Table of contents (pages 2-7). Conversion of the Hygiene exhibition building for the 1886 art exhibition by Fritz Wolff; planning and redesign of the building, land issues, cost estimates, invoices, inclusion of the chapel erected by Johannes Otzen, etc. 1884-1887, transfer of the chapel to the Academy by Otzen, 23 March 1887 (pp. 16, 24-29, 35, 47f., 52, 56, 59, 63, 81-84, 87, 104, 107, 110f., 113-117, 121-123, 142, 148-152, 158-160, 173-177). Consultation of the building inspector Wolff with the exhibition and building commission of the senate (Becker, Gude, Encke, Gentz, Schaper, Ende, Raschdorff, Heyden, Kayser, v. Groszheim) 1884-1886 (pp. 8-11, 26, 33f., 36). Information on the size of the building, with hanging area, 1884 (sheet 12f.). Test works because of skylight 1885 (sheets 14, 31). Use of the building for the academy exhibitions after 1886 (pp. 135, 139). Organisation of an international art exhibition in 1891 (pp. 319-322, 329).<br />maintenance of the building, accommodation of post and telecommunication stations, catalogue and lottery sales points, restaurants, etc. 1884, 1886-1888, contracts between the Royal Ministerial, Military and Building Commission and the restaurant owner Mathias Bauer, May 15, 1884, and the brewery owner Anton Dreher, March 6, 1886 (pp. 20-23, 39-46, 53-55, 57, 62, 64f..), 71-79, 85, 124, 135, 142, 144, 146f., 166f., 169f., 186, 188f., 194-197, 207, 211-215, 221-213, 226, 228, 237-246, 251-254, 257-259, 262, 265, 285, 287, 293-300, 317). Fees for fire brigade, water, opening ceremonies etc. for the art exhibitions 1886-1888 (sheets 68-70, 86, 88-90, 106, 118, 124-133, 136, 140, 196-200, 209f., 216-220, 223, 227, 281, 283). Report on a meeting of the Art Exhibition Commission (participants: Carl Becker, Hans Gude, Adolf Heyden, F. Possart, K. Eschke, Karl Friedrich Zöllner), Dec. 9, 1889: Structure of the interiors of the two long halls of the exhibition building (page 325).<br />Use of the Stadtbahnbögen for storage and exhibition preparation, as studios of the sculptors Ludwig Klinck, H. Walger, A. Mantke, Wischen and F. Lange, for storage of the plaster models of the Royal Museums and the equestrian statue of Washington of Siemering, for the photographer Ottomar Anschütz 1886-1890, with inventory list of the rooms 1886 (pp. 37f., 49-51, 60f., 153-157, 161f., 165, 171f., 178, 248, 279f., 282, 286, 289-291, 337, 374, 377f., 380f.).<br />Loan of the rooms or premises for the following exhibitions and works or to the following institutions and persons: Panorama and diorama of Pergamon and Olympia as well as of parts of West Africa and New Guinea by the architects Kyllmann and Heyden, 1884-1892 (pp. 16-18, 25, 124f., 128f., 138, 163, 318, 383), apprenticeship work of the trades 1887/88 (pp. 66f., 105, 108f., 112, 119f..), 145, 229-232, 241f.), Künstlerhalle des Vereins Berliner Künstler 1886 (pp. 80), Germania figure of the sculptor Siemering for the Leipzig Victory Monument 1886 (pp. 137), model of a fountain by Reinhold Begas 1887, 1888 (pp. 164, 187), garden party of the Berliner Verein für häusliche Gesundheitspflege 1887 (pp. 164, 187). 179), the lottery objects (with list) for the 'German Militair-Musiker-Unterstützungsfonds' 1887 (pp. 180-185), Reiterfest für die Berliner Stadtmission 1887 (pp. 190-193, 204), apparatuses for industrial accident prevention 1889 (pp. 201-203, 205f., 260f., 263, 266-280, 282, 284, 288, 290-292, 301-306, 315, 326-328, 330, 332-335, 345-350, 354f., 367-370), Association for the Promotion of Horticulture 1890 (pp. 224f., pp. 224f., pp. 266-280, 282, 284, 288, 290-292, 301-306, 326-328, 330, 332-335, 345-350, 354f., 367-370), 233f., 236, 323-325, 331, 350, 362-365, 371-373, 375f., 384-394), plans and models for inland navigation 1888 (pp. 249f., 255f.), products of the German wool industry 1891/92 (pp. 307-309), photographs by the photographischer Verein zu Berlin 1891 (pp. 310-314, 331, 352f., 359), award-winning designs of a Kaiser Wilhelm National Monument by Hildebrand, Hilgers, Schaper and Dr. Schilling 1889/90 (pp. 316, 366), for the X. century (pp. 316, 366), for the German National Museum in Berlin (pp. 366), for the German National Museum in Berlin (pp. 307-309). International Medical Congress 1890 (pp. 336, 338-344, 356-358, 360, 368, 379, 382).<br />Enth. et al: Site plan of the site at Lehrter Bahnhof with ground plan of the exhibition building, with scale, approx. 69 x 105 cm, print, 1886 (page 1). Ground plan of the annex to the main building of the Hygiene Exhibition, 1886, watercoloured pen drawing, with scale, approx. 66 x 48 cm (p. 168). Conditions for Participation in a City Telephone System', print, Jan. 1886 (pp. 54f.). Norddeutsche Brauer-Zeitung, 11th year, no. 30, May 1886, with article about the unjustified beer prices in the exhibition park (pp. 92-103). List of raffle items for the German Militair-Musiker-Unterstützungsfonds 1887, print (pp. 182-185). Application form and 'Conditions of the international medical-scientific exhibition in Berlin' of the X. International Medical Congress 1890, prints (pp. 357f.).<br />Protocols of the sessions of the Senate, Section for the Fine Arts (participants: Carl Becker, Julius Schrader, Albert Wolff, Hans Gude, Ernst Ewald, Eduard Dobbert, Karl Friedrich Zöllner, Meyer, Jordan, Adolph Menzel, Ludwig Knaus, Wilhelm Gentz, Rudolf Siemering, Adolf Heyden, Friedrich Geselschap, Otto Knille, Erdmann Encke, Johannes Otzen, Julius Raschdorff, Wilhelm Amberg, Otto Polenz, Alexander Calandrelli, Franz Schwechten):<br />10. Oct. 1888: Implementation of the academy exhibition 1889 despite 'Deutscher Allgemeiner Ausstellung für Unfallverhütung' (excerpt; pp. 267).<br />13 Oct. 1888: academy exhibition and exhibition for accident prevention 1889, necessity of an own art exhibition building (excerpt; pp. 268f.).

Contains also: Minutes of the company against Hendrik Witbooi, Fragment, Sept. 30, 1905 Sketch by Waterberg, Aug. 5, 1904

Tradition: Donation by Mrs. Maria Fink from Ettlingen to the General State Archive Karlsruhe in 2014. Adaptation: The collection comprises 255 propaganda photographs from the years 1917 and 1918, probably from the Bild- und Filmamt (Bufa), which was founded by the Supreme Army Command at the beginning of 1917. The undated photos were arranged in chronological order according to the photo and serial numbers as well as the image content. The exact chronological classification is difficult because it is often unclear in which context the picture was created and exactly when it was presented to the public. The pictures were probably used in the context of a "newsreel" or a "documentary film" as a poster photo. For the use of the cinematograph see also picture no. 10. Content: The German military successes of the years 1917 and 1918 occupy special space: the breakthrough in Eastern Galicia, the 12th Battle of Isonzo, the peace negotiations in Brest-Litowsk and the spring offensive in 1918 in the West (Operation Michael). Also spectacular individual acts like the return of the auxiliary cruiser "Wolf" to Kiel in February 1918 are mentioned. A personnel focus is placed on reporting on the emperor as well as Hindenburg and Ludendorff. In addition to pictures of the economic efforts on the home front, ethnologically seeming depictions of the Balkans, Turkey, Ukraine and Georgia, but also of the lost German colonies, appear. There are also calls for the drawing of the 8th and 9th War Bonds. Grand Duke Friedrich II of Baden appears at the welcoming of exchange prisoners in Constance (no. 196), Prince Max of Baden on the occasion of his appointment as Reich Chancellor in October 1918 (no. 255).

Contains: Sketch: Joachim Graf von Pfeil's Itinerary from Tangier to Fes 1897

Duration: 1874-2010 Scope: approx. 6000 (as of 2012) Find aids: initial letters A-R in HEUSS (object type: photo) Collection of postcards, postcards and greeting cards with reference to Heilbronn and its surroundings. The main focus of the motifs is on the cityscape, next to it there are maps of people, events and companies in Heilbronn, for example for advertising purposes. The maps are arranged according to motifs in folders. The stock is constantly being expanded through acquisitions and foundations. At present, the postcards are gradually being digitised by a volunteer and individually indexed in HEUSS. As of November 2012, a total of 3936 postcards are recorded. Of these, 771 postcards are freely available on the Internet. For copyright reasons, the others can only be researched digitally in the reading room of the Stadtarchiv. The digitisation and indexing follows the original sorting of the postcard folders "alphabetically by motif". The list below gives an overview of the folders of postcards already entered in HEUSS. In the case of HEUSS, the original title of the postcard, if available, is included in the "Title" field (if it consists of several words, in quotation marks, e.g. "Kaiserstraße und Marktplatz"). The word "Heilbronn" is left out of the rule. Essential image content that is not printed in the original caption is added in the title field. In the HEUSS field "Author" the producing publisher is indicated, as far as known, in some cases supplemented by further authors (photographer, draughtsman). A small part of the collected postcards could not be purchased in the original. The field "Remark" contains the information "Repro" (often supplemented by the internal repro number). With the exception of the field "Ad spec", the object-type-specific fields have not yet been filled in, or have only been filled in as a whole. The entries in the "Ad spec" field for this stock are identical to those in the title field. To order an original postcard in the reading room, the entire signature (as shown in the HEUSS field "Signature") must be entered. Overview of the postcard folders in alphabetical order, followed in brackets by the respective folder number (August2012): Adlerbrauerei (M_1008) Adolf-Hitler-Haus (M_0001) Albrecht, Heinrich Weinwirtschaft (M_0002) Alexanderstraße (M_1043) Allee vor 1944 (M_0003) Allee nach 1945(M_0004) Allinger, Pension 1909 (M_0005) Allerheiligenstraße (M_0006) Alte Gasse vor 1944 (M_0007) Alte Stadtmauer vor 1944 (M_0008) Alter Friedhof vor 1944 (M_0009) AltersheimBadstraße (M_0010) Alt Heilbronn (M_0011) Am Wollhaus (M_0012) Postcard set Maring- (M_0006) Old town wall before 1944 (M_0008) Old cemetery before 1944 (M_0009) Old people's homeBadstraße (M_0010) Alt Heilbronn (M_0011) Am Wollhaus (M_0012) Postcard set Maring- (M_0012)Nadler (M_1044) AOK Erholungsheim Frauenalb before 1945 (M_0013) AOK allgemeineOrtskrankenkasse ca. 1929 (M_0014) AOK general local health insurance before 1944 (M_0015) Aukirche, evang.., Austraße 2 vor 1944 (M_0016) AWO-Waldheim (M_1005) Backhaus vor 1944(M_0017) Badstraße (M_0018) Bahnhofstraße vor 1945 (M_0019) Bahnhofstraße ab 1945 (M_0020) Bahnhofvorplatz col vor 1945 (M_0139) Bahnhofvorplatz schwarz-weiß vor 1945 (M_0140) Bahnhofvorplatz nach 1945 (M_0141) Firma Bantel, Hermann (M_1001) Bergstraße (M_1022) Berliner Platz after 1944 (M_0021) Besenwirtschaft (M_0022) Biedermanngasse (M_0023) Bismarck monument color before 1945 (M_0024) Bismarck monument black and white before 1945 (M_0025) Bismarck monument after 1944 (M_0026) Bismarckstraße before 1944 (M_0027) Braille before 1944 (M_0028) Böhringer, Hermann, Restaurant (M_1011) Bollwerksturm vor 1945 (M_0029) Bollwerksturm nach 1945 (M_0030) Botanischer Obstgarten (M_1002) Brenner-Schilling,Postkartenserien (M_0366) Bühnenball, First Heilbronn (M_0149) Central-Hotel (M_0033) CGH Heilbronn after 1945 (M_0034) Christuskirche 1965 (M_0035) Cluss Brewery (M_0036) Dachstein Victim of 1954 (M_0037) Dam School, Dammstraße 14 before 1944 (M_0038) Steamship "Heilbronn" (M_0039) Steam locomotive (M_0040) Demonstrations (M_0041) DeutscherAlpenverein (M_0042) Deutschhof, smaller: Detail oriel black and white before 1945 (M_0043) Deutschhof with Peter and Paul black and white before 1945 (M_0044) Deutschhof photo color before 1945(M_0045) Deutschhof drawings before 1945 (M_0046) Deutschhof, smaller: gable complete photos black and white before 1945 (M_0047) Deutschhof general Photos black-and-white before 1945(M_0048) Deutschhof after 1945 (M_0049) Deutschhofstraße before 1945 (M_0050) Deutscher Weinbaukongress HN after 1945 (M_0051) Third Reich (M_0052) EHO - EhemaligeHeuss-Oberschüler, Vereinigung (M_1014) Eisenhart (M_0053) Eisener Steg color beim Götzenturm (M_0054) Eiserner Steg schwarz-weiß beim Götzenturm (M_0055) Elser, Company, Fabrikation(M_0056) Events, various (M_1015) First World War (M_1016) Protestant social congress before 1945 (M_0057) Falken-Hotel before 1945 (M_0058) Family photos (M_1025) Fegert-Hotel Roßkampffstraße 15-17 (M_0059) Field postcard before 1945 (M_0060) Fire department before 1944 (M_0061) Feyerabendstraße before 1945 (M_0062) Fischergasse before 1945 (M_0063) Flammer, Company (M_1010) Flammer residential house before 1945 (M_0064) Fleiner Strasse before 1945 (M_0065) Fleiner Strasse after 1945 (M_0066) Fleinertor fountain before 1945 (M_0067) Fleinertor fountain since 1945 (M_0068) Airplanes (M_1020) Frankfurterstraße (M_1009) Women's work school Lohtorstraße 36 before 1944 (M_0070) Open-air swimming pool at Gesundbrunnen (M_0071) Open-air theatre (M_1004) Frey, C.F., Yarn, short and long Wollwaren-Großhandel (M_0072) Friedenskirche color vor 1945 (M_0073) Friedenskirche schwarz-weiß hoch vor 1945 (M_0074) Friedenskirche schwarz-weiß quer vor 1945 (M_0075) Friedenskirche nach 1944 (M_0076) Friedensstraße vor 1944 (M_0077) Friedhof-Crematorium Wollhausstraße 134(M_0078) Friedhofstraße (M_0080) Friedrich-Ebert bridge after 1945 (M_0079) Füsilierregiment (M_0081) Gaffenberg (M_0082) Zum Gaffenberg, Café(M_1003) Gartenbau-Ausstellung Harmonie, Harmoniegarten 1926 (M_0083) Gartenstraße (M_0084) Gasfabrik (M_1023) Gastwirtschaft Stadtmauer (M_0085) GemeinnützigeSiedlungsgenossenschaft vor 1945 (M_0086) Gesamtansichten (GA): GA aerial photos before 1945 (M_0087) GA color before 1945 (M_0088) GA black and white with bastion tower before 1945 (M_0089) GA col with bastion tower before 1945 (M_0090) GA black and white with Deutschordenskirche, Kilianskirche vor 1945 (M_0091) GA black and white with Friedenskirche vor 1945 (M_0092) GA colmit Götzenturm vor 1899 (M_0093) GA black and white with Götzenturm vor 1899 (M_0094) GA col with Götzenturm von 1899-1932 (M_0095) GA black and white with Götzenturm von 1899-1932 (M_0096) GAschwarz-weiß Götzenturm, Neckarbrücke 1899-1932 (M_0097) GA col with Götzenturm 1932-1944 (M_0098) GA black and white with Götzenturm 1932-1944 (M_0099) GA black and white Hafenmarktturm, Wartbergvor 1945 (M_0100) GA black and white Neckarbrücke, Kilianskirche vor 1945 (M_0101) GA black-white from east to west before 1945 (M_0102) GA black-white from Wartberg before 1945 (M_0103) GA col after 1945 (M_0104) GA black-white after 1945 (M_0105) GA col Aerial photographs after 1945 (M_0106) GA black-white Aerial photographs with Neckar after 1945 (M_0107) GAschwarz-white aerial photo without Neckar after 1945 (M_0108) Geognostische Triaspyramide im Hof der Dammschule vor 1945 (M_0109) Gesangverein Hoffnung vor 1945 (M_0110) Gewerbekasse vor 1945 (M_0111) Gewerbeschule Paulinenstraße nach 1945 (M_0112) Goethestraße (M_0113) Götzenturm col with construction 1899-1932 (M_0114) Götzenturm schwarz-white with superstructure transverse 1899-1932(M_0115) Götzenturm black-white with superstructure high 1899-1932 (M_0116) Götzenturm col without superstructure before 1945 (M_0117) Götzenturm black-white without superstructure transverse before 1945 (M_0118) Götzenturmschwarz-white without construction high before 1945 (M_0119) Götzenturm color after 1945 (M_0120) Götzenturm black-white after 1945 (M_0121) Götzenturm Götzenturmstraße before 1945 (M_0122) GroßeBahngasse vor 1944 (M_0123) Greeting cards (M_0124) Gustav-Adolf-Fest (M_0125) Gutbrod-Frauenklinik vor 1945 (M_0126) Zum Gutenberg, Gaststätte (M_1012) Haberkasten, Gaststätte(M_0127) Hafen - Kanalhafen vor 1945 (M_0128) Hafen - Kanalhafen color nach 1945 (M_0129) Hafen - Kanalhafen schwarz-weiß nach 1945 (M_0130) Hafen - Wilhelmskanal und Winterhafen vor1945 (M_0131) Hafenmarkt vor 1945 (M_0132) Hafenmarktturm vor 1945 (M_0133) Hafenmarktturm nach 1945 (M_0134) Hagen, Coffee house (M_0135) Harmonie vor 1945 (M_0136) Harmoniecolor nach 1945 (M_0137) Harmonie schwarz-weiß nach 1945 (M_0138) Hauptbahnhof color vor 1945 (M_0142) Hauptbahnhof schwarz-weiß vor 1945 (M_0143) Hauptbahnhof 1945-1957(M_0144) Hauptbahnhof color nach 1957 (M_0145) Hauptbahnhof schwarz-weiß nach 1957 (M_0146) Hauptzollamt, royalty (M_0147) Haus des Handwerks (M_1019) Hauswirtschaftliches Seminar vor1944 (M_0148) Hefenweiler(M_0344) Heilbronner Bühnenball (M_0149) Heilbronner Frühlingsfest vor 1944 (M_0150) Heilbronner Gewerbe-, industrial and art exhibition 1897(M_0151) Heilbronner Glücksorgel Gerhard Heinzel (M_0152) Heilbronner Herbst vor 1945 (M_0153) Heilbronner Madonna (M_0155) Heilbronner Stimme (M_0156) Hostel to the homeland(M_1007) Historisches Museum Kramstraße 10 vor 1945 (M_0157) Historisches Museum Kramstraße 1 nach 1945 (M_0158) Höhere Mädchenschule Gartenstraße (M_0159) Hohe Straße(M_0160) Weinstube Wilhelm Holl (M_1006) Horten-Department store Fleinerstraße (M_0161) Hospice Jugendheim Klarastraße 19 (M_0162) Innere Rosenbergstraße before 1945 (M_0163) Inselhotelcolor (M_0164) Inselhotel black and white after 1945 (M_0165) Jägerhaus color before 1945 (M_0166) Jägerhaus black and whitewhite before 1945 (M_0167) Jägerhaus color after 1945(M_0168) Jägerhaus black-white after 1945 (M_0169) Jägerhausstraße (M_1026) Restaurant Jakobsbrunnen after 1945 (M_0170) Jakobsgasse before 1945 (M_0171) Johannisgasse Photo before 1945 (M_0172) Johannisgasse Drawing before 1945 (M_0173) Youth Hostel Schirrmannstraße (M_0174) Youth Hostel Schützenstraße 16 (M_0175) Jugendkunstschule (M_1041) Jugendwehr(M_1013) Käferflug vor 1945 (M_0176) Käthchen vor 1945 (M_0177) Käthchen nach 1945 (M_0178) Käthchen mit Käthchenhaus color vor 1945 (M_0179) Käthchen mit Käthchenhausschwarz-white before 1945 (M_0180) Käthchen with town hall before 1945 (M_0181) Käthchen with town view before 1945 (M_0182) to Käthchen, Restaurant (M_0183) Käthchendenkmal / Käthchenbrunnennach 1945 (M_0184) Käthchenfestspiele 1929 (M_0185) Käthchenhaus and Kaiserstraße color vor 1945 (M_0186) Käthchenhaus hoch schwarz-weiß vor 1945 (M_0187) Käthchenhaus querschwarz-weiß vor 1945 (M_0188) Käthchenhaus nach 1945 (M_0189) Käthchenhochzeitszug (M_0190) zum Kaiser Friedrich, Gasthof (M_0191) Kaiser-Otto (M_0192) Kaiserhof(M_0193) Kaisersheimer Hof before 1945 (M_0194) Kaiser-Friedrich monument before 1945 (M_0195) Kaiser-Wilhelm monument (M_0196) Kaiser-Wilhelm-Platz (M_0197) Kaiserstraße, lower, color,before 1945 (M_0198) Kaiserstraße, lower, black and white before 1945 (M_0199) Kaiserstraße, middle, before 1944 (M_0200) Kaiserstraße, middle, with Käthchenhaus, before 1944 (M_0201) Kaiserstraße, upper, from east to west, before 1944 (M_0202) Kaiserstrasse after 1945 (M_0203) Karlsgymnasium before 1945 (M_0204) Karlstor-Stop before 1945 (M_0205) Karlstrasse before 1945 (M_0206) Karmeliterstrasse before 1945 (M_0207) Katharinenstift, städt. Alten- und Pflegeheim (M_0208) Katholisches Vereinsheim Schöntalerhof(M_0209) Department store Merkur after 1945 (M_0210) Kegelclub Heilbronn (M_0211) Kilianshallen vor 1944 (M_0212) Kilianskirche, exterior views: Kilianskirche, exterior view before 1906, from northeast (M_0213) Kilianskirche, exterior view before 1906, from northwest color high with Robert Mayer monument (M_0214) Kilianskirche, exterior view before 1906, from northwest color high without Robert Mayer monument (M_0215) Kilianskirche, exterior view before 1906, from northwest color transverse (M_0216) Kilianskirche, exterior view before 1906, from northwest black and white high with Robert Mayer monument (M_0217) Kilianskirche, exterior view before 1906, from northwest black and white high without Robert Mayer monument (M_0218) Kilianskirche, exterior view before 1906, from northwest black and white transverse (M_0219) Kilianskirche, exterior view before 1906, from southwest (M_0220) Kilianskirche, exterior view 1906 to 1944, from northeast (M_0221) Kilianskirche, exterior view 1906 to 1944, from northwest color high with Robert Mayer monument (M_0222) Kilianskirche, Exterior view 1906 to 1944, from northwest color high without Robert-Mayer monument (M_0223) Kilianskirche,exterior view 1906 to 1944, from northwest color crosswise (M_0224) Kilianskirche, exterior view 1906 to 1944, from northwest black and white high with Robert-Mayer monument (M_0225) Kilianskirche,Exterior view 1906 to 1944, from northwest black and white high without Robert Mayer monument (M_0226) Kilianskirche, exterior view 1906 to 1944, from northwest black and white transverse (M_0227) Kilianskirche, exterior view 1906 to 1944, from east (M_0228) Kilianskirche, Exterior view 1906 to 1944, from southeast high (M_0229) Kilianskirche, exterior view 1906 to 1944, from southeast transverse (M_0230) Kilianskirche, exterior view 1906 to 1944, from southwest high (M_0231) Kilianskirche, exterior view 1906 to 1944, from southwest transverse (M_0232) Kilianskirche,Exterior view 1945 to 1953, destruction (M_0233) Kilianskirche, exterior view from 1954, from northwest high color (M_0234) Kilianskirche, exterior view from 1954, from northwest high black and white (M_0235) Kilianskirche, exterior view from 1954, from northwest transverse (M_0236) Kilianskirche, Exterior view from 1954, from southwest (M_0237) Kiliansturm, exterior view before 1945(M_0238) Kiliansturm, exterior view after 1945 (M_0239) Kiliansmännle (M_0240) Kilianskirche, portals (M_0241) Kilianskirche, bells (M_0242) Kilianskirche, interior views: Kilianskirche, window (M_1032) Kilianskirche, interior views before 1945 (M_0243) Kilianskirche, interior views after 1945 (M_0244) Kilianskirche, high altar general view (M_0245) Kilianskirche, high altar Predella (M_0246) Kilianskirche, high altar partial view: side wing (M_0247) Kilianskirche, high altar shrine (M_0248) Kilianskirche, high altar blast (M_0249) Kilianskirche, pulpit (M_0250) Kilianskirche, St. Kilian, figure (M_0251) Kilianskirche, organ gallery with organ (M_0252) Kilianskirche, Taufstein(M_1033) View from the Kilianskirche (M_0253) Kiliansplatz color vor 1945 (M_0254) Kiliansplatz schwarz-weiß vor 1945 (M_0255) Kiliansplatz nach 1945 (M_0256) Kinderfest vor1945 (M_0257) Kirchbrunnen vor 1945 (M_0258) Kirchbrunnen nach 1945 (M_0259) Kirchbrunnenstraße color vor 1945 (M_0260) Kirchbrunnenstraße vor 1945 (M_0260) Kirchbrunnenstraße color vor 1945 (M_0256) Kinderfest vor1945 (M_0257) Kirchbrunnen vor 1945 (M_0258) Kirchbrunnen nach 1945 (M_0259) Kirchbrunnenstraße vor 1945 (M_0260) Kirchbrunnenstraße color vor 1945 (M_258)white before 1945(M_0261) Kirchbrunnenstraße black-white drawing before 1945 (M_0262) Kirchbrunnenstraße after 1945 (M_0263) Kirchhöfle (M_0264) Klarastraße vor 1945 (M_0265) Kleine Bahngasse vor1945 (M_0266) Kleine Metzgergasse (M_0267) Klinik-Clowns (M_0268) Klostergasse vor 1945 (M_0269) Knorr, Company (M_0270) Kochschule Heilbronn (M_0271) Köpferbrunnen (M_0272) Köpfersee (M_0273) Kramstraße (M_1038) Hospital, municipal hospital, city of Heilbronn (M_0271), am Gesundbrunnen (M_0274) Hospital, municipal, Jägerhausstraße (M_0275) Hospital, municipal, municipal, M_0275 Paulinenstraße vor1945 (M_0276) Kreissparkasse Exhibitions (M_0277) War Memorial at Kaiser-Wilhelm-Platz (M_0278) Hotel Kronprinz (M_0279) Künstlerbund (M_1018) Kulturwerkhaus Zigarrenfabrik(M_0280) Lachmann, Johann, exhibition (M_0281) Landauer, department store (M_0282) Landauer and Macholl (M_0283) Landesausstellung (M_1034) Landesgartenschau 1985(M_0284) Landesturnfest, Swabian (M_0285) Landstorm Battalion Heilbronn (M_0286) Landwehr-Infanterie-Regiment (M_0287) Lazarett (M_0288) Lehrerseminar, color, vor 1945(M_0289) Lehrerseminar, sw, vor 1945 (M_0290) Zum Lerchenberg, Restaurant (M_0291) Lerchenstraße (M_0292) Lessingstraße (M_0293) Licht-Luft-Bad (M_0294) Liederkranzhaus (M_0295) Lohtorstraße (M_0296) Ludendorff-Kaserne (M_0297) Majoretten (M_0298) Maria von den Nesseln (M_0299) Marine- und Colonialausstellung (M_1037) Marineverein(M_0300) Marktplatz, color, before 1945 (M_0301) Marktplatz mit Kilianskirche, color, before 1945 (M_0302) Marktplatz und Käthchenhaus und Rathaus mit Markt, sw, before 1945 (M_0303) Marktplatz und Käthchenhaus und Rathaus ohne Markt, sw, before 1945 (M_0304) Marktplatz mit Kilianskirche, sw, before 1945 (M_0305) Marktplatz Ostseite mit Rathaus, sw, before 1945 (M_0306) MarktplatzWestside with town hall with market, b/w, before 1945 (M_0307) Marktplatz Westside with town hall without market, b/w, before 1945 (M_0308) Marktplatz Zeichnung, b/w, before 1945 (M_0309) Marktplatz, color, ab1953 (M_0310) Marktplatz, b/w, ab 1953 (M_0311) Martin-Luther-Kirche (evangelisch), Beethovenstraße 17 (M_0312) Mehrbildkarten (alter Betreff...) "(Collective Views): Multi-image maps before 1945: Multiimage cards, color, 2 motives, before 1945 (M_0440) Multiimage cards, color, 3 motives, before 1945 (M_0441) Multiimage cards, color, 4 motives, before 1945 (M_0442) Multiimage cards, color, 5 and more motives, before 1945 (M_0443) Multiimage cards, black and white, 2 motives, before 1945 (M_0444) Multiimage cards, black and white, 3 motifs, before 1945 (M_0445) multi-picture cards, black and white, 4 motifs, before 1945 (M_0446) multi-picture cards, black and white, 5 motifs, before 1945 (M_0447) multi-picture cards, black and white, 6 motifs, before 1945 (M_0448) multi-picture cards, black and white, 7 and more motifs, before 1945 (M_0449) multi-picture cards, after 1945: Multi-image cards, color, 2 motives, after 1945 (M_0450) Multi-image cards, color, 3 motives, after 1945 (M_0451) Multi-image cards, color, 4 motives, after 1945 (M_0452) Multi-image cards, color, 5 motives, after 1945 (M_0453) Multi-image cards, color, 6 motives, after 1945 (M_0454) Multi-image cards, color, 7 and more motives, after 1945 (M_0455) Multi-image cards, black-and-white, 2-3 motifs, after 1945 (M_0456) multi-picture cards, black-and-white, 4 motifs, after 1945 (M_0457) multi-picture cards, black-and-white, 5 motifs, after 1945 (M_0458) multi-picture cards, black-and-white, 6 motifs, after 1945 (M_0459) multi-picture cards, black-and-white, 7 and more motifs, after 1945 (M_0460) multi-picture cards with small box: Multiimage cards with kethchen, color, before 1945 (M_0461) Multiimage cards with kethchen, black and white, before 1945 (M_0462) Multiimage cards with kethchen, color, after 1945 (M_0463) Multiimage cards with kethchen,black and white, after 1945 (M_0464) military association (M_0313) Mönchseestraße (M_0314) Moltkekaserne, color (M_0315) Moltkekaserne, sw (M_0316) Moltkestraße (M_0317) CaféMorlock, Kaiserstraße 31 (M_0318) Mosergasse (M_0319) Music bands and clubs (M_1031) Nachtgewandt, series (M_1017) Nägelingasse (M_0320) Naturfreunde (M_0321) Neckarohne Schiffe, color, before 1945 (M_0322) Neckar without ships (M_0322), sw, before 1945 (M_0323) Neckar, drawings, before 1945 (M_0324) Neckar after 1945 (M_0325) Neckar, flood, before 1945 (M_0326) Neckar with ships, color, before 1945 (M_0327) Neckar with ships, sw, before 1945 (M_0328) Neckar with ships after 1945 (M_0329) Neckar frozen before 1945 (M_0330) Neckar bridge from north, color, before 1945 (M_0331) Neckar bridge from north, sw, before 1945 (M_0332) Neckar bridge from southeast, color, before 1945 (M_0333) Neckarbrücke from southeast, sw, before 1945 (M_0334) Neckarbrücke from southwest, with Bismarck monument, color, before 1945 (M_0335) Neckarbrücke from southwest, without Bismarck monument, color, before 1945 (M_0336) Neckar bridge from southwest with Bismarck monument, black, before 1945 (M_0337) Neckar bridge from southwest, without Bismarck monument, black, before 1905 (M_0338) Neckar bridge from southwest, without bismackdenkmal, black, 1905 to 1945(M_0339) Neckarbrücke from west, color, before 1945 (M_0340) Neckarbrücke from west, black, before 1945 (M_0341) Neckarecho (M_0342) Neckarhalde, urban. Outdoor swimming pool (M_0343) NeckarsulmerStraße (M_0345) Nicolaikirche, ev, Sülmerstraße 72 (M_0346) Nordbergstraße (M_1027) NSU (M_0347) Obere Neckarstraße, color, before 1945 (M_0348) Obere Neckarstraße, sw, before 1945 (M_0349) Obere Neckarstraße, after 1945 (M_0350) Olgastraße (M_1035) Olympic Exhibition (M_0351) Oststraße (M_0352) Paradiesgasse (M_0353) Passagencafé(M_0354) Paulinenstraße (M_0355) Pauluskirche, Methodist congregation (M_0356) Pfühlstraße (M_1024) Philatelist Association (M_1039) Pilsner-Bierstube (M_0370) Gasthof zur Post(M_0357) Postamt Allee (M_0358) Postamt Bahnhofstraße (M_0359) Postamt Kaiserstraße 2 (M_0360) Postkarten bis 1889 (M_1028) Postkarten 1890 bis 1899 (M_1029) Postkarten 1900bis 1945 (M_0361) Postkarten nach 1945 (M_0362) Postkartenserien: Leporellos (M_0363) postcard series: Pen drawings of H (M_0364) postcard series: Gauss-Verlag(M_1045) postcard series: Karl Schüler (M_0365) Postcard series: Published by C. Brenner-Schilling before 1945 (M_0366) Postcard series: P. Härle (M_0367) Postcard series:Gebrüder-Metz-Verlag vor 1945 (M_0368) Postcard series: Fritz-Seel-Verlag (M_0369) Postcards from Foto-Mangold (only outside Heilbronn and surroundings) (M_1021) Priesterwaldkaserne(M_0371) Rathaus, outside views before 1945: Town hall, outside views before 1945, photo b/w, portrait, from southeast (M_0373) Town hall, outside views before 1945, photo b/w, portrait, from southwest (M_0374) Town hall, outside views before 1945, photo b/w, landscape, frontal view, empty market place (M_0375) Town hall, outside views before 1945, Photo b/w, landscape, frontal view, withcars (M_0376) Rathaus, outside views before 1945, photo b/w, landscape, frontal view, with weekly market (M_0377) Rathaus, outside views before 1945, photo b/w, landscape, from southeast, until 1905(M_0378) Rathaus, outside views before 1945, Photo sw, landscape format, from southeast, 1905-1944, empty market place, with Robert-Mayer monument (M_0379) town hall, outside views before 1945, photo sw, landscape format, from southeast, 1905-1944, empty market place, without Robert-Mayer monument (M_0380) town hall, outside views before 1945, Photo sw, landscape format, from southeast, 1905-1944, with cars, with Robert Mayer monument (M_0381) Rathaus, exterior views before 1945, photo sw, landscape format, from southeast, 1905-1944, with cars, without Robert Mayer monument (M_0382) Rathaus, exterior views before 1945, photo sw, landscape format, from southeast, 1905-1944, with cars, with weekly market (M_0383) town hall, outside views before 1945, photo b/w, landscape format, from southwest, empty market place (M_0384) town hall, outside views before 1945, photo b/w, landscape format, from southwest, with cars (M_0385) town hall, outside views before 1945, Photo sw, landscape format, from southwest, with weekly market (M_0386) town hall, outside views before 1945, photo color, portrait format (M_0387) town hall, outside views before 1945, photo color, landscape format, frontal view (M_0388) town hall, outside views before 1945, photo color, landscape format, from southeast, empty market place (M_0389) town hall, exterior views before 1945, photo color, landscape format, from southeast, with cars (M_0390) town hall, exterior views before 1945, photo color, landscape format, from southeast, with weekly market (M_0391) town hall, exterior views before 1945, Photo color, landscape format, from southwest (M_0392) town hall, outside views before 1945, graphic sw(M_0393) town hall, outside views before 1945, graphic color, portrait format (M_0394) town hall, outside views before 1945, graphic color, landscape format (M_0395) town hall, outside views after 1945: Rathaus, exterior views, 1945-1952 (M_0396) Rathaus, exterior views from 1953, photo color, portrait format (M_0397) Rathaus, exterior views from 1953, photo color, landscape format, frontal view (M_0398) Rathaus, exterior views from 1953, photo color, landscape format, from southeast (M_0399) town hall, exterior views from 1953, photo color, landscape format, from southwest (M_0400) town hall, exterior views from 1953, photo b/w, portrait format (M_0401) town hall, exterior views from 1953, photo b/w, landscape format, frontal view (M_0402) town hall, Exterior views from 1953, photo b/w, landscape format, from southeast (M_0403) town hall, exterior views from 1953, photo b/w, landscape format, from southwest (M_0404) town hall, exterior views from 1953, graphics (M_0405) town hall facade, astronomical clock before1945, color (M_0406) Rathausfasade, Astronomische Uhr vor 1945, sw (M_0407) Rathausfasade, Astronomische Uhr, ab 1945 (M_0408) Rathausfasade, Details (M_0409) Rathausinnenhof(M_0410) Rathaus mit Weihnachtsbaum (M_1030) Rathaus, Innenansichten: Rathaus, Innenansichten, Bürgerausschusssaal (M_0411) Rathaus, Innenansichten, Diele und Treppenhaus (M_0412) Rathaus, Innenansichten, Großer Ratssaal(M_0413) Rathaus, Innenansichten, Kleiner Ratssaal (M_0414) Rathaus, Innenansichten, Trauraum (M_0415) Rathaus, Innenansichten, Trauraum antechamber (M_0416) Rathenauplatz(M_0417) Ratscafé (M_0418) Ratskeller before 1945, color (M_0419) Ratskeller before 1945, sw (M_0420) Ratskeller after 1945 (M_0421) Rauchsche Papierfabrik vor 1945 (M_0422) WeinstubeRechkemmer (M_0423) Reichsarbeitsdienst (M_1036) Company Reiner, Johann Ludwig, Cigars (M_0424) Rembold, lithographic institution (M_0425) Robert Mayer monument until 1939, market place (M_0426) Robert Mayer monument, avenue (M_0427) Robert Mayer monument, city garden (M_0428) Robert Mayer monument, Marktplatz ab 1990 (M_0429) Robert-Mayer-Gymnasium vor 1945 (formerly Realgymnasium/Oberrealschule) (M_0430) Robert-Mayer-Museum (M_0431) Rosenau-Brewery (M_0432) Rosenbergbrücke (M_0433) Rosenbergstraße (M_0434) Red Cross Heilbronn (M_0435) Hotel Royal (M_0436) Rudergesellschaft Schwaben (M_0437) Sängerfeste (M_0438) Salzstraße (M_1040) Salzwerk Heilbronn (M_0439)

1900-1936 in Walvis Bay, Steinkopf, Concordia, Lüderitzbucht, Warmbad; letters and reports, 1900-1936; cover letter, 1893; curriculum vitae of Mrs. Maria Nyhof, née Stotijn (copy), 1903; letter of Carl Ludwig Hermann Hegner to Hermann Nyhof about conditions in Warmbad, 1904; overview of d. Distribution of the Bondels on the various squares in the Warmbad district and sketch of the Bondels Reservate, 1908; Count von Hageneck, request for repair of the tower roof chair of the church in Warmbad, 1908; obituaries for Hermann Nyhof, 1936; correspondence with Maria Nyhof, née Stotijn, 1937-1962;

History of the Inventor: The Naval Command Office (A) assumed the function of the Admiral Staff, which had been dissolved as a result of the Treaty of Versailles, and in 1933 was expanded from originally 2 to 5 departments (A I: Operations, A II: Organisation and Readiness of the Naval Forces, A III: Naval Intelligence, A IV: Training, A V: Defense). After the operations department A I became independent in 1937 as naval war command, the importance of the naval command declined. In 1939 it was subordinated to the naval war command and was given the name Quartiermeisteramt (Skl/QuA), in 1944 finally the name Seekriegsleitung/ Der Admiralquartiermeister (Skl/AdmQu). Description of the stock: The Naval Command Office assumed the function of the Admiral Staff dissolved on the basis of the Treaty of Versailles. Initially divided into the fleet department and the weir department, it was expanded in 1923 to include the naval training department. In 1933, a reorganization with the following departments came into force: AI Fleet Department (for operations and foreign navies); AII Naval Organization Department (for organization and readiness of naval forces); AIII Naval Intelligence Department; AIV Naval Training Department (for training matters); V Naval Department (for certain naval matters). In addition the naval justice administration AJustV joined. After the operations department of the Fleet Department became independent as a naval war command, the leadership importance of the Naval Command Office declined. At the beginning of the war in 1939 it was subordinated to the naval war command and in the course of the war it was given the name Quartermaster's Office (Skl/QuA), then on 1 May 1944 it was renamed the Naval War Command/ The Admiral Quartermaster's Office (Skl/AdmQu). From 1937 to 1939, the head of the Naval Command Office was also head of the Naval War Management Staff. Tasks of the Fleet Department, questions of border protection, mine clearance, settlement matters and rebuilding of the Reichsmarine until the end of March 1921; files on air law and secret armaments matters, matters of liability for damages against the Allies after 1918, documents on the Fleet Construction Program and operational questions 1923-1939, further documents of the Naval Intelligence Service, among others from the time of the Spanish Civil War. Characterization of content: The surviving written material is divided into three registry groups. The "Alte Registratur" documents the tasks of the Fleet Department, questions of border protection, mine clearance, handling matters and rebuilding of the Reichsmarine until the end of March 1921; files on air law and secret armaments matters reach into the early thirties. From the early twenties, the affairs of the naval officers designated by the Allies as war criminals in the mixed arbitral tribunals have been documented, as have the procedures for liability for damages under the peace treaty. The third group consists mainly of documents on the fleet construction programme, on issues relating to the training of assistant leaders and on operational issues from 1923 to 1939; the documents of the Naval Intelligence Service, including those from the time of the Spanish Civil War, are also of importance. State of development: Findbuch Scope, Explanation: Inventory without increase 61.1 m 2160 AE Citation method: BArch, RM 20/...

Contains: Recordings: C. v. Morgen in the Thessalian campaign of 1897; C. v. Morgen in the wake of the emperor in Jerusalem; C. v. Morgen river discovered in Cameroon (Somaga); C. v. Morgen stormed enemy Fortress in Cameroon; C. v. Morgen with his army pile in Cameroon; photos of the most diverse uses Gen. v. Morgen

Station reports; concepts of replies d. Deputation; Presentations:; The marriage gift and child rearing of our Christian Herero, Freerk Meyer, 12 p., hs., 1885; Is it tunlich in our Hereromission d. previous strict practice in relation to polygamy to let go and d. by Inspector Dr. Schreiber proposed milder practice to introduce, after the process on Sumatra, Nias

Minutes of the following sessions:<br />Section for the Fine Arts, Senate and Cooperative (Participants in varying composition: Alexander Amersdorffer, German Bestelmeyer, Wilhelm v. Bode, Peter Breuer, Adolf Brütt, Otto H. Engel, Reinhold Felderhoff, Philipp Franck, Richard Friese, August Gaul, Hans Herrmann, Ernst Herter, Hildebrand, Ludwig Hoffmann, Hermann Hosaeus, Oskar Hossfeld, Ulrich Hübner, Julius Jacob, Louis Jacoby, Gerhard Janensch, Ludwig Justi, Friedrich Kallmorgen, Arthur Kampf, Heinrich Kayser, Conrad Kiesel, Fritz Klimsch, Georg Koch, Karl Koepping, Max Kruse, Hugo Lederer, Max Liebermann, Hans Looschen, Ludwig Manzel, Meyer, Paul Meyerheim, Ernst Pfannschmidt, Bruno Paul, Fritz Schaper, Schmidt, Franz Schmitz, Walter Schott, Rudolf Schulte at Court, Raffael Schuster-Woldan, Franz Schwechten, Heinrich Seeling, Paul Seidel, Max Slevogt, Constantin Starck, Louis Tuaillon, August Vogel, Hugo Vogel, Anton v. Werner):<br />7 Jan. 1914 (Senate): Introduction of Ulrich Hübner into the Senate; changed award conditions for the Grand State Prize, copy of the ministerial decree of Dec. 9, 1914. 1913; confiscation of postcards with illustrations of sculptural works of art; approval of the elections of the Senate for the Landeskunstkommission; allocation of the surplus of the Great Berlin Art Exhibition to the Kunstausstellungsgelderfonds; award of the title of professor to Ulrich Hübner, Max Uth, Adolf Meyer and Hugo Ungewitter (Bl. 1).<br />30 Jan. 1914 (Senate): Bericht über den Aquarellmaler Max Fritz (Bl. 4).<br />18. Febr. 1914 (Senate): Approval of the proposal list for invitations to the next member exhibition, the proposed collective exhibitions and the inclusion of a small collection of works by the late sculptor Ignatius Taschner; draft regulations for academy exhibitions; Advice on the approval of a Martersteig memorial exhibition and an international exhibition by the Association of Artists and Art Friends; application for the title of professor to the painters Mattschaß, Grotemeyer, Maß and Baurat Seeling; scholarships from the Schmidt-Michelsen-Stiftung for Roloff, Hänsch and Korn (Bl. 5).<br />17 Apr. 1914: Review of the applications for the Grand State Prize; decision on the winners of the State Prize competitions: Painter Paul Plontke, sculptor Otto Placzek, (pp. 8, 10).<br />17 Apr. 1914 (Senate): Assessment of the painter Gustav Richter; award of the title of professor to the sculptors Dammann and Breitkopf-Cosel; election of Heinrich Seeling to the advisory board of experts for the protection of the city of Berlin against defacement; scholarship of the Schmidt-Michelsen-Stiftung for the sculptor Willy Kluck; quarterly award of the studios in Rome (pp. 8, 10). 12).<br />19 May 1914 (Senate): Assessment of the painters Alfred Stöcke, Grotemeyer, and Bielefeld (p. 15).<br />30 June 1914: Decision on the winner of the Dr.-Ing.Paul Schultze Prize for Sculptor 1914: Joseph Sommer (p. 18).<br />30 June 1914 (Senate): Decision on Scholarships from the Louisa-E.-Wentzelschen Stiftung: painter Erich Feyerabend, sculptor Friedrich Heuler, graphic artist Friedrich Maron, architect Hellmuth Korth (p. 19).<br />13 July 1914 (Senate): Application for the title of professor to sculptor Joseph Limburg, painter Hans am Ende, painter Otto Modersohn; prize assignment for the Dr.-Ing.Paul Schultze Prize 1915; Amersdorffer's expert opinion on the painter and architect Dreßler (page 22).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund; Great Berlin Art Exhibition 1915 (page 27).<br />27 Oct. 1914: Decision to transfer the surplus from former Great Berlin Art Exhibitions to the Academic War Aid Fund. 1914 (Senate): Re-election of the vice-president of the Senate Schwechten; reappointment of the head of a master studio for architecture, vacant due to the death of Otzen; consultation on the proposed Friedrich Ostendorf; expert opinion by Engel on the painter Gotthilf Schnee; significance of the Prussian Art Association; Election of Liebermann as deputy of Looschen at the Permanent Deputation for Advertising at the Elders' College of the Berlin Merchants' Association; re-election of Kampf and Meyerheim to the Board of Trustees of the Adolph Menzel Foundation, of Hildebrandt to the Board of Trustees of the Adolf Ginsberg Foundation, of Liebermann to the Board of Trustees of the Dr.-Hermann Günther Foundation; question of an invitation to the Academy competitions for 1915; announcement of decrees of the Ministry of Culture (p. 29).<br />27 Nov. 1914: decision on the prize winner of the Dr.-Ing.Hugo-Raussendorff Prize in 1914, the painter Kurd Albrecht, and the winner of the v. -Rohr Prize 1914, the architect Pohle (p. 29).<br />Dec. 21, 1914: Remembrance of Giovanni Sgambati; spring exhibition 1915; composition of the exhibition commission for the Great Berlin Art Exhibition; Menzel Monument; acceptance of the Fischer and Wentzel-Heckmann Foundations; Schwechtens is elected to the expert advisory board of the city of Berlin; Dagnan-Bouveret and Saint-Saëns leave the academy (p. 29). 31f.).<br />15th Jan. 1915 (cooperative): Commemoration of Rudolf Weyr and Anton v. Werner; deficit of the Great Berlin Art Exhibition 1914; election lists for the elections of members (p. 50).<br />22nd Jan. 1915 (cooperative): election of Ernst Pfannschmidt and Friedrich Oskar Hossfeld as new members (p. 55).<br />12th Febr. 1915 (Genossenschaft): Composition of the admission and arrangement commission for the Great Berlin Art Exhibition 1915; demand for greater competence for the cooperative in the preparation of academic exhibitions (pp. 56-58).<br />17 Febr. 1915 (Senate): Proposals for the succession of the deceased v. Werner as director of the Hochschule für die bildenden Künste: Kampf, Dettmann, Manzel, Kallmorgen; establishment of a commission for reforms of academic teaching (pp. 35, 61).<br />17 Febr. 1915: laureate of the I. Michael-Beer-Prize: painter Berthold Ehrenwerth; no award of the Prize of the II. Michael-Beerschen Stiftung für Kupferstecher (pp. 36, 59).<br />15. March 1915 (Senate): Resolution to award support from the Schmidt-Michelsen-Stiftung to Korn, Brandes, Petrich und Miehe and from the Stadt-Charlottenburg-Stiftung to König und Dahmen (pp. 36, 59). 39, 64).<br />19 March 1915 (cooperative): Introduction of the new members Hossfeld and Pfannschmidt; election of Engel, Meyerheim, Liebermann, Brütt, Seeling and Hoffmann as senate members; discussion and vote on Hoffmann's motion to elect the members of the committee for exhibitions by the cooperative and rejection of 'co-optation' by the senate; motion against the propaganda of the 'Preußischer Kunstverein' (Bl. 65-67).<br />30 Apr. 1915 (Senate): Acceptance of the legacy of Koepping; refusal of the purchase of the v. -Werner portraits of Koner; extension of the register of the master student P. Joseph (Master School Humperdinck); notification of the appointment of Kampf as director of the Hochschule für die bildenden Künste (bl. 41, 73).<br />30 Apr. 1915: adjournment due to lack of quorum (bl. 72).<br />18. May 1915 (cooperative): commemoration of Oskar Frenzel; election of Friedrich Kallmorgen as chairman, of Hans Meyer as deputy chairman (p. 76).<br />4 June 1915 (Senate): entrusting of the committee for academic exhibitions with the submission of proposals for the purchase of works of art; Dr.-Ing.Paul Schultze Prize 1916; election of Franck to the Commission for the Guidance of Questions on the New Regulation of Academic Teaching (pp. 45, 78).<br />11 June 1915: Division of the Dr.-Ing.Paul Schultze Prize 1915: Herbert Garbe and Willy Kluck (pp. 46, 79).<br />16 June 1915: Splitting of the Sheet Metal Prize for Landscape Painters 1915: Erich Feyerabend and Erich Müller; Helfft Prize 1915 for Adolf Harten (pp. 47f., 80f.).<br />23 June 1915 (Senate): Acceptance of the S. -Fischer-Stiftung; list of suggestions for the purchase of works of art (p. 84).<br />28 Oct. 1915 (Senate): Election of Manzel as deputy chairman of the Senate; resolution of an exhibition of war pictures in the Academy; proposals for the purchase of works of art; appointment of Liebermann to the board of trustees of the Adolph Menzel Foundation and the Dr.-Ing.Hermann-Günther-Stiftung, von Hildebrand on the board of trustees of the Adolf-Ginsberg-Stiftung; travel report of the scholarship holder Adolf Harten (p. 93).<br />Dec. 21, 1915: Schmidt-Michelsen prizewinner: Walter Miehe (p. 96).<br />Dec. 11, 1916 (Senate): Introduction of Hans Herrmann; proposal for reoccupation of the v. Werner's master studios: Slevogt, Hugo Vogel, Dettmann; election of Hübner to the board of trustees of the Adolph Menzel Foundation (p. 98). <br /> Feb. 23, 1916 (Senate): support from the Schmidt-Michelsen Foundation for Korn, Douzette, and Brandis; protest against the plan to tax 'living art' through the war profits tax (p. 102).<br />12 May 1916 (Senate): Application to Georg Schmitt, Bennewitz v. Loefen, Max Schlichting, L. Corinth and Felderhoff for the title of professor; submission of Lederer's draft for the university ballot box (page 105).<br />5. July 1916 (Senate): Confirmation of the election of Schwechten as president, of Gernsheim as deputy, re-election of the senators Kallmorgen, Breuer, Kayser and Rüfer; re-election of Kallmorgen and H. Meyer as chairmen and deputies respectively in the Fine Arts Section and of Gernsheim and Rüfer in the Music Section; application for the title of professor to Rudolf Schäfer and Em. Grosser; amendments to the Maeder Foundation's draft statutes; letters of thanks from the Singakademie and Herter (p. 110).<br />Oct. 2 1916 (Senate): Election of Manzel as deputy chairman of the Senate; takeover of the composition of a cantata by Kahn for the emperor's birthday celebration in 1917, speech by Krebs; Max Bernhardt rejects the leadership of the Lippe-Detmoldschen professor title; re-election of Hübner and Liebermann to the board of trustees of the Adolph Menzel Foundation, of Hildebrand to the board of trustees of the Adolf Ginsberg Foundation and of Liebermann to the board of trustees of the Dr.-Ginsberg Foundation.Hermann Günther Foundation; examination of a medal of Eue (Bl. 113).<br />27 Nov. 1916 (Senate): confirmation of the election of Schumann as deputy president; rejection of a Bruno Schmitz exhibition; Boese's request for further use of a state studio; election of Kampf instead of Anton v. Werner to the board of trustees of the Emil Wentzel Foundation (Bl. 120).<br />8 Jan. 1917 (Senate): Remembrance of Dücker, Scholz and Rudorff; exhibition rooms for the Federal Foreign Office for the collection 'Deutsches Bauwesen im Kriege'; planning of an Alfred-Rethel exhibition and a second exhibition of war paintings; proposal for the award of a prize to teachers of the teaching institute of the Verein der Künstlerinnen zu Berlin: Siegert, Seeck and Schottmüller; dedication of Richard Müller's war drawings to the Emperor; re-election of Liebermann and Looschen to the Municipal Deputation for Advertising; election of Schwechten to the Advisory Board of Experts of the City of Berlin; acceptance of the Roeder Foundation; amendments to the statutes of the Wentzel-Heckmann Foundation; rejection of the extension of the matricel of the master student Salingré (Bl. 121).<br />Section for Music, Senate and Co-operative (participants in varying composition: Heinrich Barth, Friedrich Gernsheim, Engelbert Humperdinck, Hugo Kaun, Friedrich E. Koch, Carl Krebs, Hermann Kretzschmar, Philipp Rüfer, Philipp Scharwenka, Xaver Scharwenka, Felix Schmidt, Georg Schumann, Max Seiffert, Ernst Eduard Taubert):<br />17 Jan. 1914 (Senate): Application for the title of professor to Schattschneider and Franz Nekes, for the title of music director to Max Kaden, Krantz, Traugott Heinrich, Fritz Panzer and Schneider; Schumann's delegation to the police headquarters for consultations on regulations for the business operations of concert agents; amendments to the statutes of the cooperative of German composers; assessment of the new 'Euphonion' sound system by August Ludwig, composition by Wilhelm Grimm, ballad by Robert Linarz (Bl. 2).<br />21 Febr. 1914 (Senate): Minister's Notices: Instruction to John to shorten his composition, award of the title of Music Director to Kühn, Krelle, Traugott Heinrich, Adolf Göttmann und Ernst Potthof, of the title of Professor to Leo Zellner; Application for the title of Professor to Moritz Bauer, Heidingsfeld, Binder und Max Krause; Complaint to the Ministry about Breitkopf

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

Contains among other things: Proposal of the D e u t s c h e K o l o n i a l g e s e l l s c h a f t for the development of the hinterland of Cameroon through the construction of further military stations. Sketch of the northern district of Bamenda M.: 1:250 000 with entries on the geographical and economic conditions (1905)

Contains: Map of Northern Germany, language map of the German East Marks, overview sketch by Dr. Oscar Baumann Reisen im nördlichen Deutsch-Ostafrika 1891, sketch by the Portuguese colony Angola, map of the theatre of war of the German troops in China 1900, politico-military map of East Asia 1900, map of the western states of the Union, and Plan du Canal de Suez.- Geographische Skizzen Pfeils

Contains: Drawings with explanation of symbols: armouring path, external departments at the beginning of September (companies), trenches, gun constellations, machine gun constellations, eagle's nest, positions, minefields, main wire obstacle

Contains: Tsinanfu Room - Fangtse - Tsingtau - Haiyang - Wei hai wei - Tengtschoufu Entries with legend: Schan-tung Railway, Headquarters, Provisions Office, Approach of the Japanese, Borders (of the War Zone, the Protectorate and the Neutral Area)

Contains: Tsingtau area - Tschau tsun - Tschangwa - Schatsykou entries: built light railways during and after the siege

Contains: Witzenhausen (colonial school), 12 May 1924 (a letter, a postcard with a view of the wine and liqueur shop Artur Schulz in Witzenhausen); 19 May 1924; 22 May 1924; 24 May 1924; n/a 1924; 23 May 1924; 23 May 1924; 23 May 1924; 24 May 1924; 24 May 1924; 23 May 1924; 24 May 1924; 23 May 1924; 23 May 1924; 24 May 1924; 23 May 1924; 23 May 1924. June 1924; 9 August 1924; 6 August 1924; 14 August 1924; 18 October 1924; 8 November 1924; 16 November 1924; 1 December 1924; 7 December 1924; 17 December 1924 (15 letters, one postcard) Contains: Witzenhausen (Colonial School), 4 February 1925; 26 April 1925; 13 May 1925 (three letters) Contains: Nordhausen, 29 May 1925 (postcard with view of Nordhausen main station) Includes: Witzenhausen (colonial school), 9 June 1925; 7 July 1925; 24 July 1925; 13 August 1925; 23 August 1925; 14 October 1925 (postcard); 31 October 1925; 7 November 1925; 23 November 1925; 6 December 1925 (nine letters) Contains: Witzenhausen (colonial school), 19 January 1926; 14 February 1926; 9 March 1926 (telegram) (two letters, one telegram) Contains: Hohenebra, 6 September 1926; 28 September 1926; 20 September 1926 (three letters) Contains: Nordhausen, 30 October 1926 - with: Letter from V. Küdrich, Deutsche Kolonialschule Witzenhausen: Wilhelmsdorf, 29 October 1926 (two letters) Contains: Hohenebra, 6 November 1926; 27 December 1926 (contains two letters): Hamburg, 1 May 1927; 30 May 1927 (two letters) Contains: Lauenburg (Elbe), 6 June 1927 (postcard with panorama of Lauenburg from Hohnstorf) Includes: Hamburg, 25 June 1927; 5 July 1927; 11 July 1927; 6 August 1927; 24 September 1927; 17 October 1927; 5 November 1927 (for Dr W Johannes Wentzel); 11 November 1927; 13 December 1927 (nine letters) Contains: Hamburg, 10 January 1928; 12 February 1928; 16 March 1928; 22 April 1928; 14 May 1928; 18 June 1928 (postcard, postmark); 12 July 1928 (with Dr W Johannes Wentzel); 28 July 1928 (postcard); 3 September 1928; 6 September 1928; 25 September 1928; 26 September 1928; 14 November 1928 (eleven letters, two postcards) Contains: Ramelsloh (Lüneburger Heide), December 16, 1928 (postcard with view of the church of Ramelsloh) Contains: Hamburg, January 26, 1929 (with drawing); February 1, 1929 (with Dr. W. Johannes Wentzel); February 13, 1929; March 2, 1929 - with: Letter from Wilhelm Wilbrand to girlfriend Anni; March 10, 1929; June 8, 1929; August 12, 1929; September 7, 1929; September 16, 1929; September 30, 1929; October 18, 1929; November 14, 1929; December 20, 1929 (14 letters) Contains: Hamburg, January 21, 1930 (by Dr. W. Johannes Wentzel) - with: Letter from Wolfgang Wentzel, uncle of Wilhelm, to Kurt Woermann, Hamburg: Hamburg, January 20, 1930: Future Possibilities in Africa (two letters) Contains: Genoa, 31. May 1931 (postcard with view of the war memorial in Genoa); 1. June 1931 (postcard with view of the ship Ussukuma) Contains: on the Ussukuma, 5. June 1931 - with: postcard with text and notes of the song 'Weckruf' (a letter) Contains: Bregenz, 4 June 1940 (Picture postcard with Bregenz old town) Includes: Friedrichshafen am Bodensee, 20 May 1940 (postcard with castle church and marina) Includes: Berlin-Dahlem, 24 September 1941 (one letter)

Contains among other things: KTB of the landing train SMS "Emden" (with route map, copy), 9 Nov. 1914 - 8 Jan. 1915 Siege of Tsingtau (letter of the commander of the fort Huitschen Huk Kp.Lt. Kopp with map, copy), 14 Nov. 1914

Contains among other things: Description and sketch of the 1 kg minelayer

Contains among other things: Site plan of the plot intended for the construction of the new court (corner of Irenenstraße-Hohenloheweg-Gouvernementsplatz), sheet no. 10, scale 1 : 500, Oct. 1911 (fol. 22, 40) Photographs of the projected building site and court building (fol. 39) Construction plans: Court building in Tsingtau, sketch for the construction of the western border wall, scale 1 : 100, Feb. 29, 1912

1. biography: Karl Joseph Wilhelm Florestan Gero Crescentius Prince of Urach Count of Württemberg was born on 15 February 1865 in Ulm as the younger son of Wilhelm (I.) Duke of Urach and Florestine Duchess of Urach née Princess of Monaco (1); the prince attended the primary school and the Jesuit grammar school in Monaco (2) together with his older brother Wilhelm (II.) Duke of Urach. In 1877 he moved to the Jesuit educational institution of Our Lady Stella matutina in Feldkirch. After a further change of school in 1881, he graduated from the Karlsgymnasium in Stuttgart in 1883 and studied for two semesters at the University of Munich (3) from 1883 to 1884. There he attended lectures in metaphysics and history of Greek philosophy with the professor of philosophy and later Bavarian Prime Minister and German Chancellor Georg Graf von Hertling (1843-1919) as well as lectures in political science with the journalist and writer Professor Wilhelm Heinrich Riehl (1823-1897). 1883 he was appointed second lieutenant à la suite of the Ulan regiment King Karl (1st Württ.) No. 19 (4). In April 1886 Prince Karl entered the active service of this regiment, but had to leave the active service due to illness. In March 1887, the prince retired as an officer à la suite from the active service of the regiment. In the following years the prince was granted the usual promotions for a member of the House of Württemberg under the position à la suite of the regiment: in 1887 he was appointed prime lieutenant, in 1891 cavalry master, in 1899 cavalry major and in 1906 lieutenant colonel. From 1884, Karl Fürst von Urach travelled extensively (5): from 1884 to 1886 he travelled South America, visiting the Cordilleras and studying the Indian tribes on the upper reaches of the Amazon (6). He later handed over the ethnological collection he acquired during his journey to the Linden Museum in Stuttgart. Also in the time after 1887 he often stayed in Italy, Greece, in the Balkans, in Egypt, where he owned real estate in Heliopolis near Cairo (7), and in the Ottoman Empire. In 1891 he took part in an expedition to Spitsbergen (8), in 1893 the prince travelled to the USA(9). The few documents on the trip to the USA (especially letters of recommendation) (10) that are preserved in the present inventory suggest that this trip was also used for ethnological studies of Indian tribes. So he learned Turkish, Arabic and Persian. Last but not least, between 1893 and 1925 the prince had Arab rooms (11) built into his palace on Neckarstraße in Stuttgart, which he decorated with furniture, carvings, tiles, works made of plaster stucco, carpets and other antiques from the Orient. During the First World War, Prince Karl was finally able to use his language skills and the knowledge he had acquired about this region during his many journeys to the Orient for his work as a German liaison officer in the Ottoman Empire (12). He performed this function between 1916 and 1917, when Prince Karl took over several honorary offices. He was president of the Württemberg group of the German Colonial Society (13) and member of the Württemberg regional association of the German Fleet Association (14). He supported the Society for the Promotion of German Settlements in Palestine (15). He also supported the work of the airship designer Ferdinand Graf von Zeppelin by subscribing to shares in the company for the promotion of airship travel (16).Karl Fürst von Urach was awarded numerous orders in the course of his life (17): in 1883 the Prince received the Monegasque Order of Saint Charles, in 1889 the Grand Cross of the Persian Order of the Sun and Lions (18), in 1897 the Ottoman Order of First Class, in 1899 the Kaiser Wilhelm Memorial Medal. In 1910 he was awarded the Prussian Red Eagle Order. In 1916 he received the Wilhelmskreuz with swords and crown, one year later the royal Hungarian Order of Saint Stephen and the Iron Cross 2nd class. Karl Fürst von Urach died on 5 December 1925 in Stuttgart. He was buried in the Catholic section of the crypt of the castle church Ludwigsburg. 2. to the order and distortion of the stock:: Together with the Archive of the Dukes and Princes of Urach Grafen von Württemberg, the GU 120 collection was deposited in the Main State Archives in 1987. There, the archives of the House of Urach form the GU series of inventories within the inventory classification (tectonics). During the reorganization of the archive by Wolfgang Schmierer, Director of the Archive, the documents on Karl Fürst von Urach were given the signature GU 120, and since the materials were in a poor state of order, the units of registration had to be formed for the most part first. Where it made sense, the existing units were retained. During the indexing work, extensive documents were removed from the GU 120 holdings and assigned in particular to the GU 96 (Miscellaneous and Unclear), GU 100 (Foreign Archives and Other Collections), GU 107 (Florestine Duchess of Urach), GU 117 (Wilhelm (II.) Duke of Urach) and GU 202 (Bertha Freiin von Biegeleben) holdings. Moreover, it cannot be ruled out that further material of the provenance of Karl Fürst von Urach may be found in the as yet unlisted holdings of the House of Urach. by far the largest part of the holdings consists of the extensive correspondence of the Prince (category 2), above all with his mother (category 2.1.1) with his brother Wilhelm and his family (category 2.1.2) as well as with Bertha von Biegeleben (category 2.1.5). The latter was the court lady of his mother Florestine and a close confidante of the prince. In addition, correspondence with representatives of the German and European ruling and former ruling princely houses can be found in the holdings (Section 2.5). Karl Fürst von Urach also corresponded with numerous public figures (section 2.7), including scholars. Almost all correspondence is so-called unilateral correspondence, that is, only the letters of the correspondence partner are found in the existing stock. If there are isolated letters or drafts of letters from the Reigning Prince to the respective addressee, this is expressly mentioned in the title recording. Usually these are letters of the prince returned to the prince or his family afterwards. It should also be noted that Prince Karl did not make any copies of his correspondence. The correspondences can be regarded as an interesting source for the history of everyday life and mentality of the nobility. They show the manifold contacts which the prince maintained with members of other noble families. They also certainly offer details of the Prince's numerous journeys. However, it was not possible to index the contents of the correspondence due to the time and effort involved. Unfortunately, the correspondences and correspondence series contained in this collection sometimes have smaller gaps. It is not possible at the present time to answer the question of whether the previously unlisted holdings of the archives of the House of Urach still contain correspondence of the prince. Besides the correspondence, the extensive collections of photos and photographs (category 10) form the second largest part of the holdings in terms of the number of title recordings. Of particular interest are the photos and photo albums with photos from the Prince's numerous travels to South America, Egypt, the Ottoman Empire and the Balkans (Section 10.2.2). There are also photos taken during the aforementioned activity of the prince as a liaison officer in the Ottoman Empire during the First World War (section 10.2.4). Prince Karl's interest in Islamic (Arabic) art is also reflected in the numerous photographs of buildings and artworks of Islamic art, which are combined in section 10.3. Of the other materials preserved in the present collection, the Prince's manuscripts with literary and art-historical texts and a memorandum on the political reorganization of Europe by Germany in the First World War should also be mentioned, as well as interesting documents on the associations and societies in which the Prince was active and in which he was active. In an appendix (column 16) photos, an album and seal from the possession of the Wera Duchess of Württemberg née Grand Duchess of Russia are united, which after the death of the Duchess were handed over by her daughter Olga Prinzessin zu Schaumburg-Lippe to Karl Fürst von Urach.In addition, correspondences of the brother of Karl Fürst von Urach, Wilhelm (II.) Duke of Urach, to Charlemagne's estate, to the Arab rooms and to a newspaper article about the princes were added to the collection (19). Since these materials refer to Karl Fürst von Urach, the classification into the present holdings seemed to be reasonable. As expected, documents on Karl Fürst von Urach are also available in other holdings of the archives of the House of Urach. In particular the holdings GU 99 (photo albums and collections), GU 107 (Florestine Herzogin von Urach née Prinzessin von Monaco), GU 117 (Wilhelm (II.) Herzog von Urach) and GU 202 (Bertha von Biegeleben) are to be mentioned here. the archives of the holdings may only be inspected with the prior permission of the chief of the House of Urach. the holdings GU 120 were catalogued by the undersigned from autumn 2004 to April 2005. It comprises 4.6 running meters with 318 numbers.Stuttgart, in April 2005Eberhard Merk footnotes: (1) For Karl Fürst von Urach see above: Article by Wolfgang Schmierer in: The House of Württemberg. A biographical encyclopedia. Edited by Sönke Lorenz, Dieter Mertens, Volker Press. Stuttgart 1997. p. 390. Heinrich Fischer: Prince Karl von Urach as a research traveller. In: Swabian Mercury of 11 December 1926 pp. 17f. (Sunday supplement to the Swabian Mercury No. 580). Newspaper articles and obituaries in M 743/2 Bü 542.(2) See also Bü 1 (serial number 1) in this inventory. Schmierer does not mention attending school in Monaco. The data on the school attendance of Karl Fürst von Urach were taken from the short curriculum vitae written by Wilhelm (II.) Duke of Urach in Bü 21 (Ordnungsnummer 11).(3) See Bü 11 (Ordnungsnummer 2).(4) On military careers see the personal file of Fürst Karls in: M 430/1 Bü 2797, also Bü 7 (serial number 3), 121 (serial number 98).(5) A list of the Prince's travels, prepared by Karl's brother Duke Wilhelm (II.), is kept in Bü 21 (serial number 11). This list also served Heinrich Fischer as the basis for his article (loc. cit.)(6) See the manuscript of the prince in Bü 269 (Ordnungsnummer 145). A detailed description of the itinerary of the South American trip can be found in the article by Heinrich Fischer (loc. cit.)(7) Bü 297, 298 (serial number 208, 211)(8) Cf. the correspondence of Max Graf von Zeppelin in Bü 161 (serial number 118) and the manuscript of the prince in Bü 273 (serial number 146). Photos of Spitzbergen and Norway can be found in Bü 59 (serial number 247).(9) There are no photos of this trip in this collection.(10) Bü 177 (serial number 138)(11) See Bü 20 (serial number 217), Bü 80 (serial number 288), Bü 83 (serial number 202), Bü 316 (serial number 198). An impressive description of the Arabic spaces provides: Claus Mohr: Arab Art in Stuttgart. In: Deutsches Volksblatt 1926 No. 170 of 28 July 1926(12) See also Bü 108, 293 (serial numbers 5 and 6). Photos from this period have been preserved in Bü 42 (serial number 264).(13) There are no materials on the prince's work in the D e u t s c h e K o l o n i a l g e s c h e l l l s c h a f t in this collection.(14) Bü 285 (serial number 193)(15) Bü 294 (serial number 191)(16) Bü 296 (serial number 189)(17) See also Bü 6, 101 (serial numbers 7 and 8)(18) The award was made on the occasion of the state visit of Schah Nasir-el-din in 1889 in Stuttgart(19) Bü 10 (serial number 9), Bü 21 (serial number 11), Bü 23 (serial number 216)

Sort des prisonniers de guerre. - Justificatif, 1.11.1906nnCroquis du territoire des Galim avec le dessin de l'itinéraire de l'expédition Galim sous la direction du Capitaine Fabricius, sans échelle, dessin au crayon et avec incriptions en couleur, Avril 1906nn

Execution: Handdruck von kolorierter Zeichnung Persons and institutions involved in the creation: gez. Scott, Georges Bildträger: Halbkarton, 5 drawings in folder II Image and sheet size: 35.5 x 24 cm; 59 x 42 cm Remarks: Folder title: Le soldat francais pendant la guerre, Picture title: Tirailleurs Algériens, picture foxing, French provenance

Contains above all: Representation of the family history from about 1798 to the death of Karl Scheurlen in 1872, by Ernst von Scheurlen (handschr.) occasional poems by Karl Scheurlen, 1862 - 1867 pictures and photos - of the following persons: Johann Friedrich Flander, Benjamin Friedrich Pfizer (grandfather or great-grandfather), Friedrich Notter, Paul Pfizer MdL, Charlotte Scheurlen née Pfizer (1802-1860, mother or grandmother), Charlotte Scheurlen with Karl and Eduard Scheurlen (brother or uncle), Dean Haab and wife (friends of the mother or uncle). Grandma), Friedrich Sonntag (Senior Bailiff in Pforzheim), Karl Scheurlen, Senior Public Prosecutor Eduard Scheurlen, Erich Kaufmann (Professor in Heilbronn), Prime Minister Hermann von Mittnacht as a student, Assessor of Senior Justice and Public Prosecutor, Imperial Chancellor Otto von Bismarck, Johanna von Bismarck, Ernst von Scheurlen and his siblings Marie, Fritz, Richard, Hermann and Otto as children, ambassador in London Konstantin Freiherr von Neurath with the wife of the Counsellor Prince von Bismarck née. Tengborn, Captain Krenzler in D e u t s c h - O s t a f r i k a, Bavarian Prime Minister von Dandl and Bavarian envoy in Berlin Graf Lerchenfeld, Vice Chancellor Friedrich von Payer, Württemberg envoy in Berlin Freiherr von Varnbüler and Württemberg Minister of Foreign Affairs Freiherr von Weizsäcker, Reich President Paul von Hindenburg and unidentified persons at the 1934 Reich Foundation Ceremony - the following motifs: Tomb of Karl Scheurlens and Karl Christian Friedrich Scheurlens (father and father, respectively). grandfather) in Stuttgart, tomb of Charlotte Scheurlen née Pfizer in Tübingen, tomb on the Stuttgart cemetery, various things from the sketchbooks I and II by Karl Scheurlen (mainly Motifs from history, student life and justice), drawing (by Karl Scheurlen?) to Uhlands poem "Siegfried's Sword", 3 sketches by Karl Scheurlen about a (not real) trip to America, pictures of a picture book by Karl Scheurlen for the Häcker family, folk festival in Bad Cannstatt 1871 to celebrate the silver wedding of King Karl and Queen Olga, tomb of the mother Katharine as well as the brothers and sisters Otto, Fritz und Marie Scheurlen, coloured title design by Karl Scheurlen for "Hänsel und Gretel", Christmas picture with angels and Christmas tree by Karl Scheurlen (design), armoured cruiser "Germany", naval school Flensburg, sculpture "Sportmädel", fire of the old castle in Stuttgart 1931 Contains also: Family tree of Hermann Karl Friedrich Freiherr von Mittnacht (unfinished) Photo of Bad Mergentheim, 1928 Menu card and seating plan of the banquet for the birthday of King Karl in the Ministry of the Interior, 1871 Menu card of the banquet for the birthday of King Wilhelm II. in the Ministry of the Interior, 1909 "Imbiß-Ordnung" (probably on the occasion of the festivities for the birthday of King Wilhelm II. 1909) postcard of Stendel to Ernst von Scheurlen from D e u t s c h - O s t a f r i k a, 1911 letter of Professor Dr. Max Schottelius to Ernst von Scheurlen concerning biological sewage treatment plants, 1912 congratulatory leaf of the Grenadier Regiment "Queen Olga" for the student fraternity Sueve-Borussia, 1912 newspaper article: "Der Berkheimer Hof bei Weilimdorf", o.D. "Dichtergräber auf den Stuttgarter Friedhöfen", o.D. "Freiherr von Mittnacht. On his 100th birthday, 17 March 1925", Schwäbischer Merkur of 14 March 1925 "Hoher Besuch beim Volksfest vor 70 Jahren", 1927 "Zum Stapellauf des Panzerschiffs 'Deutschland'", 1930

Contains: Report of the captain of Gravenreuth about the expedition to be undertaken Sketch of an unknown author about the composition of an expedition

Contains: Entries: Shooting range, main obstacle, log houses, approximate flood and ebb limits, mines with cable, torpedo heads with cable

Contains: Witzenhausen (colonial school), 12 May 1924 (a letter, a postcard with a view of the wine and liqueur shop Artur Schulz in Witzenhausen); 19 May 1924; 22 May 1924; 24 May 1924; n/a 1924; 23 May 1924; 23 May 1924; 23 May 1924; 24 May 1924; 24 May 1924; 23 May 1924; 24 May 1924; 23 May 1924; 23 May 1924; 24 May 1924; 23 May 1924; 23 May 1924. June 1924; 9 August 1924; 6 August 1924; 14 August 1924; 18 October 1924; 8 November 1924; 16 November 1924; 1 December 1924; 7 December 1924; 17 December 1924 (15 letters, one postcard) Contains: Witzenhausen (Colonial School), 4 February 1925; 26 April 1925; 13 May 1925 (three letters) Contains: Nordhausen, 29 May 1925 (postcard with view of Nordhausen main station) Includes: Witzenhausen (colonial school), 9 June 1925; 7 July 1925; 24 July 1925; 13 August 1925; 23 August 1925; 14 October 1925 (postcard); 31 October 1925; 7 November 1925; 23 November 1925; 6 December 1925 (nine letters) Contains: Witzenhausen (colonial school), 19 January 1926; 14 February 1926; 9 March 1926 (telegram) (two letters, one telegram) Contains: Hohenebra, 6 September 1926; 28 September 1926; 20 September 1926 (three letters) Contains: Nordhausen, 30 October 1926 - with: Letter from V. Küdrich, Deutsche Kolonialschule Witzenhausen: Wilhelmsdorf, 29 October 1926 (two letters) Contains: Hohenebra, 6 November 1926; 27 December 1926 (contains two letters): Hamburg, 1 May 1927; 30 May 1927 (two letters) Contains: Lauenburg (Elbe), 6 June 1927 (postcard with panorama of Lauenburg from Hohnstorf) Includes: Hamburg, 25 June 1927; 5 July 1927; 11 July 1927; 6 August 1927; 24 September 1927; 17 October 1927; 5 November 1927 (for Dr W Johannes Wentzel); 11 November 1927; 13 December 1927 (nine letters) Contains: Hamburg, 10 January 1928; 12 February 1928; 16 March 1928; 22 April 1928; 14 May 1928; 18 June 1928 (postcard, postmark); 12 July 1928 (with Dr W Johannes Wentzel); 28 July 1928 (postcard); 3 September 1928; 6 September 1928; 25 September 1928; 26 September 1928; 14 November 1928 (eleven letters, two postcards) Contains: Ramelsloh (Lüneburger Heide), December 16, 1928 (postcard with view of the church of Ramelsloh) Contains: Hamburg, January 26, 1929 (with drawing); February 1, 1929 (with Dr. W. Johannes Wentzel); February 13, 1929; March 2, 1929 - with: Letter from Wilhelm Wilbrand to girlfriend Anni; March 10, 1929; June 8, 1929; August 12, 1929; September 7, 1929; September 16, 1929; September 30, 1929; October 18, 1929; November 14, 1929; December 20, 1929 (14 letters) Contains: Hamburg, January 21, 1930 (by Dr. W. Johannes Wentzel) - with: Letter from Wolfgang Wentzel, uncle of Wilhelm, to Kurt Woermann, Hamburg: Hamburg, January 20, 1930: Future Possibilities in Africa (two letters) Contains: Genoa, 31. May 1931 (postcard with view of the war memorial in Genoa); 1. June 1931 (postcard with view of the ship Ussukuma) Contains: on the Ussukuma, 5. June 1931 - with: postcard with text and notes of the song 'Weckruf' (a letter) Contains: Bregenz, 4 June 1940 (Picture postcard with Bregenz old town) Includes: Friedrichshafen am Bodensee, 20 May 1940 (postcard with castle church and marina) Includes: Berlin-Dahlem, 24 September 1941 (one letter)

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