Contents: An overview of the contents can be found in the classification. History of origins: Prof. Dr. Dr. h.c. Theodor Christoph Heinrich Rehbock (*12.04.1864 in Amsterdam, 17.08.1950 in Baden-Baden) studied civil engineering in Munich and Berlin from 1884 to 1890. After the diploma examination and the government building leader examination he worked from 1890 to 1892 in Berlin at the Reichstag building administration, then from 1893 to 1894 in the Bremen building administration. After passing the government building master examination in 1894, he worked in Berlin as a consulting engineer for hydraulic engineering and undertook journeys through Europe, to Canada and the USA as well as to South America and 1896/97 to southern Africa. In 1899 he was appointed full professor at the Technical University of Karlsruhe, where he established the river engineering laboratory and served as rector in the academic years 1907/08, 1917/18 and 1925/26. In 1934 Rehbock was emeritus. Pre-archival inventory history: Foreword by Klaus-Peters Hoepke in the provisional find book: "The inventory changed location several times between its creation and its transfer to the university archive. In 1943 Rehbock obtained permission from the rector to bring his papers from the river engineering laboratory to his house in Baden-Baden to arrange them. When Baden-Baden became a military restricted area in the autumn of 1944, Rehbock moved it to his alternative quarters in Ried b. Benediktbeuren/Obb. At the end of the war he took her back to Baden-Baden. Since his house was confiscated by the French military administration, he had to move again - taking his papers with him. During Rehbock's lifetime, but at the latest after his death, individual pieces of furniture, parts of his library, these papers - probably supplemented by parts of the written private estate - reached the Technical University of Karlsruhe. In September 1992 Prof. Dr. techn. Peter Larsen and PD Dr.-Ing. Hans Helmut Bernhart of the Theodor Rebock Institute arranged for the fundus to be transferred to the university archive. Furthermore Dr.-Ing. Andreas Richter from the Institute of Hydromechanics handed over a bundle of Rehbock manuscripts of the lecture on weirs to the archive in January 1995; it was added to the collection under the serial number 63a. The inventory listed below is made up of parts of the service room estate and private papers. In view of the distances travelled, experience has shown that it is hardly probable that the fundus that existed around 1943 is still completely preserved. After the war, for example, there must have been two folders with the correspondence that Rehbock had kept with the nestor of German hydraulic engineering, Hubert Engels from Dresden, a colleague he held in high esteem. In any case, the effects of war had destroyed not only countless measurement records, plans, etc. but also the historically valuable and extensive collection of site plans of the Rhine models: According to Rehbock, the already print-ready collection documented "the best I could achieve in the experimental world". (So to Anton Grzywienski, 15.12.1946, no. 162) [...] In Baden-Baden Rehbock actually dealt with arranging his papers. He probably used the registration plan as a basis, according to which he had correspondence, sketches, plans, etc. filed during his active time in the river engineering laboratory. (This registry plan no longer exists, so that the presumed losses can no longer be determined). Above all, Rehbock added explanatory remarks for posterity to individual folders or documents. Many documents then contain underscores, paint strokes or margin notes made with coloured pencils (red, purple or green). Unfortunately, it is not always clear whether these are traces of processing from the course of business or later highlights, which it seemed advisable to place roebuck in view of posterity." Archive history: Most of the documents were transferred from the Theodor Rehbock Institute to the university archive in September 1992. A small levy was made in January 1995 from the Institute of Hydromechanics (No 63a). The Institute for Hydraulic Engineering and Cultural Engineering, which emerged from the Theodor Rehbock Institute, submitted further documents in 1996, which Hoepke classified partly in "Signatures" he had created and partly under No. 351-381. Numbers 370-381 included 1,345 photographic glass plates. These were included in a provisional list in late 2003 and filmed and digitised at the turn of the year 2003/04. On 02.06.2008 the addition 29/? was added to the inventory as signature number 406. Explanation of the order: The order of the inventory was established in its basic features according to the order carried out by Theodor Rehbock. Changes took place in the initial stock formation in the university archive (see Archivische Bestandgeschichte) and in the digitisation of the finding aid in 2005. Indexing information: In the second quarter of 2005, the finding aid available in electronic form was easily edited and imported into the finding aid database. The existing classification was adopted largely unchanged. During the digitization of the finding aid, signatures with alphanumeric additions were changed to purely numeric signatures. Classification overview: 1. personalia 2. colonial matters 3. university matters 4. memberships 5. manuscripts 6. divining rod 7. structural engineering 8. technical contacts in the USA 9. tooth sleeper patent and its exploitation 9.0 general 9.1 German projects 9.2 Company Dyckerhoff 9.3 Company Philips

History of the Inventory Former: The Bank der Deutschen Luftfahrt, also known as the Aero- or Luftfahrtbank, was formed by the transformation of Luftfahrtkontor GmbH into a public limited company with shareholder resolution of 6 July 1940, the object of which, according to the articles of association of that date, was "the execution of banking transactions of all kinds and of related transactions serving directly or indirectly aviation purposes, as well as the administration and supervision of aviation companies and the execution of all such transactions, including in a fiduciary capacity" [1]. Luftfahrtkontor GmbH had been founded in 1933/34 in the context of the takeover of the Junkers group by the Reich Aviation Ministry (RLM) and in 1938 was responsible for the administration of 1. the Reich-owned facilities leased to companies in the aviation industry, 2. the Reich's holdings in companies in the aviation industry and 3. the investment loans [2]. In the course of the so-called "capital cut" to reform corporate financing, the investment loans granted until then were converted into state aid for special depreciation and firms were encouraged to use more of their own funds and borrowed capital to finance investments. To this end, both the RLM and the Reich Ministry of Finance (RFM) considered it sensible to set up their own commercial bank for aviation, whose loans were intended to stimulate the involvement of other banks and other donors and to which all Reich shareholdings in the aviation industry and aviation were to be transferred. On 9 June 1939 Luftfahrtkontor GmbH received its banking licence from the Reich Commissioner for Banking and quickly acquired the character of a "universal bank for German aviation" [3] after the start of the war. In addition to the conventional investment loans, the Luftfahrtbank increasingly granted the aerospace armaments companies - similar to the Deutsche Industriebank for the suppliers of the army and navy - the credit assistance provided by the Reich Economic Ministry (RWM) for the mobilization of arms production (in short: "mobkredite") with Reich guarantees from autumn 1939 onwards. This resulted in a substantial increase in the Bank's lending volume, which, together with the significant increase in managed participations and deposits from aviation companies, as well as increased activity on the stock exchange and the money market, led to the Bank being renamed "Bank der Deutschen Luftfahrt" and converted into a stock corporation (AG). This was in response to the wish of the General Airworthiness Officer Ernst Udet that "the company's status as a bank should be expressed in the company name" [4]. Like its predecessor Luftfahrtkontor, the Bank der Deutschen Luftfahrt initially resided in Berlin-Schöneberg, Am Park 12. In the night from March 1 to March 2, 1943, Ge‧bäude burned out completely after an Allied air raid, whereupon the bank had to move its Geschäfts‧räume to the center of Berlin (Werderstr. 7). As a result of the fire, loss of files also seems to have been the cause of complaint [5]. Dissatisfied with the accommodation that was not considered to be standes‧gemäß, the bank pushed in the spring of 1944 the efforts that had previously been made by the Jewish company Panofski

Note: The holdings contain archival material that is subject to personal protection periods in accordance with § 10 Para. 3 Sentence 2 ArchG LSA and until their expiration is only accessible by shortening the protection period in accordance with § 10 Para. 4 Sentence 2 ArchG LSA or by accessing information in accordance with § 10 Para. 4a ArchG LSA. Find aids: Findbuch 2011 (online searchable) Registraturbilddner: The beginning of the brewing industry in Dessau goes back to the 1548th Brewing Law Award. 1832 August Schade entered the brewing business and founded the "Brauerei Schade".

Table of Contents/Rubrum (pages 1-3). Invitations to participate in exhibitions, programs (prints). Prize Exhibition of Objects of Science...' in Zaragoza, 1868 (page 4). International Art Exhibitions in Munich 1869 (pp. 5-15), 1879 (pp. 101-113, 119f., 139), 1883 (pp. 250-258, 264-266, 306f.), Statute (pp. 177f., 251f.). International Art and Trade Exhibition in London 1871 (pp. 16-21), Regulativ für diese Ausstellung (pp. 19f.), exhibition in the Crystal Palace 1884 (pp. 328-330, 338).<br />Great three-year art exhibition in Gent 1871 (pp. 22, 32-36, 61f.), 1877 (pp. 78), 1880 (pp. 136f.). Art and Industry Exhibition in Trieste, Sept. to Oct. 1871 (pp. 24f.).<br />World Exhibition in Philadelphia 1876 (pp. 37-49, 65-75).<br />Art Exhibition in Brussels 1875 (pp. 50-54), 1878 (pp. 89-93).<br />Vienna Historical Art Exhibition 1876 (pp. 55, 58). General Art Exhibition in Madrid 1875 (pp. 56f.), 1877 (pp. 79-83, 150), 1881 (pp. 149, 151, 174f.), 201-205).<br />Art and crafts exhibition in Munich 1876 (pp. 58-60).<br />General Swiss Art Exhibition 1877 (pp. 63), 1878 (pp. 86), 1880 (pp. 131), 1881 (pp. 153).<br />Art exhibitions of the Königlich Sächsischen Akademie der bildenden Künste zu Dresden, 1877 (pp. 76), 1878 (pp. 94-97, letter by Julius Hübner pp. 94, catalogue pp. 96), 1879 (pp. 117f., 121), 1882 (pp. 233f.).<br />Art exhibition of the Kölnischer Kunstverein 1877 (pp. 84).<br />Permanent exhibition of the Zürcherische Künstlergesellschaft 1878/1879 (pp. 87). Exhibitions of the National Association of Fine Arts in Hungary 1878 (pp. 98f.). Art exhibition in Riga, 1879 (pp. 114-116). General exhibition of art, science and industry products for young people 1879 (page 123). Exhibition at the Milan Art Academy 1879 (pp. 125-130). International exhibition in Melbourne 1880 (pp. 132f.). Exhibition Siebenbürger Volkstrachten 1880 (pp. 134f.). IV. General German Art Exhibition 1880 (pp. 140, 155). Exhibition of paintings in Florence 1880 (pp. 143-147).<br />Commercial and Industrial Exhibition in Hall 1881 (pp. 154, 158).<br />Permanent Art Exhibition in Leipzig (pp. 157). General Construction Exhibition in Braunschweig 1881 (pp. 162-166).<br />Exhibitions of the Leipziger Kunstverein 1881 (pp. 167).<br />Art Exhibition in Lille (pp. 169f.).<br />International Art Exhibition in Vienna 1882 (pp. 171, 176, 174, 176-220, 225-228, 231, 40 and more).<br />International Art Exhibition in Vienna 1882 (pp. 171, 176, 174, 176-220, 225-228, 231, 40 and more)a. Efforts of the Main Board of the German Art Cooperative to Grant State Subsidies for a Representative Participation of German Artists, pp. 174, 181, 194-200, 231f.; Meetings of the Commission for the Vienna Art Exhibition, 5 Nov. 1881, pp. 207f., 22 Dec 1881 sheet 206). Report by Adolf Heyden on the trip to Vienna for the planned participation in the exhibition (pp. 210-215.). Ground plan and cross-section of the Künstlerhaus in Vienna, print (p. 216). Plan of the exhibition hall for the German Reich, ink [by Hand Heydens] (p. 217). Allgemeine Deutsche Patent- und Mustererschutz-Ausstellung in Frankfurt a.M. 1881 (pp. 172).<br />Exhibitions of the Ostdeutscher Kunstverein 1882 (pp. 221-223), 1886 (pp. 347). International Art Exhibition in Rome 1882/1883 (pp. 229, 244). Exhibitions of the Kunstverein für die Rheinlande und Westfalen 1882 (pp. 236), 1883 (pp. 299), 1884 (pp. 337). Exhibition of student works of the Königliche Kunstgewerbeschule Dresden (Bl. 237). Exhibition of paintings of old masters by J. H. Hassk in Hamburg, Apr. 1882 (Bl. 238f.). Art exhibition in Antwerp 1882 (pp. 241f.), 1885 (pp. 344-346). International Colonial and Export Exhibition, Art Department, Amsterdam 1883 (pp. 245-248, 309-313, 331-336). Electrical engineering exhibition in Munich (pp. 249, 267, 308, 314-316, 340-343 and others). Report on the use of the electrical s for art and teaching purposes, pp. 269-291. Exhibition of the Art Association for Bohemia in Prague 1883 (pp. 260-262), 1884 (pp. 325-327). Exhibition of the Association of German Drawing Teachers of student drawing works and teaching aids for drawing lessons 1884 (pp. 292-298).<br />International Special Exhibition of Graphic Arts in Vienna 1883 (pp. 300-305, Statute pp. 304). Grand Foreign Exhibition Boston 1883 (pp. 317-320). Eduard Almond Exhibition of the art dealer Amsler

Description of the holdings: Abt. 189 Heylsches Landgut Pfauenmoos Size: 77 AK and one running metre oversized formats (incl. 189_F = 307 VE) = 7.5 running metres Duration: 1857 - 2007 1st prehistory and takeover of the documents in May 2012 After the death of Ludwig C. v. Heyl zu Herrnsheim (1920-2010), who had handed over extensive private and company documents to the archive since 1997, which were intensively recorded in the city archives (Abt. 185), his two sons Dr. Ludwig v. Heyl (Landgut Nonnenhof, Bobenheim-Roxheim south of Worms) and Dr. Johannes v. Heyl (Freidorf/Kanton Thurgau, CH) approached the City Archives with the question of whether a takeover of further supplementary family documents that were already stored and indexed (cf. Dept. 186) in the archives would be possible. These were located on the castle or country estate Pfauenmoos (canton St. Gallen, municipality Berg SG, Switzerland) acquired by the family in 1848/49, since 1923 a foundation according to Swiss law. Mainly due to the close personal ties of Ludwig C. v. Heyl ('Lu') to Pfauenmoos, in which he had lived regularly and for a longer period of time almost to the end of his life together with his wife Gisela (1923-2011, née Greiser, married since 1945), there were numerous private and family papers there which would await inspection and development. The project was also agreed with Ludwig v. Heyl's younger brother Gebhard v. Heyl (born 1930, resident in Munich). A takeover of family papers was also envisaged in view of the incipient planning for renovation work on the property. In view of the expected significance of the family documents for the history of the city and its closely connected von Heyl family, and against the background of the close and trusting cooperation with their relatives over many years, the archive gladly took up this suggestion and agreed in advance with the art historian and publisher Dr. Ferdinand Werner, who in 2010 as co-editor of the extensive anthology on the family and its buildings had already dealt with Pfauenmoos as an outstanding cultural monument. After the necessary organisational clarifications in 2011/12, the archive manager Dr. Gerold Bönnen, the archive employee Margit Rinker-Olbrisch (Dipl.-Arch. FH) and the aforementioned Dr. Ferdinand Werner travelled to Switzerland from 23-25 May 2012. On-site support was provided by Dr. Johannes v. Heyl, with whom all questions that arose were discussed before and after the event. The archives were mostly located in a climatically suitable room on the 2nd floor, the condition and important working steps were documented photographically. Close cooperation with the Cantonal Archives in St. Gallen was important to the City Archives, as the archives relating to the Foundation and the site itself were of course to remain on site. Through this collegial cooperation (discussion on site with Mrs. Regula Zürcher, who is responsible for private records) and due to the willingness of the family and the family foundation, it was possible to clarify that the parts of the archive that directly concern the property and the house or the family foundation should be deposited in the cantonal archives and recorded there, an exchange of the finding aids was agreed. The portion earmarked for the cantonal archives (approx. 13 running metres) comprises correspondence from the administration of the foundation, the Pfauenmoos Castle Association, estate management (from approx. 1890) and forestry, official books (cash books, accounting, bank documents, etc.), files, contracts relating to acquisition, leasing and construction matters, inventories (also at the time of the transfer of ownership in 1848/49) as well as a measuring certificate (1849). There are also some documents from Lederhandels-AG (Switzerland). The share taken over from the municipal archives of Worms and transferred to Worms on 25.5.2012 had approximately the same extent (approx. 12-13 running metres). For some of the documents, it was agreed that they would be digitised and the originals returned to the family (Chronicle of Pfauenmoos, collection of plans, photographs). Dr. Werner's stay on site was also used by Dr. Werner for a comprehensive photographic documentation of the highly interesting art-historical property with many references to Worms. A monograph on the history of the listed building is currently being planned. Following the trip, Dr. Werner and Claus Reisinger (Wernersche Verlagsgesellschaft) voluntarily documented approx. 30 family photographs from Pfauenmoos, which were hung there and have since been returned, in high quality for the photo department of the city archive (80 illustrations = 1.93 GB). 2. indexing and special features The indexing of the holdings (new archive department 189) was carried out between June 2012 and January 2013 by the archive manager with the help of a student trainee. A donation contract with the city was already concluded with Dr. Johannes v. Heyl in August 2012. A cassation took place only in very small extent; only 18 files from the very extensive correspondence series of Ludwig v. Heyl in the years 1977 to 2000 (approx. 2 running meters): Congratulations 1986-90, Christmas cards and greetings 1975-1981, 1991, 1994, 1998; General Corresp. 1975-77; 60th Birthday 1980; General Correspondence Switzerland and International 1990-99) were not accepted due to the redundancy of the documents. Special arrangements were made for the Pfauenmoos Chronicle (Hauschronik, No. 001), which was digitised in the City Archives and returned to Switzerland, the plans returning after its partial digitisation (Nov. 2012, Digitisation Centre City Archives Mannheim) and some of the older photographs. For reasons of conservation, the oldest framed photos dating back to 1845 (Daguerro type!) remain in the collection, while the archive takes care of the professional treatment and guarantees, among other things, optimal air conditioning. As mentioned, the vast majority of framed hanging older family photos have been digitized and have already returned to Pfauenmoos in their original form. To supplement the collection, Dr. Werner has made available to the archive digitally drafts of the architect Bluntschli's plans for the conversion of Pfauenmoos from the period around 1880/90, which he had obtained from the ETH Zurich archives. 3. content emphases The holdings represent such a pleasing extension of the other Heyl estates because there are many cross-references to other parts of the family records. Ludwig v. Heyl jun. (1920-2010) in particular had stored a large amount of personal papers (e.g. correspondence from the 1930s until his death, also older family photos including daguerrotypes back to 1845) at his place of residence in Switzerland, which can now be used together with the documents already recorded (Dept. 185, 186, 1801/1). The links with other family archive holdings are close. The classification tries to take into account the different components. The focus is on the correspondence between the two owners Ludwig v. Heyl (senior, 1886-1962) and above all his son Ludwig v. Heyl (jun., 'Lu') from the period between the 1920s and shortly after 2000. The content of the collection reflects numerous family and company aspects of the von Heyl family, as Pfauenmoo contained documents of great thematic diversity, an illustration of which is the classification developed. According to Ludwig v. Heyls (sen., 1886-1962), correspondence between the 1920s and his death, including correspondence with Swiss personalities such as the temporary Federal President and Chairman of the Board of Trustees, Dr. Thomas Holenstein, is particularly noteworthy. In addition, there are documents on the charitable-ecclesiastical Swiss aid activated for Worms after 1946 (e.g. corr. with Rev. Buff) as well as internal family and company-related correspondence. The extensive correspondence of his son Ludwig v. Heyl (jun, 1920-2010), including the correspondence from the war years, family correspondence, plant-related letters (Heyl-Liebenau company until its liquidation in 1974) and materials, documents on his strong ties with the Bayreuth Festival after 1951 and his social activities in associations such as Rotary Clubs, lobbies of the leather industry, traditional associations (Militaria), etc. In all these fields, there is close interaction with the documents already existing in Dept. 185, which is why both holdings should be used in parallel when dealing with these topics. In addition there are older documents about Pfauenmoos from the time since ca. 1880, a collection of plans, photos and mixed material as well as personal documents of Gisela von Heyl, above all family correspondence from the time between ca. 1970 and 2000 (closed for use, see below). The photographs were recorded in a separate sub-collection 189_F comprising 36 units of description. Among these, in addition to the family pictures dating back to 1845, slide series from the 1970s on the demolition of the Majorshof and the Liebenau work should also be highlighted. 4. use and legal questions Notwithstanding the fact that the documents became the property of the City of Worms after the conclusion of the donation contract, blocking periods for use were set for a good 20 units of registration, as private and personal interests of Ludwig v. Heyls and his wife Gisela are particularly affected there. Apart from this, there are no restrictions on use. 5 Literature (on the building) - Ferdinand Werner, Von Wohnhäusern, Landsitzen und Villen, in: The Worms Industrial Family from Heyl. Public and private work between the middle classes and the nobility, edited by Gerold Bönnen and Ferdinand Werner, Worms 2010, pp. 187-311 (register entries pp. 533) - History of Pfauenmoos and the municipality of Berg, the Steinerburg and the municipality of Steinach, dedicated to the guests on the 80th birthday of S. Excellency Baron v. Heyl [1923], published in 15 pp. Worms, January 2013 Dr. Gerold Bönnen, Head of the Worms City Archive

Contains: Ratajski, Cyryl, Polish politician, 1925 Ratgeb, Swabian painter, 1940 Rath, Ernst vom, Counsellor, German diplomat, 1939 Rath, Klaus Wilhelm, Macht u. ökonomisches Gesetz (German writings on science), Frankfurt, Klostermann, 31 pp. L 50, 1933 Rath, Emmerich, won 1905 the first Berlin Army Baggage Marck, 1937 Raht, Hermann, Bergassessor, 1936 Rath, Dr.-Ing.e.h. Walther vom, deputy chairman of the supervisory board of IG-Farbenindustrie, 1940 Rathgen, Prof. Gründer and long-time director of the laboratory of the National Museums in Berlin, city councillor, 1942 Rathgen, Karl, director of the Seminar für Nationalökonomie u. Kolonialpolitik, 1921 Ratjen, Christioph, the S. Fischer publishing house was acquired by a limited partnership in which Peter Suhrkamp, Berlin, Philipp F., and Peter Suhrkamp, Berlin, were the deputy chairman of the supervisory board of IG-Farbenindustrie, 1940 Rathgen, Prof. Gründer and long-time director of the laboratory of the National Museums in Berlin, 1921 Ratjen, Christioph, the S. Fischer publishing house was acquired by a limited partnership. Reemtsma, Hamburg, Clemens ABS, Bonn, Chrioph Ratjen, Garmisch-Partenkirchen, 1937 Rathke, Maximilian, deserved pioneer of the potash industry, General Director in Kassel, 1933 Ratzel, Friedrich, journalist and scholar, 1941 Ratzenhofer, Gustav, soldier and philosopher, 1942 Rau, Dr.h.c. Edmund, Württemberg civil servant, 1930 Rau, Hans, foreign correspondent, interpreter, foreign correspondent in the editorial office of the "Deutscher", 1934 Rau, Karl, Breslauer Musiker (plays 33 instruments), 1936 Rau, Walter, owner of Walter Rau Neutzer Ölwerke AG, owner Walter Rau Teutoburger Margarinewerke in Hilker, 1934 Rau, Karl Heinrich, Nestor Deutsche Nationalökonomie, 1942 Rauch, Prof.Dr. Ehrr.., Professor of Art History at the University of Giessen, 1937 Rauch, Christian Daniel Friedrich, German sculptor, 1927 Rauch, von, General der Kavallerie, 1935 Rauch, Dipl.-Ing. Hans, Oberstadtbaurat in Munich, 1923 Rauch, Karl, editor of the "Literarische Welt, Neue Folge 1933", 1933 Rauch, Caspar Walter, draughtsman, 1940 Rauchberg, Dr. Heinrich, sudetendt. Völkerrechtler, 1931 Raucheisen, Michael, artist (musician), pianist and professor, 1937 Rauecker, Prof.Dr. B., author: "Die neue deutsche Sozialpolitik erschienen: Academy of Science. Research and for the Care of the Germans", "Vom Wesen des Staates", 1935 Rault, Victor, President of the Saarland, 1929 Raumer, Dr. Hans von, German civil servant, Reich Minister, 1940 Raupenstrauch, Dr. Gustav Adolf, inventor of lysol, Siebenbürger Sachse, 1939 Rausch, Bernhard, head of Stahlhelm-Selbsthilfe, 1931 Rauscher, Arno, former mayor of Potsdam, 1934 Rauscher, E., Chief Engineer, "Die Umstellung von der Friedens- auf die Kriegsfertigung" (Writings on War Economic Research and Training), 1938 Rauscher, Ulrich, German envoy in Warsaw, 1930 Rauschning, Hermann, leading president of the Gdansk Senate, 1939 Rausenberger, Prof.Dr. Fritz, engineer, invention of the 42-centimeter mortar and the long-range gun with a range of up to 120 kilometers, 1938 Rautenkranz, Hermann von Pionier der deutschen Bundeswehr, 1938 Rausenberger, Hermann von Schaeffler, German pioneer of the war, 1938 Rausenberger, Prof.Dr. Fritz, engineer, invention of the 42-centimeter mortar and the long-range gun. Erdölindustrie, 1943 Rave, Paul Ortwin, Deputy Director of the Berlin National Gallery, 1944 Ravené, Louis, German. Industrialist, 1944 Rawengel, Anna therese, member of the municipal council, member of the Reichstag, supporter of the German nationalists, 1932 Rawitzki, Arthur, director of the WDB, 1932 Raymundus, Pater, o. Dat. Razus, Martin, deputy of the Slav national party, ev. priest and Slovak poet, 1937

Contains: Gartenkünstler, 1935 Pünder, Dr. Hermann, civil servant, Regierungspräsident in Münster, 1934 Pürschel, Herbert, author of "Die kaiserliche Schutzgruppe für Kamerun", 1936 Püschel, Ernst, writer, 1941 Pütz, Theodor, author, "Das Bild des Unternehmer in der Nationalökonomie", o.Dat. Puetzfeld, Carl, Author: "Deutsche Rechtssymbolik", 1936 Puff, Dr. Erich, General Manager of the Economic Group, Nonferrous Metal Industry, 1935 Pugel, Prof.dr. Theodor, Author: "Anti-Semitism of the World in Word and Image", 1936 Puhl, Emil, Vice-President of the German Reichsbank, 1941 Pullmanan, Christoffel, German Grenadier, 1937 Puls, Richard, Berlin painter, 1942 Puppe, Dr.-Ing, Commissar for raw materials in the Reich Ministry of Economics, 1934 Purtschueler, Ludwig, German mountaineer, 1935 Puschmann, Bernhard, notes "Der Korrektor und seine Pflicht", 1935 Pustau D. by, journalist, 1936 Puttkamer, Jesko by, governor of Cameroon, 1942 Puttkammer, Walter, economist, 1935 Puttkamer, appointed by, Korvetttenkapitän, Adjudant of the Wehrmacht, 1939 Puß, Ernst, farmer, member of the Communist Party, o.Dat. Putz, Leo, German painter, 1940 Quaatz, Dr. Reinhold Georg, German politician, 1936 Quade, Erich, General der Flieger, reporter4r for the Luftwaffe on radio, 1941 Quadt, Eugen Graf von, Bavarian Minister of State for Economics, 1933 Quaglio, Eugen, Nestor der deutschen Bühnengestdner, 1942 Quandt, Dr. Günther, Chairman of the Board of German Weapons and Dürener Metall, German Wehrwirtschaftsführer, 1942 Quaas, Richard, Head of the Reich Propaganda Office at the Reich Ministry for Popular Enlightenment and Propaganda, Head of the Reich Film Archive, 1937 Quandt, Dr.med. German Doctor, 1941 Quandte, Dr. Peter Staatl. Reichsamt für Bevölkerungswissenschaft, 1935 Quarch, Dr. Max, Social Politician, 1930 Quasebart, Prof. Dr.-Chairman of the Management Board of Auergesellschaft AG, 1942 Quast, Ferdinand von, German Army Commander, 1939 Quast, W., Chairman of the Reich Office for Horticultural and Viticultural Products, 1942 Querner, Major General, Inspector General for the Gendarmerie and Police of the Municipalities into the Main Office Ordnungspolizei, 1940 Quervain, Alfred de, theologian, 1932 Quissel, Dr. Ludwig, writer, 1932 Quidde, Dr. Ludwig, historian, pacifist, 1941 Quiring, Dr. Walter, author "Deutsch erschließendes Chaco", 1936 Quisling, Vidkun, leader of the "Nasjonal Samling", 1941

Contains: Vobis, Kurt, SS-Mann, 1936 Vocke, Dr. Wilhelm, Member of the Reichsbank Directorate, Privy Finance Council, 1936 Vockel, Dr. Heinrich, Secretary General of the German Centre Party, o.Dat. Vögler, Dr. Albert, Chairman of the Supervisory Board of Vereinigte Stahlwerke AG, 1942 Vögler, Dr. Eugen, Government Architect, 1935 Voelcker, Dr. Friedrich, German surgeon, 1938 Voelcker, Werner, Journalist, 1934 Völckers, Dr. Hans Hermann, German diplomat, 1939 Völker, Franz, German hero tenor, 1940 Völter, Heinrich, Head of the paper mill C.F.A., Fischer in Bautzen, 1937 Völtzer, Friedrich, special trustee for the German seagoing shipyards, 1937 Vogel, murderer of Rosa Luxemburg, 1929 Vogel, administrative director of the mining administration, 1924 Vogel, August, German. Sculptor, 1929 Vogel, Hans, Saxon industrialist, 1927 Vogel, Hugo, German painter, 1934 Vogel, Johann, party secretary in Berlin, 1931 Vogel, Walther, professor and director of the seminar for statehood and stormy geography at the University of Berlin, 1938 Vogel, Dr. Werner, Managing Director of the German Chamber of Commerce Shanghai, 1936 Vogeler, Almuth, Gauführerin, 1938 Vogeler, Heinrich, Intendant of the Municipal Stages of Magdeburg, 1937 Vogeler, Heinrich, painter and etcher, 1930 Vogels, Dr. Werner, Ministerialdirigent in the Ministry of Justice, 1942 Vogelsang, Heinrich, researcher and colonial pioneer, 1937 Vogelsang, Werner, Reichsredner, 1937 Vogelsang, Wilhelm, private secretary and advisor to the economic leader Dr. Hugenberg, 1933 Vogelsanger, Dr., Employed at the Technical Institute of the Technical University in Munich, 1942 Vogelweide, Walther von der, Meistersinger, 1930 Vogler, Georg Josef, Tondichter, 1937 Vogler, Max, Stadtbaurat (builder of the Weimarhalle), 1936 Voglmayer, Christa, sculptor, 1941 Vogt, Artur, metal worker in Leipzig, o.Dat. Vogt, Carl de, Artist, 1931 Vogt, Joseph, Bishop of Aachen, 1937 Vogt, Dr. martin, Deputy Director of the University Institute for Physical Education in Munich, 1942 Vogt, Richard, German Wehrwirtschaftsführer, 1942 Vogt, Waldemar, Gaupropagandaleiter, 1943 Vogt, Wilhelm, Ökonomierat, o.Dat. Vogtherr, Ewald, Social Democratic Member of Parliament, 1923

Contains: Hessenberg

• Minutes of the meetings of the Senate Committee for Exhibition Affairs:<br />15 Dec. 1897 (constituent meeting; participants: Heyden, Koepping, Knaus, Manzel, Otzen, Graf Harrach, Siemering, v. Oettingen): Election of Otzen as chairman, resolution to invite the elected deputies to the meetings; discussion about the participation of the Academy in the conception and financing of the Landeskunstausstellung, about its relationship to the Verein Berliner Künstler, about a redesign of the Große Berliner Kunstausstellung (Bl. 1f.).<br />Participants in the meetings in 1898: Heyden, Knaus, Koepping, Manzel, Otzen, v. Oettingen, Siemering.<br />23rd Febr. 1898: Report on the Fechner and Schuch brochures on exhibitions; resolution: summary of the discussion including the relevant work by Heyden (Bl. 2). 1898: Exhibition of the works of the member Michetti, withdrawal of the application of Siemering (exhibition of the works of all academy members), recommendation to apply for an exhibition of the works of the architect Wolff to the Architects Association (Bl. 2f.).<br />Participants in the meetings in 1899: Otzen, Ende, Heyden, Knaus, Koepping, Manzel, v. Oettingen, Siemering, v. Tschudi.<br />30th Jan. 1899: Brochures by Fechner, Schuch and Heyden; discussion about the future design of the Great Berlin Art Exhibitions, question of the jury; establishment of a travel fund to foreign exhibitions for deputies of the academy; proposal: captions instead of exhibition catalogue; division of the exhibition halls and the jury between academy and association of Berlin artists (Bl. 12).<br />24 Febr. 1899: support for an exhibition of works by Paul Meyerheim, Jan./Febr. 1900, unless a secular exhibition is organized; question of the jury [of the Great Berlin Art Exhibitions] (p. 12).<br />30 June 1899: Exhibition of French paintings under the direction of Dramard (President of the Société des Amis des Arts in Paris) in Oct. 1899, review of the selection of works by Koepping (p. 13).<br />Participants in the meetings in 1900: End, Friedrich, Kampf, Manzel, Schwechten, Siemering.<br />14 Nov. 1900 (constituent meeting): Election of Friedrich as chairman; discussion of various proposals for exhibitions: Koner, Chodowiecki, collection of paintings by the banker König, colonial pictures by L. Braun and Petersen; provision of rooms for an exhibition by the Verein der Freunde künstlerischer Photographie (Bl. 13).<br />Participants in the meetings in 1901: End, Friedrich, Kampf, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering, Steinhausen, Renvers.<br />19 Jan. 1901: adjourned (p. 14).<br />23 Jan. 1901: adjourned (p. 14). 1901: Sequence of exhibitions in spring (Kronjubiläum, Koner, Verein Berliner Künstlerinnen, Konkurrenzen); rejection of an exhibition of works by the sculptor Guild; application of the Kunstverein Frankfurt/Main for an organisational merger in exhibition matters; rejection of Fechner's application (request of the imperial court) for the organisation of a portrait exhibition of Bismarck and other famous men of the 19th century. 13 Nov 1901: Re-election of the chairman Friedrichs; rejection of exhibitions of works by Hermione v. Preuschen, Gysis, and the portrait painter Hans Schadow; application for the abolition of the ministerial permit requirement for the exhibition of paintings from foreign collections in the academy; formation of a commission for the design of future academy exhibitions (Ende, Siemering, Kampf, v. Oettingen); on the application of the Vereinigung Berliner Architekten for the conversion of the Landeskunstausstellungsgebäude (Bl. 14f.).<br />16 Dec. 1901: Design of the special exhibitions in the future academy building, financing issues (creation of a separate fund for the exhibitions); rejection of exhibition projects: Association of lithographers, exhibition of the artistic estate of the architect August Orth (page 15).<br />Participants in the meetings in 1902: Steinhausen, Manzel, Oettingen, Scheurenberg, Schwechten, Siemering.<br />19th Apr. 1902: Recommendation for the provision of rooms for exhibitions of the Verein für Deutsches Kunstgewerbe Berlin and the Zentralkomitees für das ärztliche Fortbildungswesen in Preußen (Bl. 15).<br />Participants in the meetings in 1903: End, Calandrelli, Friedrich, Oettingen, Scheurenberg, Schwechten.<br />10th Jan. 1903: Constitution of the committee for 1902/03 and election of Friedrich as chairman; inquiry by A. v. Keller, Munich, for exhibition rooms for the Munich Secession; on the contract of a brewery company for the construction of a restaurant on the exhibition site (p. 40).<br />Participants in the meetings in 1906: Joachim, Otzen, Frenzel, Janensch, Justi, Kampf, Koepping, Lessing, Messel, Meyerheim, Raschdorff, Schwechten, Skarbina, Tuaillon, Baumeister Wendt and Lotter.<br />12 Febr. 1906: Constitution of the committee and election of Kampf as chairman, von Koepping as deputy chairman. Reflections on the exhibition on the occasion of the opening of the new office building at Pariser Platz; Rembrandt exhibition, temporary postponement of a members' exhibition (p. 40).<br />3 March 1906: Debate on the submission of the Leipzig painter Klamroth to Wilhelm II on jury-free exhibitions (p. 40). 41f.).<br />14 March 1906: Decision to open the new office building with an exhibition of works by the members, extension of the committee in preparation for the opening exhibition; appeal to the members to send in works, recommendations for the design of the exhibition rooms (pp. 43f.).<br />21 May 1906: Design of the exhibition rooms; costs of the opening exhibition (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45).<br />8 Sept. 1906: constitution of the committee and election of Arthur Kampf as chairman for 1906/07, von Koepping as deputy chairman; design of the exhibition rooms (p. 45).<br />31 Oct. 1906: selection criteria for the architects' objects; duration of the exhibition and catalogue (p. 45). 45f.).<br />21 Dec. 1906: Design of the exhibition rooms, catalogue, press conference (p. 46).<br />Participants in the meetings in 1907: Kampf, Frenzel, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Messel, Meyerheim, Otzen, Schwechten, Skarbina, Tuaillon.<br />9 Jan. 1907: Design of the exhibition rooms, invitation cards (p. 47).<br />6 Feb. 1907: Entry regulations for the members of the Verein Berliner Künstler, the Verein der Künstlerinnen, the Secession and for the academy members, conditions of sale (p. 47). 47).<br />27 March 1907: Reimbursement of transport costs for sculptors, remunerations for office workers at exhibitions, further planned exhibition for autumn, invitation to non-members (e.g. Stuck, Leistikow, Sargent, Lederer, Starck, Hocheder, Bl. 48);<br />22 Apr. 1907: Proposals for non-members to be invited to the autumn exhibition, e.g. Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Sargent, Kuehl, Leistikow; Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin, Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company Gobelin exhibition of the company. Gerson; Extension of the exhibition commission by members to be elected by the cooperative, proposal to transfer the management of the Academy exhibitions of the Academy to the commission (pp. 48f.).<br />1 Oct. 1907: Constitution of the committee, election of Koepping as chairman; Gussow exhibition (pp. 49).<br />26 Oct. 1907: Equipment of the exhibition rooms, number of works to be submitted, works of L. v. Hofmanns; draft for the organization of the exhibition committee; co-optation of members (Hoffmann, Herrmann, Gaul) into the committee; on the possibility of an exhibition of older English art from the possession of German princely houses (p. 50).<br />11 Nov. 11. 1907: Cancellations by foreign artists (Serow, Besnard) for the exhibition in the Academy; number of works to be submitted; Berlin members; catalogue, poster and admission tickets; sales; for the planned exhibition of English Art (pp. 50f.).<br />11 Dec. 1907: Decision to hold an exhibition of English Art; watercolour exhibition at the suggestion of Wilhelm II. (pp. 51f.).<br />Participants in the meetings in 1908: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Scheurenberg, Schmidt, Schwechten, Skarbina.<br />16. Jan. 1908: Photogravure edition of the exhibition of English Art; exhibition of the Werdandibund (pp. 51f.); exhibition of the Werdandibund (pp. 52).<br />4 March 1908: Income and expenditure of the exhibition English Art; exhibition Fritz Werner and Louis Jacoby; Marées exhibition at the suggestion of Meier-Graefe; exhibition on the occasion of the birthday of Wilhelm II. in 1909 with works by Schadow and members; plan of a memorial exhibition for the members Thumann und Ende (p. 53).<br />17 March 1908: to participate in the Brussels World Exhibition 1910; decision: Marées exhibition not in the Academy; application of the Association of German Sculptors for free admission; organisation of the exhibition committee; season tickets for the wives of the members (p. 53f).<br />23 Apr. 1908: Exhibition of the artistic estate of Peter Janssen; exhibition of older French art by the Deutsch-Französische Gesellschaft; member exhibition Jan. 1909; watercolour exhibition (pp. 54f.).<br />14 Aug. 1908: Constitution of the committee, election of Koepping as deputy chairman; election of the cooperative members to be co-opted; invitations to non-members (e.g. Slevogt, Orlik, Looschen, Kuehl) to the watercolour exhibition; proposals for the redesign of the exhibition rooms; Schadow exhibition, participation of non-members in the exhibition (pp. 56f.).<br />10 Oct. 1908: Watercolor exhibition (p. 58).<br />Participants in the meetings in 1909: Kampf, Friedrich, Gaul, Herrmann, Hoffmann, Janensch, Justi, Koepping, Lessing, Manzel, Scheurenberg, Schwechten, Skarbina.<br />18th Jan. 1909: Structure of the Schadow exhibition (p. 58).<br />26 Oct. 1909: Re-election of the co-opted cooperative members; resolution: no member exhibition in the winter of 1910/11; exhibition of French art of the 18th century. Reisinger's proposal: exhibition of American art; no Menzel memorial exhibition (pp. 58f.).<br />Dec. 8, 1909: planned exhibitions; design of the exhibition rooms; request for plaster casts of Pigalles Venus and Mercury; exhibition of a painting by Melchior Lechter in the Akademie-Saal (pp. 59f.).<br />Participants in the meetings in 1910: v. Groszheim, Amersdorffer, Frenzel, Gaul, Herrmann, Kampf, Manzel, Scheurenberg, Schwechten.<br />19. July 1910: composition of the committee 1910/11 (list of names); constitution of the committee and election of Arthur Kampf as chairman; German Arts and Crafts Exhibition in Rio de Janeiro; exhibition of watercolours and plans of the Chicago Commercial Club in the academy at March's suggestion; exhibition of members 1911 (Bl. 60f.).<br />28 Oct. 1910: Non-members to be invited to the members' exhibition (list of names); co-optation of Frenzel (instead of Herrmann) to the committee (pp. 61f.).<br />21 Dec. 1910: Member exhibition in winter 1911, especially exhibition conditions; exhibition of East Asian art 1911; Knaus- and Woldemar-Friedrich memorial exhibition in connection with a Löfftz exhibition; exhibition of the Italian painters Fornara and Breviati (Bl. 62f.).<br />Participants in the meetings in 1911: v. Groszheim, Amersdorffer, Dettmann, Gaul, Herrmann, Hoffmann, Justi, Kampf, Koepping, Manzel, Rüfer, Scheurenberg, Schmidt.<br />16 Jan 1911: Visit of the rooms of the winter exhibition; Bismarck portrait of Knaus; no permission to exhibit the anniversary portfolio of the Verein für Originalradierung; rejection of Eberlein's request for an exhibition of a work; approval of the request of Justi for an exhibition of the new acquisitions of the Nationalgalerie; renunciation of a Löfftz exhibition; support of a memorial exhibition for Knaus and Friedrich (Bl. 64f.).<br />7 Nov. 1911 (together with the Committee for General and Administrative Affairs): Constitution of the Committee and election of Koepping as Chairman; Debate on an exhibition of homage to Wilhelm II by the artists of Berlin (at Manzel's suggestion); Anniversary Medal (pp. 68f.).<br />Participants in the meetings in 1912: Manzel, Amersdorffer, Engel, Kampf, Koepping, Scheurenberg.<br />9 Dec. 1912: Constitution of the committee, co-optation of members of the cooperative; Hertel exhibition; resolution: no sale of photographs in the exhibitions; exhibitions about Wallot and O. Lessing; Anniversary exhibition: rejection of the exhibition of drawings by Kallmorgen (pp. 72f.).<br />Participants in the meetings in 1913: Manzel, Amersdorffer, Engel, Liebermann, Kayser, Koepping, Scheurenberg.<br />22nd Jan. 1913: Anniversary exhibition: concept for the exhibition, renovation of the exhibition halls, Hoffmann's request for his own space within the exhibition, March's opera house design and the possible exhibition of the other opera house designs (Bl. 73f.).<br />21 Oct. 1913: Constitution of the committee, election of Koepping as deputy chairman, co-optation of members of the cooperative; proposals: Exhibition about Leibl and his circle, member exhibition (p. 76).<br />Participants in the meetings in 1914: Manzel, Amersdorffer, Engel, Jacob, Janensch, Kampf, Kayser, Klimsch, Liebermann, Schaper, Seeling.<br />17th Febr. 1914: Draft of regulations for the exhibitions of the academy; list of suggestions for the guests of the next member exhibition (e.g. Corinth, Trübner, Kuehl, Sterl, Kolbe, Barlach, Zürcher); proposals for collective exhibitions: Koepping, Anton v. Werner, v. Uhde, v. Bartels; rejection of a memorial exhibition for Friedrich Martersteig; no consent to an international art exhibition of female artists (Bl. 77).<br />Dec. 14, 1914: Constitution of the committee and election of Otto H. Engel as deputy chairman; co-optation of cooperative members; planned academy exhibition (p. 78).<br />Participants in the meetings in 1915: Manzel, Amersdorffer, Engel, Hoffmann, Hübner, Jacob, Janensch, Kallmorgen, Kampf, Kayser, Klimsch, Liebermann, Schaper, Schwechten, Seeling.<br />28th Jan. 1915: Preparation of an Anton v.-Werner exhibition; member exhibition (p. 79).<br />15 Febr. 1915: no event of a v.-Werner exhibition on the advice of Wilhelm II; proposals for the members' exhibition, list of guests to be invited, including Corinth, Orlik, Baluschek, Kolbe (pp. 80f.).<br />16 June 1915: constitution of the committee, assumption of the chairmanship by Manzel, co-optation of members of the cooperative; advice on proposals for the purchase of works of art (pp. 80f.); proposal for the purchase of works of art (pp. 80f.). 82).<br />Dec. 9, 1915: Election of Major Schweitzer to the commission as representative of the army for the planned exhibition of war paintings, consultation on the regulations for this exhibition (Bl. 82).<br />Participants in the meetings in 1916: Schwechten, Amersdorffer, Engel, Herrmann, Liebermann.<br />29 Dec. 1916: Constitution of the committee and co-optation of members of the cooperative; proposals for exhibitions in 1917: Alfred-Rethel-, Schwarz-Weiß-, Kriegsbilder- und Türkische Ausstellung (Bl. 84).<br />Participants in meetings in 1917: Schwechten, Amersdorffer, Engel, Herrmann, Hoffmann, Hübner, Janensch, Kallmorgen, Liebermann, Manzel, Major Schweitzer.<br />17 Jan. 1917: Recommendation: renouncement of the planned black-and-white exhibition in favor of a comprehensive Rethel exhibition (p. 84).<br />7 March 1917: postponement of the Rethel exhibition to a point in time after the end of the war; co-optation of Schweitzer to the committee; approval of the regulations for the exhibition of German, Austro-Hungarian, and Bulgarian war pictures (p. 84). 85).<br />Participants in meetings in 1919: Manzel, Amersdorffer, Bestelmeyer, Engel, Franck, Geyger, Kampf, Klimsch, Liebermann, Looschen, Makowsky, Starck.<br />Febr. 1, 1919: Decision to extend the circle of participating artists as far as possible, list of guests to be invited (including Hans Purrmann, Emil R. Weiß, Magnus Zeller, Oskar Kokoschka, Max Pechstein, Emil Orlik, Buno Paul, Paul Mebes, Alfred Breslauer, Peter Behrens; addresses, notes, sheets, etc.). 85f.).<br />14 March 1919: Preparation of the 1919 exhibition: list of guests to be invited, additions to the exhibition commission, proposals for special exhibitions: Tuaillon, Friese, arts and crafts department after consultation with Bruno Paul, for a graphics department possibly with the participation of Käthe Kollwitz, no invitation from architects (pp. 86f.).<br />2 Apr. 1919: Preparation of the exhibition 1919: addition to the guest list, including Heckel, Kirchner, Franz Marc; proposals for special exhibitions: Tuaillon, Friese, Lehmbruck, Dora Hitz, architecture exhibition, determination of studio visits with the intended guests for the selection of the works of art (pp. 87f.).<br />29 Apr. 1919: preparation of the exhibition 1919, invitation of further guests; proposal: portrait exhibition in Nov. 1919 (pp. 88f.).<br />20 Sept. 1919: for the transfer of exhibition rooms to former soldiers; exhibition of portraits; theatre exhibition (pp. 89f.).<br />27 Oct. 1919: exhibition of portraits, including works by Anton Graff from the possession of the Academy as well as works from the possession of Liebermann (pp. 90).<br />Nov. 3, 1919: Cooptation of the director of the portrait department of the National Gallery, Mackowsky, into the exhibition commission; specifications for the exhibition of portraits (p. 91).<br />Nov. 13, 1919: Exhibition of portraits (p. 91f.).<br />Nov. 20, 1919: Exhibition of portraits, et al. Liebermann's suggestion not to exhibit contemporary works (pp. 92f.).<br />December 1, 1919: Definition of the portrait exhibition: no contemporary artists, modern portraits as part of the spring exhibition 1920; new lighting in the exhibition rooms (pp. 92f.). 93).<br />Participants in the meetings in 1920: Manzel, Amersdorffer, Engel, Franck, Geyger, Hoffmann, Kampf, Klimsch, Lederer, Liebermann, Looschen, Mackowsky, Seeck, Starck, Bräuning; Jessen and Freudenberg from the Association of Model Industrialists.<br />11 Febr. 1920: Portrait exhibition (p. 94).<br />24 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Portrait exhibition; members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr. 1920: Portrait exhibition (p. 94).<br />21 March 1920: Members' exhibition autumn 1920; members' tour of the exhibitions in Düsseldorf, Munich and Dresden (p. 96).<br />21 Febr />11 Febr />11 />21 Febr />11 />11. June 1920: Member exhibition; visit of various foreign exhibitions; architecture exhibition; black-and-white exhibition spring 1921; theatre exhibition (page 97f.).<br />7 July 1920: guests for the autumn exhibition (list of names); architecture exhibition in spring 1921 (page 99f.).<br />14 July 1920: Liebermann's proposals for the reorganization of the exhibitions in the academy (jury, relationship to modernism, etc.); autumn exhibition, etc: Members of the exhibition commission as jury; Architecture exhibition (pp. 101-103).<br />21 July 1920: Autumn exhibition (press release, programme, admission requirements, schedule; pp. 104).<br />15 Sept. 1920: Exemption from the luxury tax at academic exhibitions; invitations to artists to send out items to the autumn exhibition (including Max Beckmann, Heckel, Hofer, Walser); exhibition 'Farbe und Mode' ('Colour and Fashion') of the Verband der Mode-Industriellen ('Association of Model Industrialists'); request to exhibit works from the estate of Max Klinger (Bl. 105f.).<br />22 Sept. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107).<br />7 Oct. 1920: Approval of the exhibition 'Colour and Fashion', if artistic aspects are decisive; further guests for the autumn exhibition, e.g. Schmidt-Rottluff and Partikel (Bl. 107). 1920: Autumn exhibition, further invitations, exposé (pp. 108f.).<br />Participants in the meetings in 1921: Liebermann, Amersdorffer, Bestelmeyer, Dettmann, Engel, Gaul, Geyger, Franck, Hoffmann, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />7th Jan. 1921: New constitution of the committee, retirement of Manzel, Bestelmeyer, Jaeckel, election of Gaul, Dettmann, Kollwitz; black-and-white exhibition, programme; suggestion by Slevogt: exhibition of stage designs (p. 110).<br />7th Febr. 1921: Non-members to be invited to the black-and-white exhibition, list of names, separated according to artists who were represented at the autumn exhibition 1920 and other artists, e.g. George Grosz, Paul Klee, de Fiori (pp. 110f.).<br />14 March 1921: Black-and-white exhibition, e.g. of drawings by Max Klinger; list of names of non-members to be invited (Alfred Kubin, Emy Roeder-Garbe, among others); exhibition on architecture in landscape and cityscape (pp. 112f.).<br />30 March 1921: black-and-white exhibition, et al. Drawings by Max Klinger; notes on the participants in the exhibition, rejection of Heckel's participation; no catalogue (pp. 114f.).<br />Participants in the meetings in 1922: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Hübner, Franck, Kampf, Klimsch, Kollwitz, Lederer, Looschen, Slevogt, Starck.<br />19th Jan. 1922: Election of Georg Kolbe (for the late August Gaul), co-optation of Eichhorst; spring exhibition: programme, schedule, list of names of non-members to be invited, including Christian Rohlfs, Friedrich Ahlers-Hestermann, Karl Albiker, Renée Sintenis; proposal by Liebermann: memorial exhibition for Gaul (Bl. 115-117).<br />6 March 1922: Memorial exhibition for Gaul in collaboration with Paul Cassirer, autumn 1922; rejection of an application by Eberlein to organize a collective exhibition; spring exhibition, further guests (Bl. 118).<br />Apr. 3, 1922: Spring exhibition (further participants, timetable, catalogue production questionable); Gaul memorial exhibition (pp. 119f.).<br />Dec. 21, 1922: rejection of a Curt-Kroner exhibition; Spring exhibition 1923: timetable, admission requirements (e.g. re-admission of free submissions), exhibition rooms, list of names of non-members to be invited (e.g. Rudolf Levy), programme, selling prices, difficulties in producing a catalogue, exhibition advertising, including the erection of flagpoles (pp. 122f.).<br />Participants in the 1923 meetings: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Lederer, Slevogt, Starck.<br />19 Febr. 1923: Election of Hofer to the commission (instead of the deceased Looschen); Looschen memorial exhibition; sending of the spring exhibition; letter Kallmorgens; exhibition of Berlin art in Nuremberg; academy exhibition in Dresden (Bl. 124).<br />5 March 1923: Spring exhibition (further non-members, e.g. Munch, Dix and Wilhelm Schmid); exhibitions in Nuremberg and Dresden (p. 125).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).<br />19 March 1923: Spring exhibition (further guests, e.g. Munch, Dix and Wilhelm Schmid).a. Charlotte Berend-Corinth (pp. 125f.).<br />26. March 1923: Spring exhibition (flagpoles, participants; pp. 126).<br />9. Apr. 1923: Spring exhibition (pp. 127).<br />26. June 1923: Reconstruction of the sculpture halls; exhibition in Nuremberg; exhibition of Berlin art in Dresden; exhibition of Italian paintings of the 17th and 18th centuries; black-and-white exhibition; Hungarian exhibition (pp. 128f.).<br />28th Aug. 1923: black-and-white exhibition, with list of names; graphic exhibition in Berlin in connection with artists of the Ruhr area (pp. 131f.).<br />14th Dec. 1923: Kruse's works in the spring exhibition (pp. 132).<br />Participants in the meetings in 1924: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kolbe, Kollwitz, Lederer, Pechstein, Starck.<br />10. Jan. 1924: Spring exhibition: Admission of free entries, list of non-members to be invited (Bl. 133f.).<br />8 Febr. 1924: Spring exhibition: spatial distribution of collective exhibitions, to different participants (p. 136).<br />9 Apr. 1924: Spring exhibition: to different participants, evt. No production of catalogues (sheet 136).<br />27 June 1924: Black and white exhibition in autumn 1924, within this exhibition a section with representatives of modern architecture (among others Poelzig, Behrens, Mendelsohn, Mies van der Rohe, Luckhardt), inclusion of watercolours in the black-and-white exhibition, collective exhibitions by Dix, Walser, Albiker, Munch, Zille among others; list of names of artists invited without jury (pp. 137f.).<br />Participants in the meetings in 1925: Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hofer, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Liebermann, Paul, Poelzig, Seeck, Slevogt, Starck, Schüler.<br />12 Jan. 1925: Exhibition of Italian Art; Spring Exhibition, List of Jury-free Invited Artists (Bl. 139f.).<br />13 Febr. 1925: exhibitions of Italian art and American architecture, Christian-Bernhard-Rode exhibition; exhibition of old Dutch paintings from Goudstikker's collection; spring exhibition, etc.a. Proposal by Hofer: Invitation of the November Group (pp. 141f.).<br />6 March 1925: Spring exhibition, including participation of the Munich New Secession, invitation of members of the Berlin Secession Hans Gerson and Josef Oppenheimer; exhibition of old Dutch paintings from Goudstikker's estate; preparation of the Thoma exhibition (pp. 143).<br />7 Aug. 1925: Corinth exhibition, collaboration with Corinth's widow; black-and-white exhibition, and others. List of names of guests to be invited; cancellation of the Goudstikker exhibition; group exhibition of Austrian artists; collection of Munich artists; Swedish exhibition (pp. 144f.).<br />24th Aug. 1925: Corinth exhibition; black and white exhibition, list of names of guests to be invited; exhibition of American architecture; Swedish exhibition (pp. 146f.).<br />15th Dec. 1925: exhibition of New American Architecture, inspiration and compilation of materials by pupils (pp. 148f.).<br />Participants in the meetings in 1926: Liebermann, Amersdorffer, Bertling, Dettmann, Eichhorst, Engel, Franck, E. Hancke, Hofer, Hübner, Kampf, Klimsch, Kraus, Pechstein, Poelzig, Schüler, Seeck, Starck, Wach.<br />4 Jan. 1926: Exhibition of New American Architecture: supporting programme, formation of a working committee, design of the catalogue (p. 150).<br />5 Febr. 1926: Spring exhibition, etc. Liebermann's proposal to present a collection of masterpieces of older painting within the exhibition; Corinth exhibition; exhibition of designs for the Cologne skyscraper project; Picasso exhibition at the Nationalgalerie (pp. 151f.).).<br />12 Febr. 1926: Spring exhibition, list of names of artists to be invited jury-free (pp. 153f.).<br />23 March 1926: Spring exhibition, including the collection of masterpieces from the second half of the 19th century (pp. 155f.).<br />23 Febr. July 1926: Autumn exhibition, list of names of artists to be invited free of jury; decision: reporting to the members on the results of the exhibitions; exhibition of Wrages Dante woodcuts (pp. 157f.).<br />1 Nov. 1, 1926; exhibition of Wrages Dante woodcuts (pp. 157f.). 1926: to the exhibition of Thoma-Graphik; rejection of an exhibition of Dutch graphics; black-and-white exhibition (pp. 159f.).<br />11 Dec. 1926: Liebermann exhibition, oil paintings and sketches, list of proposed works (pp. 161).<br />17 Dec. 1926: Approval of the list of works for the Liebermann exhibition (sheet 162).<br />Participants in the meetings in 1927: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hancke, Hofer, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Starck, Feilchenfeldt, Krecker, Schomann.<br />6. Jan. 1927: Thoma-Graphik-Ausstellung (Bl. 163).<br />27. Jan. 1927: Spring exhibition, lists of artists to be invited jury-free and non-jury-free, further invitations, e.g. L. Ury, Nolde (pp. 163-165).<br />11 March 1927: Preparation of the Liebermann exhibition, difficulties with lenders; spring exhibition (pp. 166f.).<br />2 Apr. 1927: on the inclusion of Hugo Vogel's portrait of the President of the Reich Court Simons in the exhibition (pp. 166f.). 168).<br />Apr. 7, 1927: Rejection of the exhibition of Hugo Vogel's portrait of the President of the Reich Court Simons (p. 169).<br />May 16, 1927: Liebermann exhibition; honors to Liebermann's 80th birthday Birthday, exhibitions of Liebermann's pastels by Bruno Cassirer, of Liebermann's drawings and graphics by Paul Cassirer (pp. 170f.).<br />8 July 1927: Renovation of the exhibition rooms, determination of the materials and colours to be used, outline sketch for the installation of the doors (pp. 172).<br />27 July 1927: Autumn exhibition, including a collective exhibition by Käthe Kollwitz, debate with Liebermann about Nolde's invitation, list of names of guests to be invited; structural changes: Relocation of the doors in the exhibition halls (pp. 173-176).<br />23 Aug. 1927: Renovation of the exhibition halls; change of the admission requirements for exhibitions: in future only distinction between academy members and guests, renunciation of the designation 'jury-free', correspondence on the rejection of Vogel's portrait of Simons; autumn exhibition, various applications for the organisation of collective exhibitions, addition to the guest list, including Schrimpf (pp. 177f.).<br />Participants in the meetings in 1928: Liebermann, Amersdorffer, Bruno Cassirer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Solmssen, Jung.<br />11 Jan. 1928: Correspondence on the rejection of H. Vogel's portrait of Simons; co-optation of Georg Kolbe into the commission; Austrian graphics exhibition; spring exhibition, including proposals for collective exhibitions by Hagemeister, Zille, inclusion of competition works for the State Prize, foundation of prizes for painters and sculptors at the academy exhibition, list of names of guests to be invited (Bl. 179-181).<br />8 Febr. 1928: Schönleber exhibition; Albrecht-Dürer exhibition; spring exhibition; Kolbe rejects cooperation in the commission (pp. 182f.).<br />5 March 1928: spring exhibition, et al. State awards granted for the exhibition, medals awarded; exhibition of Swedish 18th century painting; Meurer exhibition; promotion of the academy exhibitions by a financially strong circle of friends; foundation of prizes for private exhibitions (sheet 184f.).<br />30. Apr. 1928: Advice on the participants in the spring exhibition, report on the donated prizes; debate on the provision of academy rooms for an exhibition of Bavarian art by the Munich Secession (Bl. 186f.).<br />23. May 1928: Proposals for award winners of private foundations in the spring exhibition (George Grosz, Erich Waske, Alfred Partikel, Otto Freytag, Hans Joachim Lau, Max Neumann, Ernst Wilhelm Nay); founding of a society for the promotion of art at the suggestion of Max Liebermann (Bl. 188f.).<br />19 July 1928: Cooptation of Bruno Cassirer into the exhibition commission; Slevogt exhibition (pp. 190f.).<br />Participants in the meetings in 1929: Liebermann, Amersdorffer, Dettmann, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kraus, Pechstein, Starck, Director Drescher, Kommerzienrat Gugenheim.<br />30 Jan 1929: Exhibition of Chinese Art; Life and Knaus Exhibition; Collective Exhibitions within the Spring Exhibition, List of Names of Guests to Invite; Poelzig Exhibition (Bl. 192-194).<br />3 Apr. 1929: Leibl exhibition, definition; Poelzig exhibition; spring exhibition, list of further guests to be invited; exhibition of the State Collection for German Ethnology at the Academy; Knaus exhibition; spring exhibition 1930; Schmutzer exhibition; erection of flagpoles in front of the Academy (sheet 196-198).<br />3 May 1929: Spring Exhibition; Lighting in the Exhibition Rooms (pp. 199f.).<br />28 June 1929: Laureates of Private Foundations at the Spring Exhibition (E. L. Kirchner and Xaver Fuhr, Erich Geiseler and Richard Martin Werner; pp. 201f.).<br />2 Aug. 1929: Ludwig Knaus Memorial Exhibition; Graf Kalckreuth Exhibition; Poelzig Exhibition; Rembrandt Exhibition; State Prize Exhibition; Autumn Exhibition, list of names of guests to be invited without jury (pp. 203f.).<br />Participants in the meetings in 1930: Liebermann, Amersdorffer, Breslauer, Eichhorst, Engel, Franck, Hoffmann, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Seeck, Starck.<br />10th Jan. 1930: Spring exhibition 1930, list of names of guests to be invited without jury, applications for collective exhibitions, e.g. Klimsch, Ludwig Cauer; exhibition of Philipp Franck's watercolours; exhibition of Pechstein's glass paintings for a bathing establishment built by Tessenow; exhibition of the Max Böhm Collection; exhibition of Seché's graphic works (Bl. 205-210).<br />21 March 1930: Spring exhibition; exhibition of the Max Böhm Collection; Daumier exhibition; exhibition on Orlik and his school; participation of the Academy in the exhibition 'Altes Berlin. Foundations of the Metropolis'; Poelzig exhibition; exhibition of modern Japanese painting 1931; international exhibition of the Carnegie Institute; Goethe exhibition (Kippenberg Collection, Leipzig; pp. 211-213).<br />11 Nov. 1930: Debate on the proposal to organise an architecture exhibition 1931; debate on the artists to be invited to the spring exhibition 1931, and on the artists to be invited to the spring exhibition 1931.a. Munch, Hofer, Kolbe, Belling; discussion with the art dealer Flechtheim (pp. 214-216).<br />Participants in the meetings in 1931: Liebermann, Amersdorffer, Dettmann, Eichhorst, Engel, Franck, Hübner, Kampf, Klimsch, Kollwitz, Kraus, Pechstein, Slevogt, Starck.<br />20 Febr. 1931: Spring exhibition, list of names of guests to be invited without jury, collective exhibitions, including Emil Orlik exhibition, Poelzig exhibition; architecture exhibition; German-Danish exhibition; Frank Lloyd Wright exhibition; Erna Frank memorial exhibition (pp. 217-221).<br />11 March 1931: Spring exhibition, collective exhibitions, list of names of invited guests, including Marcks (pp. 222-224).<br />18 Apr. 1931: Laureates of private foundations at the spring exhibition (Meyboden, Wieschebrink, Peiffer Watenphul, Schade and Jenny Wiegmann Mucchi (pp. 225).<br />24 July 1931: Autumn exhibition, lists of names of guests to be invited (pp. 226-228).<br />Participants in the meetings in 1932: Franck, Amersdorffer, Dettmann, Engel, Kampf, Klimsch, Kollwitz, Starck.<br />15 June 1932: Autumn exhibition, u.a. Kollektivausstellung Ulrich Hübner, Namensliste des Einladungden Gäste; rejection of the application for an exhibition of modern school sign teaching in the Academy (pp. 229-233).<br />5th Sept. 1932: Autumn exhibition, Hübner collective exhibition, opening speech by Liebermann, fixing of admission prices; title of the spring exhibition (pp. 234-236).<br />Participants in the meetings in 1933: Franck, Amersdorffer, Dettmann, Eichhorst, Engel, Klimsch, Kollwitz (until 9th century). Febr. 1933), Kraus, Pechstein, Starck.<br />9 Febr. 1933: Spring and autumn exhibition, including Slevogt memorial exhibition, list of names of guests to be invited for the spring exhibition (pp. 237-240).<br />27 March 1933: Spring exhibition, determination: Exclusion of Jewish artists from the exhibition, communication to Büttner, Großmann, Levy, Meidner, Tappert, Wollheim, Josef Steiner, Jankel Adler, Klee, Schroetter, Feibusch, Radziwill, Isenstein, Moissej Kogan, Sopher, from sending in their works; no exhibitions of works by the architect Kreis and landscape sketches by Steinhausen (Bl. 241f.).<br />24 Apr. 1933: Resignation of Philipp Franck as chairman of the exhibition commission and chairman of the department for the fine arts; co-optation of further commission members instead of Franck, Hübner and Kollwitz); spring exhibition (Bl. 243).<br />4. May 1933: Inquiry for 'Aryan descent' at senders for the spring exhibition (sheet 244).<br />8. Aug. 1933: Exhibition of cartons by Peter v. Cornelius instead of the autumn exhibition (sheet 245).<br />Enth. et al: Provisions for the Standing Committees of the Royal Academy of Arts, List of Members 1910/11 (pp. 23f., 29f.), 1911/12 (pp. 32f., 36f., 66f.), 1912/13 (pp. 70f., 75), 1913/14, 1915/16 (pp. 16-18), 1916/17 (pp. 83), 1920 (pp. 95). Regulations for the exhibition of the Akademie der Künste, each spring 1923, 1924, 1928, 1929, 1930, 1931 (pp. 121, 135, 183, 195, 210, 221); program for the black and white exhibition of the Akademie der Künste zu Berlin 1923, 1927, 1931, 1932 (pp. 130, 176, 228, 233). Outline sketch of the exhibition halls 3 to 7 of the Academy, 1927 (pp. 172).<br />Enth. also: Letter from Schadow to Minister v. Altenstein, 9 June 1832 (transcript), on the establishment of a department for musical composition (pp. 4-11).<br />Protocols of the meetings of the Committee for Awards:<br />Participants in the meetings in 1910: Kampf, v. Groszheim, Amersdorffer, Friedrich, Gernsheim, H. Herrmann, Humperdinck, Janensch, Kayser, Mohn, Skarbina.<br />25 Febr. 1910: Consultation on the awarding of the professor's title to Feddersen, Jessen, W. Kuhnert, the professor and Baurat title to the architect Schaedler; decree of 7 Dec. 1909 (p. 19).<br />26 Apr. 1910: Rejection of the award of the title of professor to Klein-Chevalier, endorsement of Carl Ludwig Jessen (p. 20).<br />23. May 1910: Advocating the award of the title of professor of the King of Württemberg to the sculptor Bredow (p. 21).<br />1 June 1910: Rejection of the award of the title of professor to Albert Manthe (p. 21).<br />29 June 1910: Rejection of the award of the title of professor to the Berlin painters Willi Döring and Mattschaß (p. 22).<br />28 Oct. 1910: Members of the committee 1910/11, constitution of the committee and election of the chairman; no endorsement of the award of the title of professor to Adolf Hering, advice on an award for Georg Noack, Berlin, no endorsement of the award of the title of professor to the painter Hugo Ulbrich and the architect Paul Mebes (Berlin); adjournment of the advice on a proposal for a knight of the order Pour le mérite für Wissenschaften und Künste as successor to the musician Auguste Gevaert (Bl. 25-27).<br />Participants in the meetings in 1911: Kampf, Amersdorffer, Janensch, Kiesel, Manzel, Schwechten.<br />10 May 1911: Award of the royal Saxon professorial title to the painter Woldemar v. Reichenbach, no endorsement of the award of the professorial title to the painter Langer as well as to the sculptors Nikolaus Friedrich and Rusche (pp. 28f.).<br />20. Sept. 1911: Constitution of the committee, election of Manzel as chairman; no endorsement of the award of the title of professor to the sculptors Menter and Richter; no endorsement of the award of the title of professor to the painter Jüttner; no decision for the architect Laur (p. 34).<br />Protocols of the meetings of the committee for elections:<br />19 Oct. 1910 (v. Groszheim, Amersdorffer, Janensch, Scheurenberg, Schwechten): Members of the committee 1910/11, constitution of the committee and election of Scheurenberg as chairman; proposals for the elections of the eight members and three deputies for the Landeskunstkommission; successors for the deceased members Skarbina and Friedrich in the committees for general affairs and academic exhibitions (Bl. 31, 35).<br />8 July 1911 (Scheurenberg, Janensch, Koepping, G. Koch, Kampf): Proposals for substitute elections for the standing committees 1911/12 (p. 35).<br />10. June 1912 (Kampf, Janensch): Proposals for replacement elections for the standing committees 1912/13 (p. 38).<br />27 June 1913 (Manzel, Meyerheim, Schaper, Rüfer, Amersdorffer): Proposals for new elections for the standing committees (p. 39).

Inventory description: Abt. 209 Postcards Size: approx. 9000 pieces in 9 wooden boxes and 4 cartons, including 1. 3730 original postcards Worms/Umland and approx. 80 digital copies = 3521 registered pieces 2. approx. 5700 pieces other postcards without Worms or regional reference as well as duplicates Duration: after 1880 - 2001 How the postcards came into the archive and in which period the postcard collection was built up is not known. It is likely that these are mainly individual donations from users and smaller purchases. The collection also includes digital copies based on original originals in private ownership. In January 2006, the postcards of Mrs. Gerlinde Mauer, a temporary worker at the Jewish Museum, were re-sorted, while the existing group sorting was retained. From March to November 2011 the motifs related to Worms and its immediate surroundings as well as the military postcards were scanned with 300 dpi in original size and described by Mrs. Ingeborg Abigt in Augias until February 2012. For this purpose, a new classification was developed based on the old one. In addition, more postcards have been added ever since. The collection is stored in 10 wooden boxes in the magazine, shelf no. 46. The focus of the postcard collection is on collected views of Worms sights and views of the churches. The collection also contains a large number of military and propaganda cards, as well as postcards relating to the Grand Ducal Family. One part is unmarked, another has been sent by post and is marked with text, addressee and stamp. Since these are already published pictures, the stock is released for use. Reproductions, however, can only be made for private purposes due to the predominantly unclear legal situation. Exceptions are postcards of the publishers Christian Herbst and Füller, which can also be used for commercial projects and publications, as the city of Worms owns the rights, and postcards older than 70 years and therefore in the public domain. The find book was printed and bound in May 2012: Literatur Reuter, Fritz (Ed.), Worms in alten Ansichtskarten, Frankfurt 1979 Worms, postcards of Kunstverlag Christian Herbst, Worms 1903 Klug, Ernst, Worms in alten Ansichten, Zaltbommel/Niederlande 1978 Schwarzmaier, Hansmartin, Geschickte Illusion und erlebte Wirklichkeit. Picture postcards from the 1st World War, Karlsruhe 2003 (DD 15) Photographers Aero-Lux, aerial photographs, Frankfurt am Main Angermüller, Heinz Atelier Giesinger

Contains: among others: Examination reports of 6.8.1942 (carbon copy) and of 25.4.1941; photographs of the finished barrack house; drawings ´´Versuchshaus for the R e i c h s k o l o n i a l a m t and the Oberkommando of Heeres´´ Person index: Adolph, Gustav / Graf, Otto / Künzel, Alfred Sachindex: Porenit-Werk Dr. Adolph KG, Haar bei München / Elektrochemische Werke München AG, Höllriegelskreuth / General Labour Officer - Authorized representative for timber construction, Berlin-Grunewald / Steine und Erden GmbH of Reichswerke Hermann Göring, Sales Director Berlin / Karl Kübler AG, Stuttgart / Barackenbau / Porous concrete

Contains among other things: Expenditure in the field of food and grain management; establishment and tasks of the "Reichsnährstand"; enterprises involved in the Reich: Mundus GmbH and its subsidiaries, Überseeische Gesellschaft/Deutsche Kolonialgesellschaft, Isteg Steel, Luxembourg, Isteg Stahl, Vienna, Nordag, Oslo, Förlagsaktiebolaget Illustra AG, Stockholm, Optische Werke, C.A. Steinheil Söhne, Munich, Societé Maritime Universelle, Paris, Slovak-Deutsche Handelskanzlei, Preßburg, Vereinigte Industrieunternehmungen AG - Viag, Berlin, Reichskreditgesellschaft, Borussia-Beteiligungs GmbH, Bank der deutschen Luftfahrt, Aero Bank, Paris; official and private war grave welfare; foreign exchange protection commands (organisation); foreign teacher (permanent positions, civil service security); German Labour Front (Financial Foundations); Deposit money at Berlin banks before surrender; Military expenditure in the accounting year 1938; The German monetary system; Reich participation in economic enterprises in Baden; Foreign workers in the German Reich 1942-1944; Tax revenues 1933-1944; Budget revenues and expenditures 1940-1944; Customs duties and excise taxes in Austria since 1945 (as of 1945): Jan. 1949); buildings for the "Führer and Reich Chancellor"; real property of the German Reich in Paris; objects of war loot of the Prince of Monaco and the Rothschild family; registration of foreign securities; principles for drawing up the Reich budget plans before and after 1933; value and specific duties

Biography: Wilhelm (III.) Prince von Urach was born on 27 September 1897 in Stuttgart as the son of Wilhelm (II.) Duke of Urach Count of Württemberg and the Amalie Duchess of Urach Countess of Württemberg née Duchess of Württemberg in Bavaria. He first attended the Hayersche Knabeninstitut in Stuttgart and from 1908 the Karlsgymnasium in Stuttgart, where he graduated from high school in 1914. On 3 August 1914 he was drafted into the Field Artillery Regiment No. 13 King Karl. Already on 18 August 1914 he was appointed lieutenant. During the First World War Wilhelm Fürst von Urach served mainly in the Reserve Field Artillery Regiment No. 26, in the General Command Carpathian Corps (IV. Reserve Corps) and in the Württemberg Reichswehr-Schützen Regiment 25 and was deployed in France, Poland, Flanders, Serbia, the Carpathians and in Bukovina. Already in 1916 Wilhelm Fürst von Urach - probably at the request of his father - enrolled as a war student in law at the University of Tübingen. His real interest, however, was in technology and engineering. Wilhelm Fürst von Urach therefore studied mechanical engineering at the Technical University of Stuttgart from 1919 to 1922. After his studies he worked for the automobile companies Steiger in Burgrieden near Laupheim, Cockerell in Munich and Bugatti in Molsheim/Elsass. In 1927 he moved to Daimler-Benz. There he initially worked as a designer in Untertürkheim. From 1933 he belonged to the management secretariat. In 1937 he was appointed chief engineer. During the Second World War, he was the industrial representative responsible for the technical management of the Renault automobile plant in occupied France. 1945 Wilhelm Fürst von Urach returned to the management secretariat of Daimler-Benz. From 1946 to 1950 he was in charge of the Untertürkheim car test management. In 1954, Wilhelm Fürst von Urach was granted power of attorney. Wilhelm Fürst von Urach married Elisabeth Theurer on 19 June 1928 against the resistance of his father. She was the daughter of Richard Theurer, General Manager of G. Siegle.