presumed losses can no longer be determined). Above all, Rehbock added explanatory remarks for posterity to individual folders or documents. Many documents then contain underscores, paint strokes or margin notes made with coloured pencils (red, purple or green). Unfortunately, it is not always clear whether these are traces of processing from the course of business or later highlights, which it seemed advisable to place roebuck in view of posterity." Archive history: Most of the documents were transferred from the Theodor Rehbock Institute to the university archive in September 1992. A small levy was made in January 1995 from the Institute of Hydromechanics (No 63a). The Institute for Hydraulic Engineering and Cultural Engineering, which emerged from the Theodor Rehbock Institute, submitted further documents in 1996, which Hoepke classified partly in "Signatures" he had created and partly under No. 351-381. Numbers 370-381 included 1,345 photographic glass plates. These were included in a provisional list in late 2003 and filmed and digitised at the turn of the year 2003/04. On 02.06.2008 the addition 29/? was added to the inventory as signature number 406. Explanation of the order: The order of the inventory was established in its basic features according to the order carried out by Theodor Rehbock. Changes took place in the initial stock formation in the university archive (see Archivische Bestandgeschichte) and in the digitisation of the finding aid in 2005. Indexing information: In the second quarter of 2005, the finding aid available in electronic form was easily edited and imported into the finding aid database. The existing classification was adopted largely unchanged. During the digitization of the finding aid, signatures with alphanumeric additions were changed to purely numeric signatures. Classification overview: 1. personalia 2. colonial matters 3. university matters 4. memberships 5. manuscripts 6. divining rod 7. structural engineering 8. technical contacts in the USA 9. tooth sleeper patent and its exploitation 9.0 general 9.1 German projects 9.2 Company Dyckerhoff 9.3 Company Philips

Contains above all: Signature Book of Commerz- und Privatbank AG, Hamburg-Berlin (Correction Sheets), Febr. 1, 1930 List of Branch Offices Signature List of Deutsche Renten-Kreditanstalt, Febr. 1, 1930 Circulars and Member Lists of Zentralverband des deutschen Bank- und Bankiergewerbes E.V. Annual Report of Darmstädter und Nationalbank, 1929 Annual Report of Kreditbank für Auslands- und Kolonialdeutsche GmbH, 1929

Contains among other things: List of the members of the Reich arriving from South West Africa in May and June, 1916

• Signature of the inventory: XM - Description of the stock: Coins, medals, tokens - Size of the holdings: more than 1,900 numbers - Find aids: Findbuch - Description of the holdings (essential contents with indication of the term): 1. coins 1.1. Germany (c. 1180 - 1950) 1. coins 1. coins 1.1. Germany (c. 1180 - 1950) 1.2. other issuers (around 20 BC - 1948) 2. medals 2.1. court (1817 - 1998) 2.2. other (1530 - 1983) 3. stamps 3.1. court (around 1870 - around 1995) 3.2. other (around 1800 - 2003) title recording: 1. coins: Nominal (value declaration) and issuer - medals: Type of medal - Marks: Issuer 2nd obverse: illustration, inscription 3rd reverse: illustration, inscription 4th edge: inscription 5th origin (gift, loan, artist, mint, place of discovery, part of a coin treasure) 6th comments: Material, shape (if not round), diameter, condition Definition of terms: In the sense of this finding aid are: - Coins: valuable expressions of money, i.e. small objects which are typically redeemable in an area at various locations and for any purpose and which can be stored for an unforeseeable period without losing their value without being lost; in distinction to banknotes and other forms of money, coins are small, often round and made of metals (exceptions: angular coins; coins made of porcelain or paper); in spite of its limited monetary functions (temporal and local limitation of validity), emergency money from the years 1917-1923 is counted here as coins. - Medals: formally coin-like pieces that are primarily honorary or propagandistic in character and have no monetary functions (accumulation, measurement of value, interchangeability). Medals of remembrance: issued for later commemoration of an event taking place at the time of issue (special forms: medals for baptism, Christmas, congratulations, participation), commemorative medals: issued for commemoration of an earlier event or a deceased person, medals of honour (also: Medals of merit): issued to document the honouring of a living person by a public body (similar to an order), mocking medals, joke medals: issued to ridicule an event, a person or an idea, advertising medals: issued by companies or businesses to attract customers. - Brands: fee stamps (also: discount stamps), i.e. valuable, coin-like pieces that can only be redeemed at a single institution or body for a specific purpose; here also: play money etc. The following numbers have not yet been assigned: 2151-2194, from 2199 - Information on the history of the holdings (with references to literature): Collections of the Stadtarchiv and the Museum Bayerisches Vogtland, some received as gifts or loans from private collectors, some taken over by the municipal administration. The city of Hof or its museum (in contrast to some other municipalities, such as in the time of the emergency money 1914-1923) did not carry out a systematic collecting activity. Purchases of coins or medals are not provable with the exception of a coin find from the bird stove in 1966. Some pieces came into the collection in connection with the foundation of the museum, others in return for Hofer emergency money, which the city of Hof sent to other municipalities. The Hof medals of the 1980s and 1990s are evidence because the City Archives provided the artwork and texts for their design, or takeovers from the administration (e.g. in the case of the 1994 State Garden Show, when the City of Hof liquidated the remaining assets). In many cases, the provenance context can no longer be reconstructed. Information on coin finds: The stock contains coins from several coin finds: A coin was found in 1952 in the hospital church in Hof (XM 1803). A coin was found in 1966 on the Drosselsteig 10 property in the Vogelherd district of Hof. The 115 coins were purchased for the municipal museum. However, only parts of it are available in the inventory. The whereabouts of the remaining coins are unknown. Cf. the list attached to the introduction (only in the printed search book). The third find of coins are the coins that were found during the excavations of the former monastery of the Poor Clares in Hof in 1987. The Landesamt für Denkmalpflege in Schloss Seehof (Memmelsdorf near Bamberg) lent them to the museum. It concerns the order numbers 554 and 1807-1809. Further coins are in the act of the city archives yard A 113/181: 3 strongly weathered coins with the writing of the mint C. Balmberger, Nuremberg, of 14.11.1919, 1 strongly weathered coin with the writing of the mint C. Balmberger, Nuremberg, from 6.9.1920, 7 coins on a cardboard strip while writing to the mint L. Chr. Lauer, Nuremberg, from 6.9.1920: 5 Pfennig, district Dieburg, 1918, 10 Pfennig, city Rudolstadt, 1918, 5 Pfennig, district Heppenheim, o. Dat, 10 Pfennig, town Überlingen, 1917, 10 Pfennig, district Heppenheim, 1918, 25 Pfennig, Rupertiwinkel, 1918, 50 Pfennig, district Lauterbach, n. d. Lit.: Allgemeine Geld- und Münzgeschichte/Lexika A. Luschin von Ebengreuth, Allgemeine Münzkunde und Geldgeschichte des Mittelalters und der neueren Zeit, 2nd ed, Munich/Berlin 1926 (Stadtarchiv Hof, 8° A 50) Ferdinand Friedensburg, Mint Studies and Money History of the Individual States of the Middle Ages and Modern Times, Munich/Berlin 1926 (Stadtarchiv Hof, 8° A 320) Friedrich Freiherr von Schrötter, Dictionary of Mint Studies, Berlin/Leipzig 1930 (Stadtarchiv Hof, 8° A 51) Arthur Suhle, German Mint and Money History from the Beginnings to the 15th Century, Berlin/Berlin 1926 (Stadtarchiv Hof, 8° A 51) Helmut Seling, Keysers Kunst- und Antiquitätenbuch, Heidelberg/Munich 1959 (Stadtarchiv Hof, 8° A 322/2) Tyll Kroha, Münzen sammeln, Braunschweig 1964 (Stadtarchiv Hof, 8° A 330) Helmut Kahnt/Bernd Knorr, Alte Maße, Münzen und Gewichte, Mannheim u.a. 1987 (Stadtarchiv Hof, 8° A 949) Dieter Fassbender, Lexikon für Münzsammler, Augsburg 1991 (Stadtarchiv Hof, 8° A 1133) Arnd Kluge, Geld und Banken in Hof, in: Hof im Spiegel der Zeit, 2. edition, in German only, Bad Soden-Salmünster 1996, pp. 17-25 (Stadtarchiv Hof, 8° A 1311) Gerhard Schön coins, German coin catalogue 18th century, 3rd edition, Munich 2002 (available at the Stadtbücherei Hof) Paul Arnold and others, Large German coin catalogue from 1800 to today, repeated editions (available at the Stadtbücherei Hof) Christian Charlet, Monnaies des Rois de France de Louis XIII a Louis XVI 1640-1793, Paris 1996 Jean-Marc Leconte, Le bréviaire de la numismatique francaise moderne 1791-1995, Paris 1995 Günter Schön and others, world coin catalogue. 19th century, repeated editions (available at the Stadtbücherei Hof) Günter Schön and others, World coin catalogue. 20th century, repeated editions (available at the Stadtbücherei Hof) Friedrich Freiherr von Schrötter, Brandenburg-Fränkisches Münzwesen, Part II: the coinage of the Hohenzollern Burgraves of Nuremberg and the Margraves of Brandenburg in Franconia 1515-1603, Halle 1929 (Stadtarchiv Hof, 4° A without signature) Kurt Jaeger, Die neueren Münzprägungen der deutschen Staaten vor Einführung der Reichswährung, 5th century, the newer mintings of the German states before the introduction of the imperial currency. Issue: Kingdom of Bavaria 1806-1871 with Grand Duchy of Berg and Würzburg, Basel 1957 (Stadtarchiv Hof, 8° A 139) Hans Meyer, Das deutsche Notgeld. Private emergency coins 1915-1923, issue 8, Berlin 1971 (to XM 216) Peter Menzel, Deutsche Notmünzen und sonstige Geldersatzmarken 1840-1990, 2 volumes, Gütersloh 1993 Gerhard Greim, Wipper und Kipper in Hof, in: Kulturwarte, 1969, p. 158f (Münzstätte Hof 1620-22) Hans Seiffert, Münzelend - Inflation - Notgeld, in: Kulturwarte, 1968, p. 178-184 (Tipper and luffing period 1620-23, emergency money 1914-24 in the Hof region) Heinz Henschel, When Münchberg spent city emergency money, in: Kulturwarte, 1968, S. 187-192 (Münchberger Notgeld 1917-1924) Maximilian Ritz, series on emergency money 1917-1924 in Hof and surroundings, in: Kulturwarte: Offizielle Notmünzen der Stadt Hof, 1971, p. 251-253 Das Hofer Papiernotgeld, 1972, p. 32-34 Das Hofer Notgeld - Die Großgelddscheine, 1972, p. 141-143 Papiernotgeld 1922: Hof ist besser als seiner Ruf, 1972, p. 204-205 Hofer Inflationsscheine (1. Teil): "Jeder ist nun Millionär", 1974, p. 145-146 Hofer Inflationsscheine mit Überdruck (2. Teil): Ein Dollar für ein Billion Papiermark, 1975, p. 16-17 Hans Hofner, Die Münzenfunde im Stadt- und Landkreis Hof, in: Kulturwarte, 1959/60, p. 83-87 Stadtarchiv Hof, A 113/134, 113/181, 113/221 (Hofer Notgeld 1916-1923) Stadtarchiv Hof, A 4390 (Coin finds in Hof 1952-1978) Medals Dieter Fischer/Hermann Maué, The Medals of the Hohenzollern in Franconia (Scientific supplements to the Anzeiger des Germanischen Nationalmuseums, 15), Nuremberg 2000 (Stadtarchiv Hof, 4° A, without no.) Stadtarchiv Hof, A 202 (Award of the Medal of Merit of the Bavarian Federation of Industrialists 1906-1935 to 25 year and 40 year service anniversaries in Bavarian industrial enterprises; the medal itself is not included in XM) Stadtarchiv Hof, A 25, 189, 191 (Award of the Wilhelm I.-Commemorative medal to holder of the war commemorative coin of 1870/71, 1898-1919; the medal itself is not included in XM) Stadtarchiv Hof, A 147 (Celebrating the 100th birthday of the German Emperor Wilhelm I.., 1896-1897; to XM 1923-1925) Stadtarchiv Hof, A 200 (Award of the Red Cross Medal, 1898-1920; the medal itself is not included in XM) Stadtarchiv Hof, A 134 (Celebrating the 80th Anniversary of the birth of the Red Cross) Birthday of the prince regent Luitpold, 1900-1901; to XM 787)Stadtarchiv Hof, A 202/26 (precious metal traffic, 1914-1922; to XM 782, 790, 814) Stadtarchiv Hof, A 176 (offers of medals, guide busts etc.), 1927-1944; to XM 792) Stadtarchiv Hof, A 4391 (Hof commemorative medals 1981-1992) - legal circumstances (loan contract, blocking periods): property of the Stadtarchiv Hof. - Author of the collection (with details of the period of processing): Dr. Arnd Kluge, December 1998 - February 2001, January - September 2003 (first entry)

Inventory description: Abt. 186 Familienarchiv Leonhard von Heyl/Nonnenhof (Dep.) Scope: 307 archive boxes; one box with oversized formats; 2.5 linear metres with flat and rolled oversized formats (= 2165 units of registration = 33 linear metres, incl. film rolls, photo negatives, etc.) Duration: 1760 - 1985 Take-over and distortion According to a note from Dr. At the end of June 2002, Mathilde Grünewald (Museum der Stadt Worms) became known to the municipal archives that the owner of the Heylschen Gutes Nonnenhof (Bobenheim), Dr. Ludwig von Heyl, was interested in handing over the family archive of his uncle Leonhard von Heyl (1924-1983) to the municipal archives. Dr. Grünewald presented the archive with an overview of the material stored in the Forsthaus Nonnenhof, which she had prepared during a visit to the storage rooms. The archive then contacted Dr. von Heyl and agreed to conclude a deposit agreement with the usual provisions (retention of title, etc.). In the first half of August 2002, the City Archives, headed by Dr. Gerold Bönnen and Mrs. Margit Rinker-Olbrisch, Dipl.-Archivarin (FH), sifted through the documents stored in two rooms of the forester's lodge that was to be renovated, signed and recorded the first part directly on site (input as a Word list, title entry/term determination of approx. 800 units of registration) and prepared it for transport. All the materials, a large part of which were stored in files, the rest either loose (in boxes) or as folders, were taken to the city archives on August 9, 2002, the listed part was placed directly in the cellar of the Ernst-Ludwig-Schule, the unlisted documents were sent to the Raschi-Haus for further processing, including approx. 15 35mm film rolls, photographs (negatives and prints), maps and plans. Margit Rinker-Olbrisch recorded the remaining documents including a classification and an index (see below) in the period from August 2002 to April 2003. The total volume of the documents amounts to approx. 40 linear metres (1806 units of distortion). With a few exceptions (account statements, statements of account, printed circulars), no cassations were made. In spring/summer 2010, the existing documents, which had only been included in the Word list in August 2002 with a file title and running time (approx. 800 numbers), were subsequently indexed. They have now been recorded in greater depth, in order to be included in the work on Heyl's anthology "Die Wormser Industriellenfamilie von Heyl. Public and private activities between bourgeoisie and nobility" as sources for further evaluation. At the same time, the blocking periods were changed or lifted in accordance with the requirements of the State Archives Act for Rhineland-Palatinate, which was amended in September 2010. Classification Since the documents did not show any internal order when they were accepted, a classification was developed in the course of the processing of the material which endeavours to reflect the essential content focal points and different personal connections and provenances on the part of the family members involved. It was not always possible to separate family and private affairs from the closely interwoven business affairs of the company or companies and their financial implications. The boundaries in the classification are therefore often less sharp than the outline might suggest. In addition, some of the documents were recorded relatively quickly on site before the takeover at a lesser depth than others; in particular, the documents on Leonhard von Heyl and the history of the Nonnenhof were generally less intensively catalogued than the actual older records on the company and family. Contents, value and significance The 186 Department is divided into three main parts of approximately equal size: 1. the personal estate of Leonhard von Heyl (personal and study documents, correspondence, activities in associations and committees, including the Wormser Altertumsverein (chair 1966-1983), agricultural organisations and the Palatine Landeskirche). The period of this part of the documents lies between about 1940 and the death in 1983 with few pieces of the time shortly after. 2. documents on the development of the Nonnenhof near Bobenheim, which has been family-owned since the 19th century, and its management, with a focus on the period from around 1920 to 1960. 3. documents on the history of the von Heyl family, including Cornelius Wilhelm von Heyl (1843-1923), including part of his estate, which had previously been believed to be lost, with a high value for questions of politics, patronage, public activity and economic activity. Of particular value are various archival indexes of the time after the death of 1923 (no. 582, typewritten, approx. 80 p., apparently incompletely preserved), compiled after the successful indexing and arrangement of the files found in the private archives of Freiherr Dr. von Heyl zu Herrnsheim, November 1928, thus available in the archive 2827 folders in 14 groups; no. 820; no. 821; no. 1272 hs. lineup). Cornelius Wilhelm's wife Sophie née Stein (1847-1915) is the subject of numerous documents, including further archival records on the history of the Stein family of bankers in Cologne. Of particular value are documents on Cornelius Wilhelm's brother General Maximilian von Heyl (1844-1925) and his wife Doris (1848-1930), including numerous files on the Heylshof Darmstadt and their patronage activities in Worms and Darmstadt, as well as correspondence. For the aforementioned personalities, the collection contains extremely valuable archival material that places our knowledge of the history of the family and its manifold effects and activities in the fields of politics and art, public and economic life - especially in the field of art conservation - on a much broader footing. Extensive material provides information about the family's internal disputes and conflicts; a great deal of correspondence provides deep insights into the personal interdependencies and contacts of the widely ramified family. The distinctive self-stylisation and self-portrayal of the family and its relatives occupies a special position, for which the collection contains extensive material. The original photographs (mainly glass plates with private photos of the family of Ludwig Freiherrn von Heyl, 1886-1962) were partly taken over by the photo department and remain there (cf. Dept. 186 No. 1707). The 35mm films belonging to Heyl-Liebenau's 1944 film project are currently in the Federal Archive in Berlin, where they are to be digitized. The oldest documents in the collection date back to about 1720. The main focus of the tradition lies in the period from approx. 1880 to approx. 1930. Conservation status and usability To a small extent, the documents are affected by the effects of moisture; some are very fragile and endangered copy paper, some (K) of which has been replaced by legible photocopies (No. 53, 960, 962, 963, 967, 968, 979, 980, 984 -986, 993, 1027, 1060 (K), 1079 (K), 1080 (K), 1094 (K), 1102-1104 (K), 1115, 1198). For reasons of data protection, part of the documents relating to Leonhard Freiherr von Heyl (tax matters, personal documents) is blocked from use; the same applies to the private interests of some other family members. In case of doubt, the archive is obliged to contact the owner. Related and complementary archive departments in the City Archives First and foremost are to be mentioned here: - 170/26 Family von Heyl - 180/1 Heylsche Lederwerke Liebenau - 185 Family and Company Archives Ludwig Cornelius Freiherr von Heyl (Depositum) With the latter stock the Dept. 186 shows very close interdependencies; the extensive documents located here are pleasingly supplemented. (for further information see the stock overview of the city archives) Literature The Worms industrial family of Heyl. Public and private work between bourgeoisie and nobility, edited by Gerold BÖNNEN and Ferdinand WERNER, Worms 2010 (538 p., approx. 600 illustrations, basic anthology on various aspects, including contribution on the estates and their indexing by Margit Rinker-Olbrisch) BÖNNEN, Gerold (Bearb.), Das Stadtarchiv Worms und seine Bestände, Koblenz 1998 (Publications of the Landesarchivverwaltung Rheinland-Pfalz 79) (p. 39f) (p. 39f), pp. 173-178 with further lit.) KRIEGBAUM, Günther, Die parlamentarische Tätigkeit des Freiherrrn C. W. Heyl zu Herrnsheim, Meisenheim 1962 (Mainzer Abhandlungen zur mittlere und Neueren Geschichte 9) KÜHN, Hans, Politischer, wirtschaftlicher und sozialer Wandel in Worms 1798-1866 unter besonderer Berücksichtigung der Veränderungen in der Bestellung, den Funktionen und der Zusammensetzung der Gemeindevertretung, Worms 1975 (Der Wormsgau, supplement 26) Stiftung Kunsthaus Heylshof. Critical catalogue of the collection of paintings, edited by Wolfgang SCHENKLUHN, Worms 1992 (including: Klaus HANSEMANN, Der Heylshof: Unternehmerschloß und Privatmuseum, p. 1950; Judith BÜRGEL, "Da wir beide Liebhaberei an Antiquitäten besitzt". On the Collection of Paintings by Cornelius Wilhelm and Sophie von Heyl, pp. 51-71) Dr. Gerold Bönnen/Margit Rinker-Olbrisch Worms, June 2003 / October 2010 Supplement In February 2014, Dr. Ludwig v. Heyl (Nonnenhof) drew attention to newly found documents which were still stored in the so-called Försterbau from the property of his uncle Leonhard. The pieces were sighted on 27 February by Mrs. Margit Rinker-Olbrisch and archive director Dr. Gerold Bönnen and taken over for the most part to supplement the collection of Dept. 186. Mrs. Rinker-Olbrisch completed the indexing by the end of March. 129 new VE (of which 17 sub-numbers) were added to the inventory of Dept. 186. The material, partly large format, includes written material, numerous photographs (also albums) and graphics. Four pieces clearly belonging to Ludwig C. von Heyl or his son of the same name were incorporated into the collection of Dept. 185 (family and company archive Ludwig C. Freiherr von Heyl). However, individual archival records concerning Ludwig C. von Heyl, which Leonhard von Heyl had integrated into his holdings, were also left in this context and added to the classification group for Ludwig C. von Heyl and his wife Eva-Marie von Heyl née von der Marwitz in Dept. 186. Among the new additions were newspaper editions (several times) of the decease, the funeral ceremonies and the funeral of Cornelius Wilhelm Freiherr von Heyl zu Herrnsheim ( 1923) as well as a Bible and a hymnal from the possession of Alice von Heyl (1881-1969), the latter having a leather binding designed by Otto Hupp (Dept. 186 No. 1805). It is pleasing to note that with the takeover of the company and visiting books (beginning in 1894-1899, followed by Lücke until 1909, ending in 1914; Abt. 186 Nr. 1806-1809), information about the social life at Heylshof Worms, Schloss Herrnsheim and hunting societies could be added to the collection. Important for the reconstruction of the former archive of C. W. von Heyl is the extensive almost complete archive directory (Dept. 186 No. 1813), which together with the already existing few parts (Dept. 186 No. 582) is now complete. Furthermore an album is to be emphasized in the character of a family book, which Cornelius Wilhelm von Heyl had been given by his parents and contains entries of relatives, friends etc. in particular from the time of his stay in the Institut der Herrnhuter Brüdergemeine in Neuwied (Dept. 186 No. 1829; running time 1856-1859). Individual pieces of the archival documents taken over wear decorative leather covers, here two are to be emphasized. On the one hand there is a "Photographisches Album von Sehensüwrdigkeiten der Stadt Worms" (1881; Dept. 186 No. 1880), which was probably published in connection with the consecration of the museum in the Paulusstift at that time, and on the other hand a photo album "Zur Erinnerung an den Fackelzug 8. April 1886" on the occasion of the elevation to the nobility (Dept. 186 No. 1881) with numerous group photographs (different groups of persons from the leather factory), made by the Worms photographer Fritz Winguth. Besides there are photo albums of Sophie von Heyl (1918-1980) from her stay in the women's school Metgethen (near Königsberg) and in the deaconess institution in Halle, vacation among other things and albums of Leonhard von Heyl. He also took over series of correspondence with letters to his parents. They begin in his childhood (from 1932), cover his war and study years and end in 1959. Of the large-format pieces (photographs, graphics), a large-format photograph of the Heylshof in Darmstadt stands out, some of which is covered with a drawing for a planned, generous but not executed extension (Dept. 186 No. 1894). This sketch could have been made by the architect Gabriel von Seidl. C. Battenfeld drew in detail various sculptures and building elements which can presumably be assigned to the Heylshof Darmstadt (a large-format sheet, Dept. 186 No. 1894). Margit Rinker-Olbrisch Worms, April 2014

Correspondence on the whereabouts of mission members overseas; maintenance of leprosy homes in Tungkun; list of interned missionary women in Sumatra, 1943; Das Schicksal unserer Landsleute im neuen Ostasien, Korrespondenz u. Bericht, 1943; Merkblatt über Lage d. Deutschen in Brasilien, 1943

Contains: Correspondence, list of newly acquired shareholders

The Kislauer Prisons: The buildings on the grounds of the former hunting and pleasure palace of the Speyer prince-bishops in Kislau have served since the attack of the right Rhine parts of the Speyer high monastery on Baden to accommodate various state institutions, some of which existed parallel to each other in different buildings on the palace grounds: as a prison (among other things for revolution participants 1848/49, branch of the Rastatt fortress), custody for women and men, workhouse for socially marginalized men, military hospital and prisoner of war camp in the First World War, branch for women of the Wiesloch sanatorium and nursing home, transit camp for former French foreign legionnaires, refugee camp after 1945 and branch of the Bruchsal penal institution until today. Above all, however, Kislau Castle is still associated with the role it played during the Third Reich, when a protective custody camp and a concentration camp for political prisoners were set up there. Famous political prisoners during the National Socialist era included Adam Remmele, Christian Stock, and Ludwig Marum, who was apparently the only prisoner murdered in Kislau. In the Kislau prison records from the time of National Socialism, Marum is documented as well as a few other, apparently "natural" deaths. During the Nazi era, Kislau was a transit station for many prisoners on their way to other camps, in particular to/from Hinzert (SS special camp), Dachau (concentration camp) and to the Emsland camps (mainly Wehrmacht members). During the Second World War, many prisoners came from abroad; they were Eastern European foreign workers or people from the territories occupied by Germany in Western Europe. Processing: Until 2015, the prison files preserved in fonds 521 formed part of fonds 521 Zugang 1982-48 and 521 Zugang 2003-57. The files were mainly created during the National Socialist era and concern the following Kislauer institutions: - Arbeitshaus- Schutzhaftlager/Konzentrationslager/Bewahrungslager- Straffängnis- Durchgangslager für Fremdenlegionäre. Until 2015, the only finding aid to the files in the 521 Access 1982-48 partial holdings was a typewritten list with names and dates of birth, supplemented by handwritten supplements. This list included - according to the claim - the existing files and a part of the index cards of the prisoner file. The reasons for imprisonment, places of origin, running times of files and, above all, the names of the institutions in which the persons concerned were accommodated were not recorded. Targeted and combined searches, e.g. for protective prisoners whose names were not known in advance, for criminal offences typical of the time, such as decomposition of military strength, refusal to work, forbidden contact with prisoners of war or for places of origin, etc., were not possible in this way. In addition, as the processing revealed, there were unlisted files not included in the list, which were between the others. At the beginning of the development work it was planned to structure the finished finding aid according to institutions, e.g. concentration camp Kislau, workhouse Kislau etc. and within these groups according to alphabet of names. This turned out to be impossible because many prisoners were re-quartered within the Kislau camp complex or because, especially in the case of very many prisoners who were detained for a short period of time (above all detainees under deportation), these details were missing, so that it was very often not possible to make any definite allocations. Another particular difficulty was that the Kislau prisons apparently did not have their own administrations, as can be seen from the stamps, letterheads and address details in the files. In which institution someone was is not always clearly recognizable from the files themselves and would have had to be thoroughly researched and verified on the basis of the parallel transmission in the concrete individual cases (e.g. Kislauer prisoner books, files of the courts and public prosecutor's offices, reparations files). The individual index cards of the prison index have been included in the individual index. These index cards were kept from 1933 to 1938 and contain important personal data: dates of birth, places of origin, reasons for detention, places of detention etc. Often these index cards are the only remaining proof of the imprisonment of a person for political reasons in Kislau. Cards for which files could be identified during the registration work were assigned to these files and were therefore not specifically listed in order to avoid duplication of work. The accounting file, which covers the years approx. 1935-1944, was excluded from the individual indexing. This accounting file contains overviews of deposits and withdrawals of the prisoners' personal funds. The old order numbers in the file list of partial stock 521 Access 1982-48 with about 8500 numbers were retained in order to be able to dispense as far as possible with a concordance. Accordingly, the few gaps found in the sequence of numbers and individual derivatives ("a-numbers") have been preserved. On the other hand, the index cards and the unsigned files from the partial stock 521 Access 2003-57 received new order numbers, which were formed by continued counting.Karlsruhe, in December 2015Dr. Martin Stingl Literature reference: Borgstedt, Angela: Das nordbadische Kislau - Konzentrationslager, Arbeitshaus und Durchgangslager für Fremdenlegionäre, in: Wolfgang Benz/Barbara Distel (ed.): Herrschaft und Gewalt. Early Concentration Camps 1933-1939, Berlin 2001, pp. 217-229.

History of the inventor: born 8.3.1840 in Saarlouis; died 17.2.1920 in Berlin; last position: Kdr. Admiral and Chief of the Imperial OKM Processing note: Search index Inventory description: Personalia: Curriculum vitae; Patents and transport documents, 1859 - 1893; Commandments and appointments, 1871 - 1903; Acknowledgements, rebukes, instructions, complaints, 1870 - 1896; Farewell petition by Knorr and replies from Kaiser Wilhelm II, 1898 - 1899; Award and ownership documents, 1864 - 1913; 5 volumes of memoirs, 1840 - 1889; Correspondence and appointments, 1871 - 1903; Acknowledgements, rebukes, instructions, complaints, 1870 - 1899; Award and ownership documents, 1864 - 1913; 5 volumes of memoirs, 1840 - 1889; Correspondence and appointments, 1871 - 1903a. with associations and as secular third class canon of the cathedral Brandenburg/Havel; Appendix: Awards for the wife Luise Viktoria von Knorr, 1870 - 1898; Press article on naval matters, 1855 - 1915; Plans for a sanatorium ship, 1904; Letter with list about estate of the admiral E.v.Knorr, 1944 citation: BArch, N 578/...

List of Melanesian languages (used by DPW) (150-195 pieces) ,3 pages handwritten in pencil; etymologies in Melanesian languages, data from data from Codrington (e.g. 322ff), Ray (e.g. 431), Friederici, Ivens;mostly only 1 page, including table of lute development in the respective language (from theUMN or UIN), about 90 pages handwritten in pencil; Mota (after Codrington-Palmers and Ray), 1-8 Mota-Urmelanesisch, 1-26 Mota-Uraustronesich; ditto for Polynesian languages: 2 pages Rotuma, 2 Maori, 3 Mangareva; summarizing table of the Urmelanesian phonemes and their reflexes in Melanesian languages, sorted by groups: 4 languages of the Western Islands, 7 of Manus = Admiraltyinsein, 1 < Berlinhafen, Manam, 7 of Friedrich-Wilhelmshafen, 3 < French Islands, 2 < Siasi, 4 < SW-Neupommern, 10 of the Tuna-Group, New Ireland, Loyalties, New Hebrides, Solomon Islands etc.together about 75 pages handwritten; Sa'a after Ivens, 14 pages, Sa'a and Ulawa, lute development 1-10; Fidji after Hazlewood, 340 words (= etymologies?), 1-14 handwritten in pencil; Pala after Peekel, Berlin 1909, 120 words, 3 pages; others like Aneitum after Kern, 150 words; Wuvulu, Mota, etc., approx. 75 pages handwritten in pencil

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

History of the Inventory Designer: The Reichsschrifttumskammer was established with the First Ordinance on the Implementation of the Reichskulturkammergesetz of 01 November 1933 [1]. It was intended to bring together 'all those persons who, from the initial production of the poetry to commercial distribution, worked on German literature' [2]. However, this did not include newspapers and magazines which were regarded as press products and were therefore under the supervision of the Reich Press Chamber. The demarcation between the two chambers was regulated in the "Joint Announcement on the Integration Obligation of Business and Publishing Enterprises at the Reichsschrifttums- or Reichspressekammer of 4 April 1934" [3]. At the beginning, the registration of professionals working in the field of literature was limited to the Reichsverband deutscher Schriftsteller. However, this already changed on 22 December 1933 with the "Bekanntmachung über die Gliederung der Reichsschrifttumskammer" [4]. Thus existing professional associations such as the "Verband der Deutschen Volksbibliothekare E.V.", the "Verein Deutscher Bibliothekare E.V.", the "Reichsfachschaft Buchhandel im Deutschen Handlungsgehilfen-Verband" were integrated into the Reichsschrifttumskammer. Its members became members of the Chamber and were thus subject to the disciplinary power of the Chamber. In addition, new working groups were formed and various professional groups joined together in associations. These included, among others, the "German Book Communities" and the "Society of Bibliophiles". The German public libraries were to be combined by the German Community Day "in order to integrate them into the Reichsschrifttumskammer"[5]. As in all other areas of culture, membership of the Reichsschrifttumskammer was absolutely necessary in order not to be subject to a de facto ban on employment. Thus the "Order of 30 July 1934 on Proof of Membership in the Reichsschrifttumskammer"[6] ensured that the publishing and book trade enterprises were only allowed to enter into business relations with members of the RSK. In order to facilitate the implementation of that order, all members had to indicate 'in their business correspondence the membership number of their competent professional association'[7]. Violations should be punished with disciplinary action. Information on authors and translators was provided by the publishers at the request of the "Kontrollstelle des Reichsverbandes Deutscher Schriftsteller". In any case, the authors had to provide considerable personal information and expert opinions (e.g. expert opinions of the NSDAP, the Gestapo and the responsible state leadership of the RSK[8]) in order to become members. "Unreliable" authors were thus prohibited from exercising their profession by refusing membership. The rejected applicants and exclusions from the RSK were published in the Börsenblatt des Deutschen Buchhandels, in the Großdeutscher Leihbüchereiblatt and in the magazines "Der Schriftsteller" and "Der Autor". In addition to professional representation and support, the RSK had the task of maintaining a "list of harmful and undesirable literature", which appeared in print for the first time in 1936. However, the decision on book prohibitions was taken by the Reich Ministry for Popular Enlightenment and Propaganda. "The political influence of the German literature [...] is a matter of the Reich Ministry for Popular Enlightenment and Propaganda (Department VIII), which uses the Reichsschrifttumsstelle established at the Ministry to solve this task"[9] The organisational structure [10] consisted of the President, two Vice-Presidents, the former President and the Presidential Council at the management level. The first President Hans Friedrich Blunck was replaced by Hanns Johst in October 1935. Blunck received the title of "former president" and was entrusted with overseeing the Chamber's foreign relations. The office was divided into five departments: I. Central Division II. Writers' Group III. Book Trade Group IV. Book Advertising V. Librarianship VI. Address and Advertising Book Trade VII. Economic Office of the German Book Trade The regional substructure consisted of the regional managements of the chamber in the respective district. They were to be addressed with applications for admission, general requests for literature and professional matters. Notes [1]Reichsgesetzblatt 1933 I, p. 797 [2]Handbuch der Reichskulturkammer, p. 136 [3]Das Recht der Reichsschrifttumskammer, p. 21-22 [4]ibid., p. 12-17 [5]ibid., p. 14 [6]ibid., p. 37-38 [7]ibid., p. 38 [8]R 56 V/170 [9]Handbuch der Reichskulturkammer, p. 136 [10]Beschreibung nach Handbuch der Reichskulturkammer, p. 135-200 Overview of the Presidents, Vice-Presidents and Managing Directors Presidents Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Dr. Hans Friedrich Blunck (from Oct. 1935 "Old President"), 1933 - Oct. 1935 Hans Johst, Oct. 1935 - 1945 Vice Presidents Dr. Heinz Wismann, 1933 - 1937 Wilhelm Baur, 1938 - 1945 Karl Heinz Hederich, 1937 - 1938 Managing Director Prof. Dr. Dr. Hans Hederich, 1937 - 1938 Richard Suchenwirth (1st Managing Director), 1935 Günter Haupt (2nd Managing Director), 1935 Karl Heinl, 1936 - May 1937 Wilhelm Ihde, May 1937 - Dec. 1943 Günther Gentz, Jan. 1944 - 1945 Inventory description: Inventory history In contrast to the other Chambers of Culture, the file tradition in the old Koblenz inventory R 56 V (see Publication Findbuch No. 31) was quite extensive (archive numbers R 56 V/1-196). These were included in the present distortion. The material files in the "Reichsschrifttumskammer" collections of the former Berlin Document Center were sorted out, newly recorded and assigned to the holdings. The content is essentially as follows: 1.) Review and permission to publish books, booklets and publications 2.) Inclusion in the "List of harmful and undesirable literature" 3.) Differences of opinion (disputes) between writers and publishers 4.) Correspondence between the RSK Headquarters and its national management in the individual districts. Archive processing The file titles available in the Koblenz partial stock are recorded in the online find book edited by Mr. Tim Storch. The signatures assigned at that time were retained. Information on the BDC stocks is already contained in the Findbuch R 56 [11]. However, the titles listed there do not reflect the full range of files listed here. On the one hand, this was the "Review and Approval of the Publication of Books, Booklets and Publications" (R 56 V/215-827), in which the publishers only informed the RSK about new editions and publications. Secondly, the RSK included various books (mostly foreign) in the "List of harmful and undesirable literature", mostly at the suggestion of the RMVP, which was tantamount to a ban. These documents were classified in the series "Inclusion in the "List of harmful and undesirable literature" - individual cases. The specimen copies found in the files were left there and included in the note containing them. Wolfram Werner's classification, 'which was not strictly based on the administrative structure'[12], had to be extended to include 'management', since it became apparent during the recording that the disputes in the file did not fit into that scheme. According to the "Handbuch der Reichskulturkammer" (Handbook of the Reich Chamber of Culture), an arbitration board was responsible for "differences of opinion between writers on the one hand, publishers and other exploiters of literary works on the other"[13], which was attached to the Rechtsreferenten. This legal officer in turn was directly subordinated to the management of the RSK [14]. Therefore the management was subdivided into the 3 areas "Legal Officer", "Supervisor" and "Intelligence and Statistics Unit". The classification point "Rechtsreferent" was divided into the areas "Allgemeine Rechtsfragen der Kammer" (R 56V/1050) and the so-called "Schlichtungsstelle" (litigation). In order to maintain uniformity, the old classification point "Surveillance and prohibition of literature" has been moved to the point "Supervisor". For disputes between individual writers, it was again not the conciliation body in the management that was responsible, but Division II (Writers' Group), which was subdivided into "Technical, Legal and Social Support for Writers". The old classification did not correspond so stringently to these individual areas. However, the newly recorded files made this necessary. The old classification point "Individual writers, in particular membership matters" was renamed "Technical support, also membership matters". The second classification point is "Legal support". The remaining classification points of the "Writers' Group" have been retained. Notes [11]Find books on holdings of the Federal Archives, volume 31, Reichskulturkammer und ihre Einzelkammern, p. 119 [12]ibid., p. 93 [13]Handbuch der Reichskulturkammer, p. 140 [14]ibid. Citation method BArch R 56-V/... State of development: Publication index of the Reich Chamber of Culture (1987), online index (2006). Citation style: BArch, R 56-V/...

Contains: Minutes of the committee meetings and of the board. List of board members

Table of contents (pages 2-7). Conversion of the Hygiene exhibition building for the 1886 art exhibition by Fritz Wolff; planning and redesign of the building, land issues, cost estimates, invoices, inclusion of the chapel erected by Johannes Otzen, etc. 1884-1887, transfer of the chapel to the Academy by Otzen, 23 March 1887 (pp. 16, 24-29, 35, 47f., 52, 56, 59, 63, 81-84, 87, 104, 107, 110f., 113-117, 121-123, 142, 148-152, 158-160, 173-177). Consultation of the building inspector Wolff with the exhibition and building commission of the senate (Becker, Gude, Encke, Gentz, Schaper, Ende, Raschdorff, Heyden, Kayser, v. Groszheim) 1884-1886 (pp. 8-11, 26, 33f., 36). Information on the size of the building, with hanging area, 1884 (sheet 12f.). Test works because of skylight 1885 (sheets 14, 31). Use of the building for the academy exhibitions after 1886 (pp. 135, 139). Organisation of an international art exhibition in 1891 (pp. 319-322, 329).<br />maintenance of the building, accommodation of post and telecommunication stations, catalogue and lottery sales points, restaurants, etc. 1884, 1886-1888, contracts between the Royal Ministerial, Military and Building Commission and the restaurant owner Mathias Bauer, May 15, 1884, and the brewery owner Anton Dreher, March 6, 1886 (pp. 20-23, 39-46, 53-55, 57, 62, 64f..), 71-79, 85, 124, 135, 142, 144, 146f., 166f., 169f., 186, 188f., 194-197, 207, 211-215, 221-213, 226, 228, 237-246, 251-254, 257-259, 262, 265, 285, 287, 293-300, 317). Fees for fire brigade, water, opening ceremonies etc. for the art exhibitions 1886-1888 (sheets 68-70, 86, 88-90, 106, 118, 124-133, 136, 140, 196-200, 209f., 216-220, 223, 227, 281, 283). Report on a meeting of the Art Exhibition Commission (participants: Carl Becker, Hans Gude, Adolf Heyden, F. Possart, K. Eschke, Karl Friedrich Zöllner), Dec. 9, 1889: Structure of the interiors of the two long halls of the exhibition building (page 325).<br />Use of the Stadtbahnbögen for storage and exhibition preparation, as studios of the sculptors Ludwig Klinck, H. Walger, A. Mantke, Wischen and F. Lange, for storage of the plaster models of the Royal Museums and the equestrian statue of Washington of Siemering, for the photographer Ottomar Anschütz 1886-1890, with inventory list of the rooms 1886 (pp. 37f., 49-51, 60f., 153-157, 161f., 165, 171f., 178, 248, 279f., 282, 286, 289-291, 337, 374, 377f., 380f.).<br />Loan of the rooms or premises for the following exhibitions and works or to the following institutions and persons: Panorama and diorama of Pergamon and Olympia as well as of parts of West Africa and New Guinea by the architects Kyllmann and Heyden, 1884-1892 (pp. 16-18, 25, 124f., 128f., 138, 163, 318, 383), apprenticeship work of the trades 1887/88 (pp. 66f., 105, 108f., 112, 119f..), 145, 229-232, 241f.), Künstlerhalle des Vereins Berliner Künstler 1886 (pp. 80), Germania figure of the sculptor Siemering for the Leipzig Victory Monument 1886 (pp. 137), model of a fountain by Reinhold Begas 1887, 1888 (pp. 164, 187), garden party of the Berliner Verein für häusliche Gesundheitspflege 1887 (pp. 164, 187). 179), the lottery objects (with list) for the 'German Militair-Musiker-Unterstützungsfonds' 1887 (pp. 180-185), Reiterfest für die Berliner Stadtmission 1887 (pp. 190-193, 204), apparatuses for industrial accident prevention 1889 (pp. 201-203, 205f., 260f., 263, 266-280, 282, 284, 288, 290-292, 301-306, 315, 326-328, 330, 332-335, 345-350, 354f., 367-370), Association for the Promotion of Horticulture 1890 (pp. 224f., pp. 224f., pp. 266-280, 282, 284, 288, 290-292, 301-306, 326-328, 330, 332-335, 345-350, 354f., 367-370), 233f., 236, 323-325, 331, 350, 362-365, 371-373, 375f., 384-394), plans and models for inland navigation 1888 (pp. 249f., 255f.), products of the German wool industry 1891/92 (pp. 307-309), photographs by the photographischer Verein zu Berlin 1891 (pp. 310-314, 331, 352f., 359), award-winning designs of a Kaiser Wilhelm National Monument by Hildebrand, Hilgers, Schaper and Dr. Schilling 1889/90 (pp. 316, 366), for the X. century (pp. 316, 366), for the German National Museum in Berlin (pp. 366), for the German National Museum in Berlin (pp. 307-309). International Medical Congress 1890 (pp. 336, 338-344, 356-358, 360, 368, 379, 382).<br />Enth. et al: Site plan of the site at Lehrter Bahnhof with ground plan of the exhibition building, with scale, approx. 69 x 105 cm, print, 1886 (page 1). Ground plan of the annex to the main building of the Hygiene Exhibition, 1886, watercoloured pen drawing, with scale, approx. 66 x 48 cm (p. 168). Conditions for Participation in a City Telephone System', print, Jan. 1886 (pp. 54f.). Norddeutsche Brauer-Zeitung, 11th year, no. 30, May 1886, with article about the unjustified beer prices in the exhibition park (pp. 92-103). List of raffle items for the German Militair-Musiker-Unterstützungsfonds 1887, print (pp. 182-185). Application form and 'Conditions of the international medical-scientific exhibition in Berlin' of the X. International Medical Congress 1890, prints (pp. 357f.).<br />Protocols of the sessions of the Senate, Section for the Fine Arts (participants: Carl Becker, Julius Schrader, Albert Wolff, Hans Gude, Ernst Ewald, Eduard Dobbert, Karl Friedrich Zöllner, Meyer, Jordan, Adolph Menzel, Ludwig Knaus, Wilhelm Gentz, Rudolf Siemering, Adolf Heyden, Friedrich Geselschap, Otto Knille, Erdmann Encke, Johannes Otzen, Julius Raschdorff, Wilhelm Amberg, Otto Polenz, Alexander Calandrelli, Franz Schwechten):<br />10. Oct. 1888: Implementation of the academy exhibition 1889 despite 'Deutscher Allgemeiner Ausstellung für Unfallverhütung' (excerpt; pp. 267).<br />13 Oct. 1888: academy exhibition and exhibition for accident prevention 1889, necessity of an own art exhibition building (excerpt; pp. 268f.).

Contains among other things: List of non-Aryans in the FAD of Sept. 1935; student bodies of the TH Berlin, Wirtschaftshochschule Berlin, Hochschule für Lehrerbildung Berlin, Universität Berlin, Staatliche Akademie Braunsberg, TH Braunschweig, Universität Breslau, Universität Danzig, TH Danzig, TH Darmstadt, Kunstakademie Düsseldorf, Medizinische Akademie Düsseldorf, Hochschule für Lehrerbildung Frankfurt (Oder), Universität Göttingen, Universität Greifswald, Universität Hamburg, Tierärztliche Hochschule Hannover, Universität Heidelberg, Hochschule für bildende Künste Karlsruhe, Universität Köln, Hochschule für Lehrerbildung Lauenburg i. Pom., University of Leipzig, State Conservatory of Leipzig, TH Munich, University of Munich, University of Music Munich, University of Münster, University of Economics and Social Sciences Nuremberg, Philosophical-Theological University Regensburg, University of Rostock, University of Music Stuttgart, University of Tübingen, German Colonial College Witzenhausen